Dwelling Among the Gods Review: A Story of Shared Humanity

Dwelling Among the Gods tells the story of Fereshteh, a young woman from Afghanistan who arrives in Serbia seeking refuge after fleeing her war-torn homeland.

Directed by Vuk Ršumović and released in 2024, the film immerses us in Fereshteh’s emotional journey as she struggles to properly lay her brother Ali to rest. Upon arriving in Belgrade, Fereshteh learns that a young Afghan man drowned in the river weeks prior, and she fears it may have been Ali.

From there, she embarks on a frustrating quest to identify the body and claim it for burial, facing bureaucratic hurdle after hurdle in the process. Through Fereshteh’s experiences, the film sheds light on the universal issues of dignity in life and death, as well as the indifference all too often faced by refugees simply seeking safety and humanity.

This review will explore how Dwelling Among the Gods brings Fereshteh’s personal story to life while using her struggle as a lens to examine the wider refugee crisis and treatment of migrants.

The Heart of the Story

Let me give you a bit more insight into Fereshteh’s journey and those who accompany her. After escaping war-torn Afghanistan, Fereshteh arrives in Serbia with her husband Reza and children, hoping to find safety and eventually reach Germany. But she’s haunted by the unknown fate of her brother Ali, who fled before them. Learning that an Afghan man drowned around the time Ali disappeared, Fereshteh is convinced it’s him.

And so begins her determined mission to identify the body and give Ali a proper Muslim burial. But every step is a bureaucratic battle. Through it all, she’s aided by translator Nikola, who patiently assists migrants like Fereshteh. And lawyer Zoran helps navigate the complex legal system, though he deals with many clients.

As the drama unfolds, we see the pressures Fereshteh faces. Reza grows impatient with the delays as his family anticipates continuing the dangerous journey. And Fereshteh’s strict father back in Afghanistan angrily insists she bring Ali’s body home.

Yet Fereshteh perseveres, refusing to abandon her brother to an unmarked grave. Through Hosseini’s emotional performance, we feel the character’s sorrow but also her strength and the love for Ali that drives her. She emerges as a heroine fighting for dignity in the face of endless obstacles.

The way characters like Reza and Fereshteh’s father are depicted also provides cultural context. While Reza isn’t a one-dimensional patriarch, their expectations highlight the gender norms Fereshteh navigates. This deeper exploration of characters makes Fereshteh’s journey and the refugee experience feel resonant and real.

Capturing Fereshteh’s Reality

Ršumović made some impressive directorial choices that really pull you into Fereshteh’s experience. He shoots much of the film in a cinéma vérité style using handheld, documentary-like long takes. This makes the scenes feel urgently raw and real.

It’s like the camera is right there alongside Fereshteh as she navigates each frustrating bureaucratic hurdle. Specific shots are done so well too—I remember one where she’s waiting nervously in a reflection, keeping our focus on her responses. Combined with the murky location filming, it truly sucks you in.

The sound design is also remarkable. Instead of clean, controlled audio, it has a realistic sonic atmosphere that enhances the gray, muggy setting. Little background details blend together, just as the surroundings blend into one another in Fereshteh’s exhaustion and frustration.

All of this coming together through Ršumović’s directing ultimately places us right in Fereshteh’s shoes. I really felt her desperation and anguish as obstacles kept piling up. The compelling camerawork follows her every intense emotion in real-time, from joy to sorrow and anger.

Hosseini’s raw performance is perfectly captured too, whether it’s subtle glances or her big emotional catharsis. It elevates Fereshteh to the level of a documentary subject, making her plight deeply human. Her experiences feel utterly real through Ršumović’s skilled behind-the-camera work.

Overall, the cinéma vérité directing style gives Dwelling Among the Gods a sense of authentic urgency and makes Fereshteh’s journey powerfully visceral. It’s a big reason why her personal story packs such a punch.

Finding Her Voice

The bureaucratic obstacles Fereshteh faces truly seem Kafkaesque. With no papers to prove who she is, everything she does hits a dead end. I can understand her frustration—it’s like the system actively makes it impossible to get help.

Even getting her father’s DNA sample to identify Ali makes no sense. Why wouldn’t her own DNA work? The constant runaround must have felt so hopeless. Like the people in charge just don’t care what she goes through.

Yet Fereshteh kept pushing forward, refusing to give up on Ali. Through her perseverance, she found an inner strength and began demanding to be heard on her own terms. Things once out of her control slowly came into her power.

Her journey is a microcosm of what migrants experience. Chasing paper after paper to prove their basic humanity, with indifference at every turn. But like Fereshteh, many refuse to let bureaucracy obscure their dignity.

By honoring Ali, Fereshteh also honored herself. Her struggle gives insight into how refugees can start embracing agency, even within constraints. Ultimately, it’s a story of resilience and one person challenging a system to see her—and her brother—as humans.

The bureaucracy may seem Kafkaesque, but Fereshteh’s courage in the face of it is something far greater. She teaches that whoever we are on paper means nothing compared to the strength inside ourselves and our right to be recognized as we are.

Finding Her Voice Through Hope and Heartache

Hosseini deserves major praise for her vulnerable yet visceral performance anchoring this film. Despite the difficult role, she commits fully to portraying Fereshteh’s tragic journey with raw emotional honesty.

Many scenes are subtle—a glance, a tear—but Hosseini conveys so much inner turmoil through minute facial expressions. Her anguish and resilience are palpable. And when bigger emotional moments erupt, it’s breathtaking.

One climactic scene saw Fereshteh let out a primal scream of frustration, finally vocalizing her pain publicly in a culturally defiant act. Through Hosseini’s skills, it’s a staggering moment of catharsis and newly found agency. Her wails rang with a lifetime of restrained anguish now unleashed.

Authentic details from Hosseini’s own past as a migrant give Fereshteh’s struggle authentic depth, elevating the film’s message. She brilliantly portrays both the character’s oppression and indomitable spirit, even in darkness.

Hosseini’s magnetic presence anchors viewers in Fereshteh’s intense humanity. Despite obstacles, we root for her to find hope—and through Hosseini’s moving performance, she does, reminding us that resilience lies within each person, whatever life may bring. Hers is a tragic yet powerful portrayal to remember.

Bringing Fereshteh’s Story to Life

It’s clear this film was a true labor of love. From the detailed production design to the impactful soundscape, every technical element worked to fully immerse the audience in Fereshteh’s reality.

Scenes like her raw phonecall with her demanding father or the melancholic song at Ali’s funeral carried profound emotional weight. Beyond moving the plot, these symbolic moments provided cultural insights too.

While some depth around Afghan traditions or bureaucratic failures could have made Fereshteh’s journey feel even richer, it’s obvious Ršumović crafted her story with real care and nuance.

From the cinéma vérité camerawork capturing her every raw reaction to perfectly utilized non-diegetic music, all the technical aspects blended seamlessly to bring out the soulfulness in Hosseini’s lead performance.

Overall Dwelling Among the Gods demonstrated skillful filmmaking can make even the most difficult topics feel universally relatable. While simplicity prevented delving into all its worthy themes, the compassion and social consciousness shining through mark it as an impactful work of art. Fereshteh’s story was brought to life with empathy and grace.

Finding Common Ground

In the end, Dwelling Among the Gods tells a story we don’t hear enough—but one that is all too real for many. It serves as a potent reminder that underneath differences in where we’re from or what faith we follow, our shared humanity remains.

Fereshteh’s struggle spotlighted issues that require compassionate policies supporting refugees’ basic rights and dignity. While change can feel slow, films like this one are valuable in challenging preconceived notions and fostering understanding.

Viewers would do well reflecting on how they can advocate for those, like Fereshteh, still navigating an oftentimes indifferent system with little but their resilience and conviction. Whether through civic participation, donations, or daily interactions, small acts of goodwill can make large impacts.

While Fereshteh faced many setbacks, her determination in honor of Ali and pursuit of justice for migrants everywhere offers hope. It reminds us that whatever life brings, as long as one never forfeits faith in humanity, light exists even in darkness. Her story is ultimately one of embracing life’s beauty despite its hardships and finding courage within.

In shedding light on the refugee experience, Dwelling Among the Gods leaves us with an appreciation for empathy over fear or division. Its message of shared humanity through compassion lingers long after the end credits, rooted as it is in truths universal to our nature.