Mad Unicorn Review: Ambition and Its Echoes in the Global Stream

“Mad Unicorn” arrives on the global streaming stage, unfurling the narrative of Thailand’s first billion-dollar startup, a tale rooted in actual events yet shimmering with the accessible gloss of a modern underdog story.

The series introduces us to Santi, a young man forged in the crucible of poverty, his eyes fixed firmly on the horizon of financial triumph, not merely for personal gain but as a balm for his family’s struggles.

Set against the vibrant, often relentless, backdrop of Bangkok’s business world, his journey from scarcity to the high-stakes arena of tech entrepreneurship is immediately established. The air is thick with the scent of opportunity and the equal, if not greater, pressure that accompanies any attempt to ascend such precipitous heights.

Forging Thunder: The Intricate Dance of Ingenuity and Retribution

Santi’s path to creating Thunder Express is paved with a compelling mix of familial duty, raw personal ambition, and a pointed desire for a reckoning with Kanin, a corporate titan who initially appropriates Santi’s innovative ideas.

His early endeavors are a testament to resourcefulness born of necessity; fluency in Mandarin becomes not just a skill but a key unlocking access to crucial networks, whether navigating sand mine negotiations, pitching condos in Shanghai, or, somewhat amusingly, translating intimate encounters for a wealthy client.

This linguistic agility reflects a very contemporary form of cultural capital in a globalized economy. His venture crystallizes with the formation of a core team: Xiaoyu, the sharp financial strategist who also hints at a deeper connection, and Ruijie, the archetypal socially challenged tech savant.

The central dramatic engine, however, is the ensuing battle—Santi’s agile startup against the entrenched might of the Kanin Group, a classic David versus Goliath updated for the digital age, complete with the requisite industrial sabotage that underscores the often brutal realities of market disruption.

Faces of the New Frontier: Character, Code, and Commerce

Santi himself oscillates between a figure of inspiring tenacity and one whose portrayal occasionally skirts the edges of a superheroic ideal, potentially flattening the human struggle into a more digestible, if less textured, archetype.

His willingness to endure extreme hardship certainly speaks to a particular brand of entrepreneurial grit, though one wonders if the series fully interrogates the cost of such relentless drive. Xiaoyu emerges as a noteworthy figure; her presence as a founding member and intellectual peer offers a refreshing counterpoint to narratives that sideline female contributions in the tech and business spheres, though the depth of this exploration across the series warrants close attention.

Ruijie, the coder, provides moments of both friction and crucial innovation, his difficult personality perhaps a nod to the eccentric brilliance often celebrated in tech lore. The antagonist, Kanin, largely serves his purpose as the embodiment of established power, a necessary foil for Santi’s ascent, though perhaps missing opportunities for a more shaded portrayal of corporate machinations.

The series itself becomes a canvas for exploring the pervasive “hustle culture”—is it an uncritical celebration, or does a critique lurk beneath the surface of constant striving? Questions of loyalty, the sting of betrayal, and the inherent difficulties of challenging the status quo are all threaded through the interpersonal dynamics of Thunder Express.

Streaming the Dream: Narrative Velocity and the Global Gaze

“Mad Unicorn” primarily employs a direct narrative trajectory, kicking off with a flash-forward that immediately signals Santi’s eventual confrontation, a choice that frames the subsequent seven episodes less as a ‘will he succeed?’ and more as a ‘how does he get there?’.

Visually, the series paints both the gritty underbelly and the polished surfaces of Bangkok and Shanghai, though some stylistic choices, like a recurring color treatment that seems to age the recent past, might make one ponder if it’s a deliberate aesthetic or a filter catering to a nostalgic, perhaps Western, expectation of stories from afar.

The fluid integration of Thai and Mandarin is a significant strength, lending authenticity and underscoring Santi’s unique advantage; it’s a welcome trend reflecting the increasingly multilingual nature of global media. The pacing is often brisk, mirroring the frenetic energy of the startup world it depicts.

This velocity keeps the story moving, though it may leave some viewers wishing for quieter moments of character introspection. Ultimately, “Mad Unicorn” offers an engaging, if occasionally conventional, chronicle of entrepreneurial spirit, likely to resonate with those fascinated by stories of ambition against the odds, and it serves as another marker in the welcome expansion of diverse narratives finding a worldwide audience through streaming platforms.

Mad Unicorn premiered on Netflix on May 29, 2025.

Full Credits

Director: Nottapon Boonprakob

Writers: Nottapon Boonprakob, Tanida Hantaweewatana, Vasudhorn Piyaromna, Thodsapon Thiptinnakorn

Producers: Brentley Willis, Stacy Simmons, Dueal Andrews, Richardson Pierre

Executive Producers: Jira Maligool, Vanridee Pongsittisak

Cast: Nattarat Nopparattayaporn, Ramida Jiranorraphat, Palang Rocksilp, Thaneth Warakulnukroh, Pachara Chirathivat, Thassapak Hsu