Beverly Hills Cop: Axel F Review – Back in Action But Missing the Magic

It’s been over 30 years since Eddie Murphy’s intrepid Detroit detective, Axel Foley, last graced movie screens in Beverly Hills Cop III. A much-loved franchise from the 1980s, the films followed the fish-out-of-water Axel as he traded the gritty streets of Detroit for sun-drenched Southern California, blazing his own trail to solve crimes and throwing more than a few spanners in the works of the fancy Beverly Hills Police Department along the way.

Now in Beverly Hills Cop: Axel F, Murphy returns once again as the wisecracking yet dedicated cop, this time bringing his rebellious energy to help his estranged lawyer daughter Jane. When masked intruders dangle her from a parking structure, Axel jumps on a plane and dusts off the signature Lions windbreaker that made him an icon to find out who’s behind the threats. Back in the golden fold are some familiar franchise faces like Paul Reiser’s exasperated Captain Friedman and Bronson Pinchot’s flamboyant informant Serge.

While nostalgia runs high seeing Murphy reprise one of his most beloved roles, and the film effectively captures some of the swagger and spirit of the 80s films, Beverly Hills Cop: Axel F ultimately plays it too safe. Relying heavily on callbacks to past glories rather than forging new ground, it lacks the energy and visual flair to fully thrill modern audiences. Still, Murphy’s undeniable charms and some fun supporting turns make this a reasonably enjoyable trip back for fans of the series.

Beverly Hills Cop Returns

Eddie Murphy dusts off his motor-mouth Detroit detective Axel Foley for a new adventure in sunny California. It’s been years since the rowdy cop went head-to-head with Beverly Hills’ finest, and he’s a bit slower now. But when his daughter Jane finds herself in danger, Axel speeds back into action.

Jane has followed her father into the world of justice. As a defense lawyer in LA, she’s taken on a tough case representing someone accused of killing a police officer. But someone doesn’t want the truth to come out. Masked men dangle Jane’s car from a terrifying height, leaving her hanging by a thread.

When his old friend Billy urges him to help, Axel hits the road. He’ll do anything to protect his daughter, even if their relationship is strained. In Beverly Hills, he reconnects with other friends on the force, including police chief John Taggart. But he also makes new enemies, like the intimidating Captain Cade Grant, who seems eager to cover something up.

Axel partners with detective Bobby Abbott to unravel the mystery. Bobby used to date Jane, making him a reluctant ally and source of rivalry for Axel. Their investigation points to corruption within the ranks. As they crack the case, motor-mouthed Axel brushes off the years with as sharp wit as ever. He’ll bring his street smarts to Beverly Hills once more to uncover the dirty secrets and save his daughter from harm.

Returning to Beverly Hills

Eddie Murphy brings back Detroit detective Axel Foley after many years away. Now in his 60s, Axel is older and slower but still witty and energetic. Murphy seems to relish the role, bringing back the charisma and humor that made Axel such an iconic character. Some of his best scenes are when he is bantering with others or racing through wild chases in snowplows and helicopters. Though years have passed for Axel, Murphy retains the spirit that made this role famous.

Co-star Taylour Paige takes on the role of Axel’s daughter Jane, now a lawyer tangled in a conspiracy. Paige brings complexity to Jane, portraying a strong woman with frictions in her relationship with her father. Her serious presence provides balance amid the comedy. As Detective Bobby Abbott, Joseph Gordon-Levitt also grounds the film, playing his part with understated skill alongside Murphy’s lively star power.

It’s enjoyable to see returning faces like Paul Reiser and Jeffrey Friedman. Reiser slips back into his role with his signature witty exasperation. Judge Reinhold returns too, reprising the memorable Billy Rosewood. Both demonstrate how these classic characters have stuck with fans over decades.

While the film doesn’t reach the heights of its predecessors, these veterans and new co-stars help engross viewers in Axel’s renewed adventure. Their lively performances make appreciating Murphy’s iconic role and this nostalgic trip to Beverly Hills quite enjoyable. With talented casts both old and new, the series retains its knack for keeping audiences entertained.

Retrofitting Repartee

This return to form finds a playful poise between past and present. Director Mark Molloy keeps things buoyant from the start, evoking golden-age antics while updating the attitude. He grasps what made these films fun—letting Eddie Murphy’s magnetism steer the mayhem.

Molloy maintains a reckless rhythm through bustling sets. Scenes zip by in a fleet-footed flow, like Axel zipping between hijinks. His loose limbs barely contain the blithe energy he transmits to viewers. Chases sizzle with a snappy snap, crackling like Radio Raheem’s box. Pedal-pushing persists yet precludes pounding problems plaguing pixel-packed blockbusters. Action entertains without estranging minds from the humor.

Humor also gets its headspace, though never at the heart of a plot. Gags gallop alongside investigations instead of intercepting them. Molloy merits thanks for this deft balance. He formulates a formula  for fresh faces while respecting roots and rewarding returners. Reinventions risk ruining what ran rightly, but this director dexterously repackages pleasures from the past.

Cinematography complements this curation. Shots shimmer with a soul similar yet sleeker than their predecessors. They shower settings with a shimmering sheen yet stay swift to sustain the story’s steam. When scenes start to sag, Molloy merits praise for preventing ponderous pads from prolonging the piece. All in all, he reignites this respectable relic, relishing in remembrance without residing there. Fans facing the future can feel fine about following this franchise further if efforts emit this effervescent energy.

Back to Axel’s Boulevard

Eddie Murphy slips easily back into the well-worn sneakers of irreverent Detroit cop Axel Foley in Beverly Hills Cop: Axel F. Yet for a franchise returning after so long, relying on nostalgia can be a double-edged sword.

Nostalgia is certainly the name of the game here, from Axel cruising through sun-soaked streets to a remix of Harold Faltermeyer’s iconic theme song. Familiar faces reappear alongside Axel too, bringing smiles as Judge Reinhold and Bronson Pinchot resurrect goofy undercover antics of years past. Even the soundtrack spins 80s hits like “Shakedown” to transport viewers back in time.

For some, these golden-age touches will cast a warm glow. Reminiscing on simpler cinematic eras makes the playful callback elements comfort food for the soul. Yet relying too heavily on nostalgia also risks resting on past laurels, when fresh storytelling could renew the franchise for new audiences.

While friendly faces and a jamming soundtrack enliven the scenes, the former sparkle of surprises that made Axel Foley iconic dims without new avenues for his anarchic spirit to explore. Predictability sets in where surprised laughs and jaw-drops once resounded.

Still, there’s fun to be had rediscovering old friends, even if their world stays steadfastly in the past. For fans of the old school, stepping back into Axel’s Beverly Hills justifies itself, even if it doesn’t face the future. The soul of the series survives on smiles and years-gone-by tunes ringing out once more.

Beverly Hills Cop Returns

The release of Beverly Hills Cop: Axel F sees beloved detective Axel Foley dust off his red windbreaker once more after 30 years. While fans have fond memories of the zany fish-out-of-water fun of the original, does this fourth installment capture the same magic?

When we first met Axel in 1984, he brought his streetwise Detroit ways to the manicured streets of Beverly Hills, riffing on the flashy locals along the way. Director Martin Brest captured lightning in a bottle with Eddie Murphy at the peak of his powers. The sequel struggled to recapture that novelty but still offered more thrills. Yet part three floundered with an incoherent plot.

This time, Axel’s estranged daughter finds herself in peril, drawing our stubbly hero out of retirement. Murphy remains as charming as ever, despite the wrinkles, delighting with his quick wit and playful rapport with Joseph Gordon-Levitt. Their scenes feel lifted straight from 1980s buddy cop films. However, the mystery proves a mere pretext for mayhem instead of motivation.

Still, nostalgic touches like Bronson Pinchot’s return bring a smile. The music superbly transports us back in time. And it’s pleasant to spend more time with Axel, even if the adventure feels factory-fresh compared to before. Ultimately, this entry won’t knock your socks off but makes for easy viewing, like catching up with an old friend. While the franchise may be past its heyday, its spirit lives on through Axel’s timeless charm.

Out With the Old, In With the New

While Beverly Hills Cop: Axel F taps into fond memories of the 1980s, it lacks the energy and imagination of the original trilogy. Eddie Murphy’s charming performance can’t compensate for tired storytelling that offers few surprises. The plot ticks routine boxes without penetrating deeper themes around aging, family, or Murphy’s character.

That said, diehard fans will find enjoyment in callback gags and a soundtrack steeped in nostalgia. Lil Nas X’s catchy remix of “Axel F” is a highlight, putting a fresh spin on Harold Faltermeyer’s classic. And it’s always a pleasure to see Murphy back in action, even if he deserves a script granting Axel Foley and his fellow characters more depth.

In the end, this sequel plays it safe rather than taking risks that could have made it a true successor. Casual viewers may find little reason to invest their time. But those seeking an easygoing few hours in Axel Foley’s company will find some fun, despite flaws, so long as expectations remain modest. The franchise remains one for the history books—let’s hope its next entry looks forward instead of back and gives Eddie Murphy the material he deserves.

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