Baby Review: Caetano’s Moving Portrait of São Paulo

Set in the bustling streets of Sao Paulo, Baby introduces us to Wellington and the world he finds himself in after leaving Juvi. Directed by Marcelo Caetano, this film follows a young man as he searches for stability in a city that offers little.

Wellington’s journey begins much like those of many in Sao Paulo—without family or support. But through chance encounters, he forges bonds that become invaluable. When he meets Ronaldo outside a cinema, Wellington receives both opportunity and guidance, albeit complex. Ronaldo shows him how to make money through sex work, but their relationship grows intimate. They develop a surprising intimacy, but navigating it will test them.

As Wellington, now going by Baby, is pulled deeper into Ronaldo’s circle, he finds his chosen family as well. Others, like Priscilla and Jana, prove that families take many forms. But not all connections will serve him well. Figures like Torres bring risk, threatening the fragile stability Baby has built.

This film paints a vibrant portrait of life in Sao Paulo through the eyes of these unforgettable characters. With raw emotion and complexity, their stories illuminate both the struggles and joys that define existence in the city.

Characters & Connections

The story follows Wellington as he navigates life after being released from prison in Sao Paulo. Having just come of age, he finds himself alone, with no family for support. We learn his father rejected him for his sexuality, leaving him with his mother years ago.

Adrift, Wellington falls in with street performers to get by. But a chance meeting outside a cinema introduces him to Ronaldo, an older man with influence in the city. Ronaldo shows him a way to earn money through sex work. As Wellington, now called Baby, learns the realities of this world under Ronaldo’s wing, their relationship also develops intimacy beyond professional bounds.

Ronaldo brings Baby into his broader circles. We see Ronaldo caring for Baby while also pushing limits at times. He introduces Baby to those like Priscilla, mother of Ronaldo’s child, and her partner Jana, demonstrating that chosen families take many forms in their community.

As Baby comes into his own, so too does he desire more. This tests the bond with Ronaldo, who feels like he is losing control of the situation. Their evolving dynamic is complex, with shades of exploitation and affection intertwined.

While aiming to lift himself up, sinister forces also take notice of Baby, like the dangerous drug dealer Torres. Through such threads, we see Baby striving to find security while navigating relationships and balancing different needs—both caring and taking advantage at times. How he ultimately navigates this pivotal period in his life remains an unfolding story.

Facing Forward

This story belongs as much to Ronaldo as it does to Baby. Ricardo Teodoro brings Ronaldo to life in all his contradictions: caring yet controlling, affectionate but pushing limits. We see how Ronaldo’s hardened exterior masks deep wounds as he struggles to maintain power over his changing world.

Teodoro makes us feel for Ronaldo even as he oversteps with Baby. His performance explores the messy complexities of their bond, whether due to affection, manipulation, or both. Through it, we better understand how past trauma shapes Ronaldo as much as his present choices.

As Baby, João Pedro Mariano brings profound vulnerability and hope. Mariano depicts how Baby just wants stability yet craves freedom when testing new waters. We experience Baby tentatively shedding his protective shell through Mariano’s nuanced work.

Supporting characters like Ana Flavia Cavalcanti as Priscilla and Bruna Linzmeyer as Jana showcase families as a lifeline. And Marcelo Varzea expertly plays Baby’s affection for Alexandre with the bittersweet wisdom of changing times.

Together, these impactful performances breathe life into individuals defining themselves against societal constraints. They show resilience in the face of difficulty and explore what it means to move forward however one can. In doing so, the characters and this film leave an impression long after by challenging preconceptions and bringing hidden lives into light.

Finding Beauty in the Truth

Marcelo Caetano guides this film with empathy and care. His direction never patronizes, instead showing the dignity of each character. Caetano lets moments breathe naturalistically, from joyful to difficult.

We feel this is due to experts behind the scenes. Cinematographers Joana Luz and Pedro Sotero frame São Paulo in all her beauty and hardship. Shots linger to take her in, from colorful storefronts to crowds navigating narrow streets. Their camera glides fluidly, pulling us closer to observe each person’s inner world.

Locations feel authentic, transporting us straight to this city. From seedy cinemas to open-air dance celebrations, production designer Rafael Coutinho depicts environments truthfully. They capture the city’s hustle, yet humanity, crowds, and tight spaces remind us of history’s challenges.

Caetano ensures we see past surface assumptions. A sequence in a gay sauna avoids titillation, focusing compassionately on bodies connecting. He highlights society’s light too: baby finding a chosen family, bringing sincere joy in dance. Caetano brings out hope in struggle through their portrayal.

His direction presents masculinity and relationships with refreshing nuance. Moments push past preconceptions without force, leaving space to understand each man’s journey. Caetano leads us to conclude that people everywhere desire love, security, and a place to call home—qualities transcending borders.

Through their artistic work, this film finds beauty in portraying life as it is. Guiding us to where kindness survives in humanity, their vision leaves an impact long after closing credits.

Finding Family

This film explores what family truly means. Baby comes from a broken home, leaving him isolated in a hostile world. As he navigates São Paulo’s streets, only one goal drives him—finding stability.

Then Ronaldo appears, offering the family what Baby craves. Yet their relationship brings complexity, entangling business with emotion. Through it, Caetano examines how easily love and exploitation can intertwine.

Baby finds his way by making new bonds. Priscilla, Jana, and others exemplify the power of chosen kinship. Their care for one another matters far more than blood ties, presenting a moving portrait of the community they created.

Meanwhile, class divides emerge between characters. Alexandre’s wealth contrasts with Baby’s struggles for basic needs. And Torres preys on the vulnerable, abusing power over others. Their presence highlights society’s inequalities and how they affect intimacy between people.

Most fundamentally, Baby portrays sexuality’s fluidity in modern Brazil. Characters experience desire freely yet still confront stigma’s ghosts, like homophobic fathers. Their openness deepens what it means to love in a changing landscape, with Ronaldo and Baby’s bond defying simplistic labels.

Throughout, Caetano asserts that family comes in many forms. With empathy, he shows how figures like Ronaldo can nurture or harm and the resilience of people forging places despite life’s difficulties. Ultimately, Baby is a tribute to finding connection wherever solace exists.

Windows to the Soul

This film opens a window, sharing unseen aspects of life in Brazil. Caetano brings discussions around sexuality and class into the light through honest, empathetic storytelling.

Baby normalizes LGBTQ+ experiences that still face oppression worldwide. Characters simply live as they are, finding bonds that uplift their spirits. By portraying same-sex relationships with grace, not sensationalism, it helps shift closed perspectives. Representation empowers those longing to see themselves reflected on screen.

We also glimpse the challenges of a divided populace. Some pursue happiness however they can, yet poverty and violence still shadow their steps. Caetano spotlights social issues without accusing fingers, instead appealing to our common humanity. His compassion says that though problems remain, hope dwells where people uplift one another.

As the world discusses diversity more, works like Baby contribute meaningful voices. By shining a light in dark corners and bringing faces to issues, it fosters deeper understanding across cultures. Windows open both ways, and art can build bridges where fear and friction once stood. Perhaps watching may inspire others to see past surfaces and into another’s soul.

If changing hearts is its soft aim, then through empathy, authenticity, and art, Baby has started important conversations sure to resonate for years to come.

A Story to Remember

Caetano directs with empathy and care, inviting us into lives too often unseen on screen. At its heart, the film explores what family truly means—not just those joined by blood, but the families we choose. Through Wellington’s journey, we witness beauty that arises even in darkness as people support each other however they can. His relationships also highlight society’s complex issues around sexuality, class, and power in thoughtful ways.

All the performances feel sincere, none more so than those of Mariano and Teodoro. Their complex connection drives the film, troubling notions of exploitation while depicting intertwining love that defies labels. It left me thinking long after the credits rolled.

To be sure, Baby isn’t an easy watch; it pulls no punches, showing the hardships many face. But like its characters, the movie possesses quiet strength and resilience. Even in sadness, Caetano finds humanity that uplifts the soul. His direction treats its subjects with empathy and care.

For anyone wishing to understand lives beyond their own, Baby offers a gift—a glimpse of courageous people crafting families amid life’s difficulties. Though the issues raised have no simple answers, the story will linger long in my memories. I believe others will find it equally thought-provoking.

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