The Painter Review: Charlie Weber’s Star Turn

The Painter throws you right into the action from scene one. This new crime thriller stars Charlie Weber from How to Get Away with Murder as Peter Barrett, a rugged ex-CIA agent living a quiet life as a painter. That all changes in typical thriller fashion when Peter’s dangerous past shows up uninvited.

The story kicks off when a teenage girl named Sophia (played by rising star Madison Bailey) arrives claiming to be Peter’s daughter. Before they can hug it out, a ruthless hit squad swarms Peter’s country home to take them both out. Apparently, Peter’s old CIA boss Naomi wants him dead for reasons unknown.

What follows is a bullet-riddled game of cat and mouse, with Peter and Sophia on the run while trying to uncover secrets from his shadowy past work.

From the veteran cast to the intense action sequences, The Painter brings plenty to satisfy fans of the spy thriller genre. While the convoluted plot does get held back by some predictable twists, Weber and Bailey’s captivating performances breathe emotional stakes into their father-daughter dynamic. This tension-filled chase evokes the strongest parts of gritty classics like The Bourne Identity.

So buckle up for a briskly-paced thriller that delivers exhilarating action alongside top notch acting. Between Madison Bailey’s breakout talent and Charlie Weber’s first leading role, The Painter gives you compelling characters to root for in a bullets-blazing story about confronting the demons of your past.

Walking the Tightrope Between Past and Present

Peter Barrett was living a quiet life alone in the Pacific Northwest, having left his CIA days behind him after a failed mission resulted in his wife leaving and supposedly losing their unborn baby. Now 17 years later, a teenage girl named Sophia arrives on his doorstep, introducing herself as the daughter he thought died. Peter barely has time to process this bombshell before a ruthless CIA hit squad storms his home to kill them both.

In signature thriller style, Peter’s lethal training kicks back in as he dispatches the attackers in brutal hand-to-hand combat. He flees with Sophia, trying to keep her safe while unraveling why the Agency wants him dead after all these years. They learn it was ordered by the ambitious Section Chief Naomi, and soon find themselves dodging both her and a psychotic agent called “Ghost” as Naomi stops at nothing to hunt them down.

Through tense flashbacks, we uncover Peter’s connection to a covert CIA brainwashing experiment called Project Internship, created to turn kidnapped kids into master assassins. As the pieces come together, Sophia reveals insider information about the program that challenges everything Peter thought he knew about his past missions and personal losses.

This dangerous trip down memory lane culminates when Peter comes face-to-face with his old mentor Byrne, who held secrets that rewrite their shared history working in the CIA’s darkest corners. In the end, Peter must harness the violent talents of his past to have any chance at protecting the new life he’s built with Sophia.

The Painter effectively entwines Peter’s former life as a loyal CIA weapon with his present struggle to break free and find purpose beyond serving shadowy handlers. The unexpected arrival of a daughter he never knew brings these worlds crashing together for a propulsive story about confronting damages from our past to preserve the future.

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Complex Characters Brought to Life

At the heart of The Painter are the turbulent relationships between Peter, Sophia, and Peter’s former colleagues. Charlie Weber is perfectly cast as the rugged Peter, embodying his character’s struggle between violent instincts and a longing for inner peace. Weber captures Peter’s cautious optimism about connecting with the daughter he never knew, while conveying the lifelong trauma rooted in his CIA past.

Relative newcomer Madison Bailey is an outstanding surprise as the headstrong Sophia. Despite her youth, Bailey projects a determined wisdom beyond her years. Her chemistry with Weber allows their unlikely father-daughter bond to become the film’s emotional core. Bailey’s portrayal of Sophia’s courage in the face of unthinkable danger makes it easy to invest in her survival.

The ever-reliable Jon Voight brings his trademark gravitas to the role of Peter’s former handler, Henry Byrne. Voight’s limited screen time prevents Byrne from being too developed, yet he excels at key moments late in the film when long-held secrets spill out. While underutilized overall, Voight’s restrained performance provides an emotional anchor for the film’s most pivotal revelations.

On the flip side, villains Naomi and “Ghost” fail to match the depth of the protagonists. Marie Avgeropoulos lacks the sinister charisma needed to sell Naomi’s transition from by-the-books bureaucrat to ruthless assassin. Meanwhile, Max Montesi’s “Ghost” leans on lame gimmicks in place of genuine menace.

Where The Painter truly captivates is in the complex character web connecting Peter, Sophia and Byrne. Weber and Bailey’s convincing family dynamic steer the film through its most cliché spy thriller moments. Combined with Voight’s rock-steady supporting turn, the leads deliver the soulful acting punch required from this character-driven conspiracy actioner.

Skilled Direction Elevates Tired Tropes

Considering The Painter marks only his second feature film, director Kimani Ray Smith demonstrates a steady hand critical for balancing the script’s loftier ambitions. Smith ensures the action stays taut and propulsive, while successfully building mystery through well-placed flashbacks. He squeezes high tension from quiet moments between the violent set pieces.

The hand-to-hand fight choreography deserves praise for achieving a rare blend of visual flair and gritty realism. Smith puts you right in the melee during Peter’s many lethal engagements, with camerawork that accentuates realistic tactics over highly choreographed dance routines. These raw action beats feed directly into The Painter’s emotional core of a dangerous man struggling to cling to his humanity.

Smith’s crafting of mood and atmosphere through scoring and lighting choices is also notable. He makes excellent use of contrast between the cold tones of Peter’s CIA past and the warm hues bathing his rural artist retreat. Quieter character moments are elevated by a score that carries an undercurrent of darkness lurking beneath Peter’s relative peace. These complementary technical elements amplify the film’s central theme about escaping past trauma.

Unfortunately, the script hinges significant plot points on stale spy movie tropes that even Smith’s stylish direction can’t redeem. Certain contrivances like high tech control rooms staffed by emotionless analyst drones will induce some eye rolls. And while Peter’s conveniently acquired superhuman hearing ability spices up some action beats, it comes across as more silly than thrilling.

But considered overall, Smith’s confident direction transcends lackluster writing to deliver an absorbing character-focused thriller. The Painter ultimately rests on the strength of its leads’ performances and their chemistry, both bolstered by Smith’s firm guiding hand.

Where The Painter Shines and Falls Short

Anchored by creative plot twists and emotionally complex characters, The Painter brings refreshing elements to the worn-out spy thriller formula. Charlie Weber and Madison Bailey deliver outstanding performances, forging an unlikely father-daughter bond that grabs our heartstrings against all odds. Their chemistry becomes necessary to ground some of the script’s hoarier cliches.

Playwright-turned-screenwriter Brian Buccellato peppers his by-the-numbers man-on-the-run storyline with clever revisions to Peter’s troubled backstory. These unpredictable connections between past and present keep us invested even when the dialogue turns stale. Imaginative action set pieces also deliver bold visuals while showcasing Weber’s physicality – like a prison riot erupting into chaos shot to look like a single continuous take.

But for all its flashes of inspiration, The Painter frequently trips over its own convoluted plotting. Supporting players Naomi and “Ghost” flop due to lacking any semblance of complexity beyond “ruthless assassin.” And an over-reliance on verbal exposition too often substitutes for demonstrating real character motivations.

After sprinting out the gate, The Painter starts running low on creative steam by the final act. One too many eleventh-hour double-crosses gives the film a disjointed, uneven structure. Populating the climax with multiple factions of interchangeable baddies muddies the personal showdown we’ve been waiting for between Peter, Sophia, and their antagonists.

Ultimately the script fails to fully deliver on the intriguing premise of Project Internship and its broad implications. An emotionally charged resolution centered solely on the father-daughter pair might have better served the story Buccellato first hooked us with.

But even with its third act stumbles, The Painter offers enough originality and soul to muscle past lackluster writing. Nimble camerawork and high octane stunts will more than satisfy action fans, with Weber and Bailey selling the human drama through outstanding chemistry. For anyone seeking a character-first conspiracy thriller or introduction to two rising stars, The Painter mostly achieves its artistic goals.

A Spy Thriller with Heart

Even with familiar ingredients, The Painter whips up an entertaining conspiracy actioner that mostly overcomes its unoriginal recipe. While the convoluted plot leaves some loose ends, slick direction and soulful lead acting serve up enough intrigue and emotional stakes to satisfy genre fans.

By the climactic reel, the script’s shortcomings fade behind sheer enjoyment of watching two charismatic rising stars. Charlie Weber and Madison Bailey grab our attention with outstanding chemistry and presence. They bring honest pathos to a father-daughter dynamic deepened by deception and buried family trauma.

The Painter hits plenty of pleasing notes for devotees of gritty spy action pics. Those seeking more character substance than shootouts may come away disappointed. But between creative flashbacks unpacking hidden backstories and white-knuckle combat scenes alike, Weber and Smith deliver the full thriller package.

At just over 100 minutes, The Painter moves at a brisk pace even when the plot machinery starts to creak. Viewers seeking an accessible thriller fix anchored in complex personalities will find their gritty conspiratorial fix here. By blending soulful lead acting with hard-hitting realism, The Painter ultimately paints within the spy genre lines while adding some innovative emotional brushstrokes.

It may not join the spy thriller pantheon, but between Madison Bailey’s breakout potential and Charlie Weber stepping into leading man shoes, The Painter offers ample rewards for character-first action fans.

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