Lucky Lu Review: Pedaling Through Desperation

Lloyd Lee Choi’s Lucky Lu places us on the rain-slicked streets of New York City, where Lu (Chang Chen) works as a delivery bike rider, saving every dollar to bring his wife Si Yu (Fala Chen) and daughter Yaya (Carabelle Manna Wei) from China. The film opens with Lu’s quiet excitement as he Facetimes them through a cramped apartment he’s rented, promising Yaya a fish in place of the dog she expects.

That fragile hope shatters when Lu discovers his friend has run off with his deposit and, moments later, his e-bike disappears. Over a tense forty-eight hours, Lu must replace both bike and rent before his family arrives. Choi resists showy drama, instead tracking Lu’s gradual unravelling through confined corridors, narrow sidewalks and fleeting moments of light.

The city feels both protective and hostile—Lu’s survival hinges on speed, memory and sheer determination. By keeping shots close and focus tight, Lucky Lu primes us for an intimate, character-driven exploration of sacrifice under pressure.

Narrative Arc and Thematic Depth

The film unfolds as a compressed odyssey. First, Lu’s hopeful apartment tour shifts to panic when Bo Hao vanishes with the rent money. He has twenty-four hours to recover five figures before his family—who know nothing of his setback—lands. Next, a routine delivery turns catastrophic: the e-bike that carries Lu’s livelihood is stolen.

Stranded, he pawns possessions, borrows small sums and even shoplifts, barely scratching the surface of what’s owed. When Si Yu and Yaya arrive, Lu’s resolve hardens; he masks fear behind steady eyes, while Yaya’s wide gaze registers more than he suspects.

Key scenes reveal layers beneath Lu’s calm exterior. His stony silence cracks in a stolen moment with Yaya, who calls herself “Queenie” and insists on sharing his burdens. A voice-over memory from Auntie Yang recalls Lu’s early restaurant dreams—now a source of shame—casting today’s desperation in deeper relief. Encounters with fellow immigrants—each battling their own setbacks—turn betrayals into shared grief rather than villainy.

Themes emerge through Lu’s actions and silences. He carries shame for past failures while clinging to faint promise of a new life. His solitude on crowded streets speaks to the thin line between solidarity and competition in communities pressed into survival. In these passages, Choi asks us to see how hope survives under impossible weight.

Visual Style and Sound Design

Norm Li’s camera work transforms ordinary cityscapes into tight vessels of tension. Early scenes employ jittery handheld angles—Lu weaving through traffic—so we feel his heartbeat. As desperation mounts, shots shift to steadier frames: longer takes of Lu trudging across boroughs, exhaustion grounding every pedal. In one striking moment, a shaft of sunlight cuts through grimy windows, bathing Lu’s small apartment in warm relief. That single frame feels almost lyrical against the otherwise muted, overcast palette.

Brendan Mills’ editing mirrors this shift. Rapid-fire cuts in Lu’s frantic search—snippets of bike racks, alleyways, pawn-shop counters—generate a pulse of panic. Later, lingering shots let us catch Lu’s hollowed cheeks and the slow slump of his shoulders as he contemplates yet another dead end. Those tempo changes map directly onto his emotional arc.

Sound design deepens immersion. The low hum of traffic and distant sirens underscore his isolation, while mechanical clicks and spinning wheels thrust us into his daily grind. Music appears sparingly—a soft score for moments of hope, like Lu’s tour of the apartment—so its return signals brief reprieves amid chaos. When diegetic sounds (pedals, footsteps, city chatter) dominate, we’re reminded that Lu’s world offers no soundtrack beyond struggle.

Performances and Emotional Resonance

Chang Chen anchors Lucky Lu with a master class in restraint. Without shouting or melodrama, he conveys a man hollowed by sacrifice yet unbowed. A slight tremor in his hands, a tightened jaw or the flash of pain in his eyes reveal more about Lu’s past than any line of dialogue. In the face of mounting losses, Chen’s silent dignity becomes an act of defiance.

Opposite him, Carabelle Manna Wei as Yaya (aka Queenie) brings a spark of awareness that cuts through Lu’s silence. When she mimics his Facetime tour or catches him lying about a missing delivery, her blend of innocence and worldly intuition tugs at the heart. Those scenes—Yaya’s tiny hand gripping Lu’s bike rack, her quiet question about why he’s tired—become emotional anchors.

Fala Chen’s Si Yu arrives as both warmth and weight. Though she appears later in the film, her presence colors every frame: in her soft look of concern, we sense the stakes of Lu’s concealment. Her few reactions—eyes widening at his confession, a gentle hand on his arm—carry more weight than pages of exposition.

Haibin Li’s Bo Hao adds nuance to betrayal. His initial flight with rent money feels cruel, but when he explains his own desperation—medical bills for his mother—he transforms from villain to fellow struggler. Those moments emphasize Choi’s vision of a system forcing even friends into impossible choices.

A final image lingers: Lu and Yaya sharing a quiet smile amid packed streets. No grand victory awaits, yet the film ends on battered grace—a reminder that sometimes the smallest victories matter most.

Lucky Lu premiered in the Directors’ Fortnight section at the 2025 Cannes Film Festival on May 19, 2025.

Full Credits

Director: Lloyd Lee Choi

Writer: Lloyd Lee Choi

Producers: Destin Daniel Cretton, Nina Yang Bongiovi, Asher Goldstein, Tony Yang, Ron Najor, Jeyun Munford

Executive Producers: Forest Whitaker, Jennifer J. Pritzker, Clara Wu Tsai, Michael Y. Chow, Kevin M. Lin, Jason A. Lin, Bing Chen, Maggie Hsu, Nicole Tao, Jamie Liin, Peng Zhao, Daphne Lee, Van Ness Wu, Steve D. Yang, Dajun Yang, Yifan Zhai

Cast: Chang Chen, Fala Chen, Carabelle Manna Wei, Perry Yung, Laith Nakli, Fiona Fu

Director of Photography (Cinematographer): Norm Li

Editor: Brendan Mills

Composer: Charles Humenry