Last Swim Review: London Comes Alive Through a Teen’s Eyes

Last Swim marks an assured first foray into features for director Sasha Nathwani, who cut his teeth on music videos and shorts like 2021’s Raj’s Story. With its world premiere at the esteemed Berlinale film festival, this coming-of-age drama has already begun generating buzz as an empathetic look at anxious teenagers facing an uncertain future.

Nathwani brings an energetic style honed from his work across media, while lending the film an authenticity rooted in his own Iranian heritage. Following a group of friends on the day they get their pivotal exam results, Last Swim looks poised to announce the arrival of a director to watch.

Reviews out of Berlin have praised its vibrant young cast and naturalistic dialogue as it balances breezier friendship comedy with melancholic strands revolving around lead character Ziba’s health struggles. Capturing the highs and lows of the teenage experience with insight and wisdom, Nathwani’s debut shows the promise of even greater things to come.

Following a Bright Star Facing an Eclipse

At the heart of Last Swim is Ziba, an academically gifted Iranian-British teen riding high after acing her A-levels and landing a coveted spot at University College London to pursue her passion for astrophysics. But there’s a sadness behind her smile that her friends can’t see on this pivotal “results day” as they set out to celebrate. Ziba has been ill, undergoing treatment for an undisclosed illness, and the limitless future she worked towards suddenly seems at risk of vanishing.

She has the day’s adventures mapped out, leading her tight-knit clique of goofy stoner Shea, tough-talking bestie Tara, and earnest Merf on a sprawling tour across London. But the group expands when they’re joined by Malcolm, a promising young footballer whose own bright prospects just cratered after getting dropped from a club’s youth team. As Malcolm vies for Ziba’s attention amidst moments of attraction, she witnesses the raw pain of his setback.

An intimate bond forms between these two ambitious teens facing adolescence’s unforeseen cruelties and linked by newly shaken dreams. Ziba hides her struggles as best she can through the bittersweet banter and camaraderie of one last perfect day out with her childhood mates. But Malcolm’s presence complicates her quest for carefree happiness, offering both a budding romance and a mirror into the gloom that awaits them both beyond this swan song of youth.

Navigating Life’s Uncertainties with Friends by Your Side

At its core, Last Swim is a coming-of-age tale that confronts the anxiety of facing an uncharted future that may never come. Ziba’s fight against a life-threatening illness lends the film a palpable melancholy as she grapples with self-determination in the face of her mortality. Yet a spirit of quirky teenage camaraderie buoys the mood against encroaching gloom.

Ziba hides her struggles from her friends as long as she can, not wanting to darken a day meant for lighthearted celebration. The film captures that tension between clinging to carefree youth and growing into adulthood’s harsh realities. Nathwani brings empathetic insight to these clashing emotions through vibrant characters like Ziba who find themselves stranded between childhood’s end and the onset of tragedy.

While ambitious in the serious themes it introduces, Last Swim chooses to focus its lens more narrowly. Broader societal issues like discrimination, class differences, andmental health challenges remain suggestions tucked around the edges. At center stage instead are the smiling and bickering friends who lend the film its effervescent charm even as they disclose a wisdom beyond their years in rallying around Ziba.

Nathwani ultimately aims for catharsis over complexity, privileging the resilience of friendship and budding romance amidst life’s trials. It’s a film about learning to swim against unpredictable tides—and taking solace in those floating right beside you.

Capturing London’s Spirit Through Fresh Eyes

Much of Last Swim’s infectious charm stems from its talented young ensemble cast. With natural chemistry bolstered by improvised banter, Ziba and her friends give the film a relaxed, genuine energy. These feel like real teens rather than actors playing parts as they jokingly annoy each other between moments of emotional honesty.

Nathwani’s direction also instills authenticity by taking us across less explored pockets of London through fluid camerawork. As the group journeys on bikes and trains between Ziba’s favorite spots, we get to know the city as they do. Novel angles present familiar landmarks from fresh vantage points while sweeping vistas immerse us in the skies and spirit of each neighborhood.

Cinematographer Olan Collardy lenses it all with poetic grace, his frames dancing between the epic and intimate. Overhead shots of the friends biking through the city’s veins give way to lingering close-ups as Ziba watches her future fade. Collardy’s work combines with the soundtrack’s UK hits and Iranian pop to provide propulsion and poignancy.

It’s a technical package bursting with youthful creativity from both behind and in front of the camera. Nathwani directs his hometown and its inhabitants with an insider’s wanderlust, determined to showcase hidden beauty wherever it may bloom.

Finding Truth in Teenage Growing Pains

Early reception for Last Swim out of its Berlinale premiere has been largely positive as critics respond to the film’s compassionate approach to the turbulent teen experience. Hekmat’s central performance as Ziba has come in for especial praise. She lends an understated but potent complexity to Ziba’s shifting emotions as she contemplates life’s fragility behind a veneer of academic confidence. It’s a breakthrough turn that grounds the film through quiet heartbreak.

The lively chemistry between Hekmat and her young co-stars has also charmed reviewers. They lend scenes of card games and freeway singalongs a carefree authenticity while still hinting at the deeper bonds just below the surface banter. Nathwani integrates relative unknowns like Lycurgo and Fleming with crisp economy, allowing room for flashes of improvisational humor without losing narrative drive.

That said, some critics suggest the coming-of-age drama doesn’t fully deliver on the ambitious themes it introduces. Threads examining institutional discrimination, economic inequality, and mental health get tugged without enough follow through. Preferring warm sentimentality over searing social commentary isn’t inherently a weakness, but might leave some viewers wanting more.

Ultimately though, most agree Nathwani announces himself as an emerging director to watch. There’s a wisdom beyond his years in how Last Swim celebrates friendship and romance as antidotes to life’s darkness. For capturing such bittersweet truths of youth with humor and heart, Nathwani’s debut provides reason to be hopeful for even brighter feats ahead.

A Bittersweet Celebration of Resilient Youth

With his promising debut Last Swim, Sasha Nathwani establishes himself as an emerging director with a deft hand at capturing the joy and heartbreak of teenage life. His film balances breezy humor with melancholic rumination as a group of friends comes to terms with impermanence amidst the cusp of liberating change.

There’s an infectious vibrancy to both the movie’s young stars and its creator’s eagerness to traverse new ground. Last Swim heralds the arrival of a bold directorial voice as yet untempered by rigid formula. Nathwani choreographs the frame with an appetite for movement and metaphor.

He also demonstrates a wise understanding of adolescence’s contradictions that should resonate across generations. Few films have so affectionately captured the courage we summon as teens to face fears universal and unique. Last Swim celebrates the steadfastness of true friendship when the present slips away and the future overwhelms. It’s a bittersweet tribute to resilience in the bright blooming spring of youth.

Also Read:

Priscilla Review: Sofia Coppola’s Empathetic Lens on the King and His Teen Queen Baby Bandito Review: How a Teen Hoodlum Became a Star Night Swim Review: Something’s Fishy in Suburban Purgatory Funny Woman Review: The ’60s Are Alive via Winsome Lead Performance Despite Clichés