Remaining Native Review: Ancestral Echoes on the Open Road

The documentary “Remaining Native” immediately draws you into the world of Kutoven “Ku” Stevens, a young man whose name, translating to “the eagle who brings light from the darkness,” feels like a premonition. We meet Ku, a seventeen-year-old student on the Yerington Paiute reservation in Northwest Nevada, his sights set on a track scholarship to the University of Oregon—the famed “TrackTown, U.S.A.” It’s a familiar setup: the talented kid from a small place aiming for big things.

Yet, the film quickly signals that Ku’s dedication to cross-country running springs from a source much deeper than athletic ambition alone. There’s a quiet intensity to him, a sense that his sprints across the stark, beautiful Nevada landscapes are tied to something ancient and profound in the land itself, a whisper of ancestral history that shapes his every stride. The film sets a compelling tone, balancing youthful dreams against a backdrop of significant historical weight, making you lean in, curious about the two paths Ku seems destined to run.

The Runner’s Two Hearts: Athleticism and Ancestry

Ku Stevens isn’t just a good runner; he’s the kind of talent that makes you stop and watch. Often, he’s so far ahead of his competition, he appears to be in a race all his own—which, in a way, he is, being the sole member of his high school’s cross-country team. It’s the sort of detail that reminds me of underdog sports films, but “Remaining Native” quickly grounds Ku’s drive in something far more personal.

With the support of his parents and the keen eye of coach Lupe Cabada, who recognizes his potential, Ku’s athletic pursuits are meticulously documented. The film beautifully interlaces this thread with the story of his great-grandfather, Frank Quinn. The narrative skillfully reveals Frank’s experience: at just eight years old, taken to the notorious Stewart Indian School, Frank Quinn ran.

Not for sport, but for his life, escaping across 50 miles of unforgiving terrain to return to his people on the Yerington Paiute reservation after two prior attempts. This act of raw survival becomes a palpable force within the documentary. Frank’s endurance is not just a family story; it’s the rhythm section for Ku’s ambition, informing his almost obsessive quest for a sub-9-minute 2-mile run.

As Ku pounds the earth, the camera often captures him against the vast Nevada plains, visually connecting his modern athletic effort with the historical echoes of Frank’s flight, suggesting that some races are run across generations.

Fifty Miles to Remember: Reckoning with a Shadowed Past

The film then carefully shifts its focus, moving from Ku’s personal athletic goals to his deepening engagement with the painful legacy of his ancestors. “Remaining Native” doesn’t shy away from providing necessary information about the United States’ Indian Boarding School system—institutions designed for forced assimilation, aiming to erase Native cultures, often through brutal physical and emotional abuse.

The documentary connects this history to the present by acknowledging recent discoveries of unmarked graves at these former schools, a chilling reminder that this past is not so distant. This historical weight fuels Ku’s quiet determination. He voices a powerful sentiment, “I want to hurt for him and all my other ancestors,” a line that speaks volumes about his empathetic connection to what they endured.

This feeling materializes in his decision to organize the “Remembrance Run.” This isn’t just a race; it’s a two-day, 50-mile event meticulously mapped to follow Frank Quinn’s escape route. The film presents this initiative as a significant act of community leadership. We see interviews with survivors and their families, their words painting a vivid picture of the lasting scars.

One person asks, “What kind of school has a cemetery?”—a question that hangs heavy, underscoring the horrors these institutions represent. Through Ku’s efforts, the run becomes an act of bearing witness, a way for a community to honor its past and educate a wider world, a theme many independent documentaries bravely tackle. The film’s structure here is effective, building from personal inspiration to collective action.

Carrying the Light: Heritage, Hope, and Every Stride Forward

Ku’s story is one of compelling internal reflection. We see him consider the allure of leaving his rural Nevada home for college, a desire for new experiences common to many young people. At the same time, his father’s concern about “brain drain” from the reservation highlights the complex pull of community and heritage. It’s this tension between individual aspiration and collective identity that gives Ku’s personal evolution such depth.

He is charismatic, certainly, but his compassion and the thoughtful way he approaches his heritage are what truly stand out. Director Paige Bethmann, herself Haudenosaunee, brings an unmistakable intimacy to the filmmaking. Her lens captures not just Ku’s athletic endeavors but also the subtle dynamics of his community and the silent, watchful presence of the Nevada landscape, which feels like a character in its own right.

The film offers a potent message about resilience and the vital importance of preserving Native identity. The phrase “remaining native” becomes a quiet declaration of strength. There’s a genuine sense of hope here, a focus on how understanding the past can inform a path toward healing and a stronger future.

This is beautifully encapsulated in one of the film’s final images: a close-up of Ku’s Nike running shoe, the orange Swoosh adorned with two small words: “For Frank.” It’s a simple, potent symbol of how every step Ku takes towards his future is built upon the miles his great-grandfather ran for survival, a poignant visual of carrying a legacy forward while blazing one’s own trail.

Remaining Native premiered at the 2025 SXSW Film & TV Festival, where it received both the Special Jury Award and the Audience Award for Documentary Feature.

Full Credits

Director: Paige Bethmann

Writers: Paige Bethmann, Pierre Hauser

Producers: Paige Bethmann, Jessica Epstein, Judd Ehrlich

Cast: Kutoven Stevens, Misty Stevens, Delmar Stevens, Lupe Cabada

Cinematographers: Shai Ben-Dor, Paige Bethmann

Editor: Stephanie Khoury

Composer: Kino Benally