Bird Review: Soaring on Andrea Arnold’s Wings

Twelve-year-old Bailey lives with her dad, Bug, and brother in a run-down flat near Gravesend, Kent. Though she is just a child, she must already shoulder adult responsibilities. Bailey escapes into nature, filming the outdoors on her phone. It’s there she meets Bird—a kind, mysterious stranger dancing freely.

Bailey’s journey is guided by the visionary Andrea Arnold. Hailing from Kent herself, Arnold wields her camera with deep empathy, uncovering beauty in broken places. From Fish Tank’s fiery coming-of-age to American Honey’s open-road odyssey, her films breathe truth into those society overlooks. Strange yet soothing, Bird takes her signature grit and infuses it with magic.

Arnold spins the youth’s rite of passage with care. Bailey teeters at the edge between childish bonds and awakening independence, reality, and dreams. Facing her winding path, does she fly or fall? With Bird, might she find the wings to rise above life’s bars and the family to lift her higher still? As nature’s messengers stir her spirit, Bailey discovers her truer self and, perhaps, a home in the unlikeliest of allies.

Life Along the Thames

Nykiya Adams gives a standout performance as Bailey, a twelve-year-old girl living in a squat near the Thames estuary with her dad, Bug, and older brother Hunter. Bailey has learned to be self-reliant at a young age, often retreating inside herself with only her phone videos for company. She documents the world around her, from peregrine falcons riding thermals overhead to strangers wandering the shore.

Bug often acts more like an older brother than a responsible father. Ink-covered in tattoos from finger to neck, his big plans include selling hallucinogenic toad venom for cash. To Bailey’s dismay, he’s hastily arranged a wedding for a new partner without consideration for his daughter. Hunter is only a bit older than Bailey, yet he finds trouble with a local vigilante group. Still, the siblings share a bond, surviving in their rough environment.

One day in the meadows, Bailey meets an eccentric drifter named Bird. Dressed in a kilt and ankle socks despite the weather, Bird dances and plays charades to amuse the wary girl. His open-hearted weirdness piques Bailey’s curiosity. As they spend more time together, Bird provides the companionship and role model Bailey lacks elsewhere.

Bailey’s mother now lives across town with a new abusive boyfriend, Skate, and her little sisters. Skate’s brute force and insults are a dark counterpoint to Bird’s kindness. Arnold builds layers of family dysfunction around Bailey yet finds moments of togetherness even in the most dysfunctional of homes. Unexpected connections and compassionate acts hint that there may be hope amid the hard scenes of life along the Thames.

The Art of Observation

Andrea Arnold’s directorial style has long been defined by her naturalistic approach. She favors working with non-professional actors who can feel authentic, bringing a raw vitality similar to a documentary. This serves her well in Bird, where newcomer Nykiya Adams excels in the lead role of Bailey. Adams inhabits the character with brooding sensitivity, her facial expressions and body language conveying the inner turmoil of a young girl navigating difficult family dynamics.

Arnold’s camera feels almost observational. Scenes have a fly-on-the-wall quality; following the characters like a nature documentary might entail observing animals. Though she is handheld, her shots are steady and composed. We see the world as Bailey sees it. At the same time, Arnold infuses the film with surreal, magical realism. Elements like the fox at the wedding or Bailey’s strange visions blur reality. They reflect her imagination without aligning with fantasy.

Visually, Arnold takes cues from the natural world around her Kent setting. Animal and insect tattoos cover Keoghan’s skin, like the countryside is engraved on Bug. Birds themselves are a motif, from the cryptic title character to Bailey’s hobby of filming them. She seems most at peace in nature, and it’s here that magical events occur. Arnold makes the most of her rural exterior locations, illuminating everyday beauty where others see only bleakness. Her keen eye for detail brings intimacy to mundane moments.

Throughout, Arnold’s direction feels poetic yet sharply observed. She achieves realism and imagination in parallel, tugging Bird in two directions at once. This tension, like Bailey being torn between two worlds, is what makes the film resonate. Arnold sees everyday lives worth immortalizing within her pastoral frames, constantly surprising like the cycles of nature she captures.

Bird Soars on the Wings of Its Performers

At the heart of the film is Nykiya Adams’ stunning debut as Bailey, the 12-year-old girl coming to understand herself and her place in the world. Adams brings an old soul to the role, her eyes conveying as much sadness as resilience. Faced with unsupportive family members, sketchy caretakers, and her family’s financial woes, Adams ensures viewers feel Bailey’s struggle in their bones.

A newcomer standing up against established talent, Adams holds her own every frame. Barry Keoghan brings damaged warmth and volatility as Bailey’s dad Bug, playing the character with soulful nuance beyond his tattoos and rough edges. Bug clearly loves Bailey yet struggles to properly care for her, and Keoghan ensures we feel empathy for both. As Bird, Franz Rogowski offers gentle guidance when Bailey needs it most, their blossoming friendship feeling authentic. Rogowski, a talented performer comfortable with oddball roles, finds humanity in Bird’s quiet quirks.

Both veterans and newcomers bring layers to characters that could have rested on tropes alone. Jobsan Jobson suffers heartbreak as Bailey’s mother is forced into an abusive situation and unable to fully help her daughter. Small moments, like a tender conversation between the two, shine. Newcomer Jason Buda also avoids clichés as Bailey’s brother Hunter, bringing complexity past surface threats. These full performances are all the more impactful given the film was reportedly cast through open calls and improvised rehearsals, a testament to Arnold’s directing abilities.

Bird takes flight on the strength of its cast, with Adams emerging as a true discovery leading the way. Both experienced and inexperienced performers bring an emotional truth, respecting characters who feel like real people, not just archetypes. It’s a feat to ensure the soul of the film soars as high as its namesake.

Finding Yourself

Through Bailey’s eyes, we explore what it means to come of age in difficult circumstances. Living with her father, Bug, and brother, Hunter, stability is in short supply, and home offers little refuge. Bailey retreats inward, seeking solace in the natural world around her and through her video recordings. It is on one such wandering that she meets Bird, whose free spirit influences Bailey’s own awakening.

Bird helps Bailey discover strengths she didn’t know she had. With his encouragement, she stands up to the threats facing her family with bravery and defiance. In these moments of courage, Bailey starts to come into her own. Yet her journey is not easy, as familiar pressures and people try to hold her back. Bug loves his daughter but struggles as a parent, focused on his own problems. Bailey’s mother and abusive boyfriend make visiting her sisters a trial.

Through it all, Bailey finds allies where she can. Her bond with Bird is an escape from harsh realities and a reminder to stay true to herself. He sees the potential in Bailey when she cannot, helping her envision who she may become. As Bailey navigates changing relationships and her transition into adolescence, she gains self-assurance on her own terms. She comes to recognize her power to help others too, to shape her destiny, rather than watch from the sidelines.

Arnold captures the tenderness of youth but avoids simplifying the challenges Bailey faces. Her story resonates because it mirrors the complex, lifelong process of self-discovery we all undertake. By the story’s end, while obstacles remain, Bailey emerges stronger, guided by compassion, and empowered by her own journey to meet the future on her own terms. Hers is a story of resilience and hope.

Bird Flies in New Directions for Andrea Arnold

Andrea Arnold’s new film Bird builds upon the hallmarks of her past gritty dramas while also pushing her craft in novel ways. Many touches will feel familiar to fans of her early works, like Fish Tank, which likewise focused on a spirited young woman coming of age in a challenging home life. Both films capture the struggles of their featured communities with honesty, empathy, and a keen eye for beauty amid hardship.

Arnold’s visual style has evolved too. While maintaining her intimate handheld camerawork that places us firmly beside the characters, she brings new artistic flourishes. Bird takes us to a more vivid imaginary realm through dreamlike sequences and magical realism. At the same time, Arnold preserves the grounded realism and authenticity so central to her past triumphs.

Bird also differs meaningfully from Arnold’s documentary Cow by virtue of focusing on people rather than other species. Yet Cow’s compassionate spirit lives on as Arnold once more breathes life into overlooked souls. She finds light and creativity wherever they persist against adversity.

With Bird, Arnold flies in new artistic directions while retaining her one-of-a-kind ability to portray ordinary lives with extraordinary depth and care. It strikes an ideal balance between embracing fresh pathways and building on established strengths that her many loyal fans love her for. The result is a truly memorable work unlike any other in Arnold’s storied filmography.

Exploring New Frontiers

Andrea Arnold’s latest film, “Bird,” sees the acclaimed director push her style into rewarding new territories. On the surface, the gritty social realism and intimate filming of dysfunctional families feel signature Arnold. Yet beneath lie imaginative flourishes that subtly lift the story onto enchanting planes.

Central to this to this is the relationship between Bailey and Bird. Their connection, forged in a field by chance, comes to represent resilience in the face of life’s hardships. Bailey gains perspective and empowerment through Bird’s gentle nature. In turn, he seems to rediscover part of himself by helping her. Their dynamic carries a nebulous beauty that enhances the impact of the more downbeat aspects.

By merging elements so seamlessly, Arnold demonstrates a mastery of her craft. She proves once more her ability to transform raw material into pieces with resonance and rewatch value. While some sequences feel overly layered, the magical bits mostly enrich the realist foundations. Arnold also works wonders directing two newcomers to give career-making performances.

Considering her previous triumphs like “Fish Tank,” it’s clear Arnold possesses a rare talent for portraying marginalized communities. She does so with equal measures of empathy, care, and artistic flair. “Bird” confirms her status as one of Britain’s most vital filmmaking voices, one forever willing to spread her creative wings in search of deeper insights. For those willing to take flight with her through Kent’s pastoral lands and beyond, the rewards are plentiful.