Before Dawn Review: Muddied Ambition on the Western Front

Before Dawn is an Australian World War I drama that immerses us in the hellish trenches of the Western Front through the eyes of a young farmer named Jim Collins. Disillusioned with life on the family sheep station, Jim eagerly joins his mates in enlisting for the Great War, fueled by naïve visions of glory. However, the sobering realities of trench warfare quickly shatter his ill-informed expectations.

As playwright-turned-director Jordan Prince-Wright’s gritty coming-of-age tale unfolds, we bear witness to Jim’s descent into a waking nightmare of mud, disease, shelling, and the ever-present specter of death. What begins as a journey driven by patriotism and misguided courage becomes a harrowing struggle for survival amidst the senseless carnage. The trenches become both literal and metaphorical for the loss of Jim’s youthful idealism in the face of war’s depravity.

Grit Born of Limitations

Before Dawn is unmistakably a film of modest means, reportedly produced for under a million dollars. However, one could hardly accuse director Jordan Prince-Wright of lacking ambition. With ingenuity and no shortage of elbow grease, he and his crew managed to transform farmland in Western Australia into a startlingly authentic recreation of the muddy trenches that scarred the French countryside.

At an estimated cost of $900,000, sprawling earthworks were dug to serve as the movie’s predominant setting – a clever reallocation of resources that pays dividends in immersing the audience. We feel the claustrophobia and grime of these makeshift underground fortifications, the camera often maintaining a oppressive, ground-level positioning.

Inevitably, the shoestring budget imposes certain constraints. The large-scale battle sequences lack the spectacle of prestigious epics. Yet Prince-Wright’s judicious visual choices, intimately focused on the human experience, allow Before Dawn to overcome its financial boundaries through immersive world-building and an admirable commitment to exploring war’s personal toll.

Treading Familiar Trenches

In the crowded arena of World War I films, Before Dawn charts an unavoidably well-trodden path narratively. The story hits all the expected genre conventions – the idealistic young man’s enthusiasm for battle eroded by grim reality, the rites of passage into hardened survival mode, the camaraderie forged between soldiers facing unfathomable horrors together. While Prince-Wright’s film capably conveys these wartime tropes with grit and verisimilitude, it seldom transcends the familiar.

Our conduit is young Jim Collins, admirably embodied by Levi Miller as an increasingly haunted everyman swept up in the machinery of war. Miller brings an earnest vulnerability to the role, his journey from naïve farm boy to self-preserved warrior registering with poignancy. However, both his character’s arc and the perfunctory script don’t dig much deeper than archetypal. The same can largely be said for his compatriots, noble Brothers-in-arms rendered a bit one-note, save for Myles Pollard’s grizzled Sergeant Beaufort providing some welcome shading.

The dialogue seldom rises above functional, periodically slipping into anachronistic colloquialisms that may strike some as jarring. While no doubt intended to create a sense of relatability between modern viewers and the long-ago subjects, it’s a choice that can undermine the period authenticity Prince-Wright admirably pursued from a production standpoint.

Where Before Dawn most distinctly falters is in its unremarkable perspective on The Great War itself. For a conflict so tremendously seminal, the film is content to once more retreaded well-trodden territory – the futility of battle, the striking loss of life, nuanced shades of morality giving way to self-preservation in the trenches. One longs for greater insight, perhaps even controversy, to separate it from the plethora of similarly-themed offerings.

Muddied Artistry

While Before Dawn’s narrative may struggle to chart new territory, the film’s technical admirations are plentiful. Cinematographer Michael McDonough’s camerawork is particularly accomplished at evoking the oppressive confines and squalor of trench life. His lens remains predominantly entrenched alongside the soldiers, compositions tightly framed and low to the muck-ridden ground. We experience the subterranean quarters’ clawing claustrophobia first-hand, the bracketing walls of grimy earth closing in from either side of the frame.

When the film does venture above ground amidst the shelling and smoke, McDonough’s photography maintains a restricted depth-of-field that mirrors the compromised perspectives of those pockets of humanity amidst the explosive chaos. It’s an immersive, you-are-there approach that harnesses the cinematic form to convey the trenches’ psychological toll as much as the physical.

The production design, spearheaded by Aryan Bager, is nothing short of remarkable given the budgetary constraints. Meticulously dressed sets transport us to the pitiless battlefields of The Somme, rat-infested trenches stretching as far as the eye can perceive. One can practically inhale the miasma of smoke, mud, and decay that must have permeated every crevice of soldiers’ miserable existence. Shoddy military accoutrements and weathered faces caked in grime create disturbingly authentic portraits.

If there is one technical aspect that doesn’t quite achieve the same immersive heights, it’s the editing. While hardly inappropriate, the cutting can feel a bit unnecessarily brisk and conventional at times when a more languid, observational cadence may have better served the material’s strengths. Johannes Andersson’s percussive, string-laden score also leans a bit heavily into stodgy wartime clichés.

Eternal Echoes of Sacrifice

Before Dawn is a poignant if familiar exhortation against the dehumanizing brutality and senseless sacrifices of war. Through Jim Collins’ tragic coming-of-age, we witness the corrosive toll inflicted not just on the physical body and circumstantial realities, but on the very souls of those thrust into combat’s atrocities. The bright-eyed hopefulness of youth is steadily eroded into numbness and self-preservation instincts divorced from morality.

Prince-Wright pulls no punches in conveying the existential anguish endured by those who survived the trenches, their psyches forever marred. If the film doesn’t quite achieve the transcendent condemnation of something like All Quiet on the Western Front, it remains an earnest and immersive reminder that war’s tragedies extend far beyond its initial, bloody kampfraum.

In rendering this universally resonant truth through the localized lens of the Australian /ANZAC experience, Before Dawn taps directly into the cultural roots of lingering national identity. The harrowing losses endured by a fledgling nation’s youth became seared into the collective consciousness, a sober rite-of-passage in assertions of independence and self-determination. The film ensures such profound sacrifice will not be forgotten.

Admirable Trenches, Middling Insights

For all its grim authenticity in realizing the harrowing realities of trench warfare, Before Dawn is a slightly uneven experience that never quite achieves the transcendent dramatic impact or fresh perspective to which it aspires.

Director Jordan Prince-Wright and his team have unquestionably accomplished an impressive feat on a shoestring budget, transforming patches of Australian farmland into a viscerally immersive recreation of the Western Front’s hellish landscape. The technical craftsmanship, anchored by Michael McDonough’s claustrophobic camerawork and impeccable production design, ensures we feel utterly entrenched in the soul-crushing environs.

Where the film falls somewhat short is in its familiarity and lack of distinct insights into the profound tragedy it depicts. Levi Miller’s committed performance as the disillusioned young soldier Jim Collins rings true, but the story’s conventional arcs and archetypal characters don’t elevate the drama beyond well-trodden terrain. One longs for greater narrative complexity or a more provocative exploration of such monumental subject matter.

Ultimately, Before Dawn stands as an honorable and immersive if somewhat safe venture into the World War I canon. For those craving a visceral glimpse into the nightmarish existence of the Western Front trenches, it delivers the requisite atmospheric horrors and disillusionment in spades. However, those seeking deeper philosophical rumination or a fresher contextual lens may leave wanting. An admirable addition to the genre’s ranks, if not quite a new classic.

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