Humane Review: When Intriguing Ideas Derail into Chaos

Set in a perilous future, Humane puts a twist on the classic battle royale by pitting one wealthy family against itself after climate change leaves society hanging by a thread. When food and resources run dangerously low worldwide, governments enact drastic population controls that include incentivizing voluntary euthanasia.

In this dire new world, director Caitlin Cronenberg and screenwriter Michael Sparaga explore how those in power might ration survival itself. They introduce the well-off York family, gathered for a fateful dinner where patriarch Charles makes an unexpected announcement. But when his plan hits a snag, long-buried tensions boil over as siblings turn on each other.

Forcefully played by a strong cast led by Peter Gallagher and Jay Baruchel, the Yorks encapsulate how those detached from struggle might debate human life’s value. Their troubling exchanges reveal hard truths about who gets saved when society must choose. Humane poses urgent questions about ethics in crisis with flair.

Yet for all its intriguing setup, Humane ultimately spreads its ideas too thin. By zooming tightly on one location, it overlooks a richer world just outside begging to be shown. And dramatic slack slows the thought-provoking tension into routine thrills. Humane has flashes of savvy social critique, but falls short of realizing its harrowing vision’s full power to keep viewers hooked to the unsettling end.

Striking yet Sobering Vision of Tomorrow

The world presented in Humane feels hauntingly plausible. We learn that an global ecological collapse has pushed resources to the breaking point. Food, water and basic needs are severely restricted as environmental conditions grow dire. It’s a crisis with roots in our present but implications that could foresee our future if real changes aren’t made.

Rather than pursuing sustainable solutions, governments take a horrific stance – mandating a 20% reduction in populations across borders. With limited time left, draconian measures become perceived as the only recourse, no matter the moral costs.

A voluntary euthanasia program is enacted, one that rewards families financially for lost loved ones. Yet there’s an unspoken reality – the wealthy face no such risk while the vulnerable essentially price their lives. When survival is the prize, all risk signing away what we once held sacred.

It’s a bleak vision that remains grounded through careful worldbuilding. Sparse but evocative details like foil umbrellas and window treatments speak to a world on the brink. Commercials gloss over grim realities with upbeat propaganda as an entire system profits from human lives.

Beyond accusations of “eating the rich”, Humane crafts a high-concept premise that stays hauntingly topical by reflecting creeping climate woes back at us. In exploring how society might respond if pushed to the brink, it paints a cautionary portrait that preserves its power through sophisticated environmental storytelling.

The Privileged Players

We’re introduced to the wealthy York family as they gather for a rare dinner at their sprawling estate. Patriarch Charles, a former news anchor, presides over four grown children – each pursuing their own path with varying results.

Eldest son Jared has made a career championing the government’s controversial population control measures in his role as an anthropology professor and commentator. You get the sense he relishes the controversy, throwing around careless soundbites that ignite division. Sister Rachel leads a pharmaceutical company and seems cut from the same cloth, viewing people as statistics rather than individuals.

In contrast, recovering addict Noah and aspiring actress Ashley harbor deeper reservations about the program. Noah in particular carries the scars of his past, leaving him wary of any system intent on reducing human lives to numbers. Ashley’s passion for her art suggests she sees humanity in more noble terms.

Tensions are high as these opposing views collide. Jared and Rachel wield their privilege like a cudgel, reminding others that the rules “aren’t made for people like us.” Their casual disregard threatens to unmask long-buried siblings rivalries.

Of course, the family’s discord takes on deadly implications once unforeseen events force them into a brutal game of survival. Ideals are abandoned and true colors emerge as loved ones are pitted against each other. In this gilded cage, we see fractured relationships transformed by fear, anger and selfish desperation.

The Yorks’ discord reveals the fault lines in societies grappling with existential crises. When severe measures are on the table, conflicting visions of what it means to be human will clash fiercely even within our closest circles.

Social Commentary and Satire

Humane holds up an unflattering mirror to the wealthy and powerful. The film shows how Charles York and his affluent family are completely removed from the struggles facing everyday citizens in this dire world. While regular folks line up for rations and fear being drafted for euthanasia, the Yorks host lavish dinners completely unaffected by societal woes outside their gates.

This detachment is best embodied by Jared, a pundit cheerleading the government’s murderous population control measures without fully grasping their human toll. He pontificates on television about sacrificing others in service of some greater cause yet balks when his own number may be called. His empty rhetoric and self-interested logic are skewered to expose how privilege breeds indifference.

The “Department of Citizen Strategy” overseeing euthanasia is likewise satirized. Their blithe commercials promise a painless passing and present forced suicide as a noble civic duty, whitewashing a cruel policy rooted in scarcity and power rather than care or compassion. Even the program’s name euphemizes its grim purpose with bureaucratic vagueness.

Minor details offer bleak laughs, like protests against “Asian collapse” blamed for all woes or grimaces from workers hauling away the deceased. The film also finds humor in absurdity, such as a lovelorn suitor’s ill-timed dinner invitation or clashes between those accepting fate and those resisting it by any means.

Through such subtleties and the clashes between its characters, Humane shines a light on how societies fracture under pressure and the monstrous ideas some embrace when problems seem too big to solve. While pulling no punches about humanity’s flaws, it does so with an air of dark playfulness that invites us to question ourselves along with its subjects.

Humane Performances Bring Complex Characters to Life

Peter Gallagher shines as patriarch Charles York, giving the film’s moral core with nuanced portrayal of a man reckoning with his influence on a fractured world. Charles’ admission questioning his decision to have children feels chillingly honest.

Jay Baruchel injects Jared with anxious frenzy, an activist blithely campaigning for policies impacting others while distancing himself. His veneer cracks amid family strife, exposing humanity beneath bombast.

As ambitious sibling Rachel, Emily Hampshire deploys cutthroat charm to advance self-interests, yet fragility emerges when faced with real loss. Their volatile dynamic feels genuine, simmering tensions exploding cataclysmically.

Minor characters also sing, like Enrico Colantoni’s disaffected bureaucrat Bob, deadened by duty yet creeping menace hinting at deeper darkness. Subtleties elevate potentially one-dimensional roles.

Sebastian Chacon struggles to infuse troubled Noah with intrigue, feeling typecast as fragile victim. More nuanced shadings were needed to engage our sympathies.

While most bring layers, some characters lack vibrancy, weakening the film’s social commentary by reducing family members to easily sorted archetypes in critique of class divisions. With more fully realized characters throughout, Humane might achieve greater impact.

Caitlin’s command of imagery

Caitlin Cronenberg brings a keen sense of visual storytelling to Humane. Right from the opening scenes, she grips you with unforgettable glimpses of this cracked world. People line up for water beneath umbrellas that fail to shield them from an unforgiving sun. Windows are boarded or tinted, walls blurring the line between shelter and prison.

Through production design, Caitlin invites you into her dystopia. The York estate becomes a gilded cage, cut off from devastation outside yet breeding tension within. Dark furnishings and gleaming surfaces reflect the characters’ hidden depths. In their taut exchanges, the camera hangs on faces twitching with fear, pride and ruthlessness. You feel locked in the drama alongside the family.

Minor scenes resonate longest. A coffee tossed in disgust shows the toll on strangers just trying to get through the day. A carefree wave from the euthanasia van makes death seem easy, if only circumstances allowed. With subtle strokes, Caitlin brings this catastrophic future disturbingly close to home. Her directorial eye ensures Humane leaves an unsettling impression long after the final frame.

Beyond the Breakdown

Humane kicks off with a thought-provoking premise that grabs your attention, posing big questions about what humanity might do in a time of true ecological crisis. Establishing a world where radical population control has become a necessary evil certainly gets the wheels turning. This dystopian setting provides ripe material to examine how such an inhumane solution might impact different sectors of society in varying ways.

For a while the film explores these layers through lively debate between the complex York siblings over the hot-button issues of their world. But as violence takes over, Humane loses sight of its most intriguing elements. The characters’ disputes fade into physical altercations all too quickly, eclipsing deeper discussions better left unresolved. While the tension mounts, meaningful commentary falls to wayside.

It’s disappointing because real potential existed to sustain thought-provoking drama to the end. With more restraint shown in its pivotal moments, Humane could have spurred discussion long after credits rolled. As is, what began as stimulating social satire deteriorates into a chaotic brawl.

Still, the opening scenario alone presents food for thought that lingers in the mind. And a solid cast keeps the story compelling even at its most strained. Though Humane ultimately fails to fulfill its full premise, it offers a memorable setup that leaves you pondering the fascinating questions it posed initially. Its efforts to spark conversation, if not its execution, remain praiseworthy.

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