Bad River Review: A Film Fuels Crucial Conversation

Set in northern Wisconsin, Bad River tells the story of an Ojibwe tribe battling to protect their ancestral lands from environmental damage. Released in 2024, the documentary is directed by Mary Mazzio and narrated by actors Quannah Chasing Horse and Edward Norton.

We’re introduced to the Bad River Band, a community of the Lake Superior Chippewa who have called the forests and shores surrounding Lake Superior home for generations. However, their way of life is now under threat from an aging pipeline owned by an energy company. Dubbed Line 5, the pipeline runs through Bad River territory and poses serious risks of contaminating one of the Earth’s most precious water sources should it rupture.

With eye-opening interviews and striking scenic footage, Bad River invites us into the world of this indigenous group as they wage a fight to safeguard both their habitat and cultural heritage in the face of opposition. It aims to shed light on their plight through a blend of historical insight, legal analysis and personal testimonies.

Facing the Pipeline

The documentary Bad River introduces us to the thriving community of the Bad River Band, an Ojibwe tribe who have called the lands around Lake Superior home since time immemorial. However, their way of life now faces a serious threat in the form of an aging pipeline that runs through the heart of their territory.

Dubbed Line 5, the pipeline is owned and operated by Canadian energy corporation Enbridge. Built over 50 years ago, it transports crude oil and natural gas liquids across Wisconsin. But with sections laid directly above ground and showing clear signs of decay, many fear it’s only a matter of time before it ruptures catastrophically. Should that happen, the landscape and waters the Band relies on could become poisoned for generations.

Aware of the danger Line 5 poses, the Band has fought vigorously in recent years to have it removed. They argue the pipeline violated treaty agreements and poses unacceptable dangers to both people and environment. However, their demands have so far fallen on deaf ears as Enbridge refuses to seriously consider rerouting or dismantling the pipeline.

The standoff comes to a head after a 2018 helicopter crash exposes another vulnerable stretch of Line 5 above the wetlands. Furious at the negligence and broken promises, the Band intensifies its legal campaign. We watch as tribal leaders and attorneys strategize their approach, holding rallies and filing lawsuits to apply pressure.

But pushing back against the vast resources of a huge oil company proves an uphill battle. Through interviews with locals, we sense the physical and emotional toll this drawn-out conflict is taking. With so much at stake, the community vows to continue their ancestors’ legacy of stewardship, hoping their determined voices can no longer be ignored.

As the movie builds to its suspenseful conclusion, will the Band succeed in removing Line 5 before disaster strikes? And what might this hard-fought victory mean, not just for their homeland but for other Indigenous communities facing similar threats? Bad River presents a deeply moving tale of resistance that continues today.

Authentic Voices

Quannah ChasingHorse delivers a powerful lead performance in Bad River. As the documentary’s narrator, she gives moving insight into the plight faced by her people with a resonant blend of strength, sadness and fiery determination. ChasingHorse captures the layered experiences of the Ojibwe with nuance, bringing an authentic tribal perspective that anchors the film.

Edward Norton also proves an able collaborator as the secondary narrator. While an outsider to these struggles, he understands the importance of amplifying Indigenous voices and respects his supporting role. Together, the two ensure the film remains firmly centered on Native American narratives.

Beyond the narration, Bad River succeeds in presenting fully multidimensional local characters. From elders recounting painful histories to young activists embracing their heritage, each interview subject feels fully realized. They discuss painful challenges like loss of language and culture as well as hopes for the future in a way that feels intimate and heartfelt.

Communities displaced for generations still persevere in their connection to tradition and homeland. The movie honors this resilience through its respectful depiction of tribal members as complex individuals rather than monolithic stereotypes. While the film touches on issues like historical trauma and addiction, it avoids defining anyone by their hardship alone.

At times, representatives of opposing viewpoints like the Enbridge officer come across as somewhat one-dimensional. But this is unavoidable when contrasted with the wealth of textured perspectives from the Bad River community. Overall, Bad River demonstrates how documentary can empower real people to share their truths with empathy, nuance and dignity.

Facing History

Bad River takes a nuanced look at some heavy themes still impacting Native communities today. Cultural divide remains prominent, as the film explores clashing worldviews between Indigenous traditions and the dominant Western ways now prevalent across their ancestral lands.

Intergenerational effects of the past also feature strongly. Elders recount painful racism and assimilation tactics like boarding schools, with lingering impacts on areas like language preservation. Younger voices discuss finding identity in a world trying to erase their culture’s footprint. Despite challenges, the community’s resilience and reverence for the old ways impressively persist.

Rural poverty has certainly been a reality, as the reservation struggles with inadequate housing or basic services some may take for granted elsewhere. Yet their stories celebrate life’s simpler pleasures, a tightknit community supporting each other through hard times. Material wealth clearly wasn’t what made this place – or its people – rich to begin with.

Controversial subjects surrounding Missing and Murdered Indigenous Women see thoughtful examination too. Connections between man camps serving oil pipelines and tragedies unfolding nearby prompt serious discussion, not accusations. An issue impacting Natives nationwide is thus contextualized on a local, human scale.

Throughout, Bad River strives for balance rather than polemics. Multiple perspectives shine through on complex historical debates or the present pipeline conflict. No character is reduced to a stereotype, and kindness seems the film’s overriding ethos. With sobering honesty but also moments of beauty, it does justice to the nuances of a resilient community’s experience.

Living Waters

Bad River’s director Mary Mazzio brings such care and passion to visually representing this community. There’s real intimacy in how she frames interviews against the reservation’s natural backdrop, subjects relaxed amid environs they clearly love. You truly feel immersed in this place through her direction.

Some sequences are haunting too, like shadowing the pipeline’s route across wild rivers and forests. It lays their delicate beauty beside industry’s invasive reach in a way that speaks volumes. I also appreciated strategic use of archival footage, blending history seamlessly into the present struggle.

Mazzio never dwells in gratuitous spectacle either. Impact stems from intimacy rather than grandiosity. One thoughtful scene traces a waterway’s passage like a life’s journey, poignant in its simplicity. Clever direction keeps multiple perspectives flowing fluidly too, no single take overstaying its welcome.

While some may find certain passages drift beyond this issue, I was too fascinated by the land itself to mind an educational amble. Overall balance seems the goal rather than provocation alone. In showcasing this community’s deep connection to their natural inheritance with such visual poetry, Mazzio does their cause proud.

Heritage & Hope

There’s passion behind Bad River’s storytelling that lifts the words from the page. Dialogue rings authentic as community members share struggles in their own voices. Relationships feel lived-in too, like the rapport between activists who’ve bonded through shared travails.

I particularly enjoyed glimpses of tradition kept alive between generations. Elders pass lore to youth in moments sure to resonate with any family. While history lessons give context, the screenplay prioritizes emotional truth over statistics. Harsh facts find humanity through kind, thoughtful storytellers.

If there’s a missed chance, it’s exploring even more ties between environmental and social justice. While the pipeline threat is clear cut, planting deeper roots between ecosystem wellbeing and community welfare could move some audience perspectives.

Still, messages of resilience, reverence for the land and fighting unjust forces ring clear. By turn informative yet intimately profile rallying individuals, the script nurtures understanding. Its unvarnished optimism reminds that despite closed doors, open hearts remain the surest path forward. Through commitment to accurate, empathetic storytelling, Bad River nurtures heritage while kindling hope.

Identity & Inheritance

Balancing poignant portraits with pressing policy, Bad River works to honor a history too long denied. Though varying viewpoints at times, the film forges ahead in its mission to educate through emotional truth.

Interview segments profoundly peg pipeline politics as merely latest layer atop generations of injustice. Beneath policies blunting sovereignty lie souls scarred yet strengthened by struggle. Their resilience in favor of future generations serves as lesson for us all.

Dire warnings of environmental ruin ring clear too, a call to conscience that crosses borders. For protecting our shared waters ensures survival of communities both near and far. Only by acknowledging crimes of the past can we course-correct for a livable planet all may inherit.

Moments feel rushed in relaying such a weighty topic. Yet through passion of its storytellers, Bad River penetrates to shared hopes dwelling in our common humanity. In profiling persistence of Native place and tradition, it reminds identity itself stems from stories handed down.

Worthwhile for opening eyes and ears alike, this film honors ancestors by continuing their call. May challenges raised find solution in unity, as diversity proves riches beyond price for cultural understanding. An affecting, motivational work.

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