Succession Creator Rushes Out Utah-Set Satire to Skewer Billionaires

The Succession mastermind delivers a briskly produced, AI-era satire that premieres 31 May on HBO amid sharply divided early reviews.

Jesse Armstrong

Jesse Armstrong admits his first post-Succession project felt “a little bit scary,” saying he chose to “run at it fast rather than stew for five years” after the HBO series’ acclaim. That urgency birthed Mountainhead, a 90-minute satire centred on four tech billionaires barricaded in a Utah megamansion while an AI-fuelled disinformation crisis ignites worldwide. Steve Carell, Jason Schwartzman, Cory Michael Smith and Ramy Youssef headline the single-location chamber piece, trading what The Guardian called “weapons-grade zingers” about coups, consciousness uploads and net-worth rankings.

Armstrong conceived the story last November, pitched it to HBO the following month and wrapped a five-week shoot in Park City by early April, a schedule he told Vulture was designed to keep pace with real-world tech upheaval. Local outlets confirmed filming inside a 21,000-square-foot Deer Valley estate overlooking the Wasatch Range, chosen to evoke both Silicon Valley luxe and frontier isolation. Nicholas Britell, Armstrong’s long-time collaborator, composed the score, extending a creative partnership that began with HBO’s Roy family epic.

Mountainhead premieres on HBO and Max in the United States on 31 May, with Sky Cinema and NOW carrying the film in the U.K. from 1 June. Executive producers include Armstrong, Frank Rich and Lucy Prebble, maintaining much of the Succession brain trust even as the director shifts from Manhattan boardrooms to an alpine bunker.

Early reviews diverge sharply. The Guardian praised the film’s “horribly addictive” dialogue and savage portrait of digital-age hubris, while The Daily Beast found its humor “one-note” and its protagonists “the Four Horsemen of the Bro-pocalypse”. The Times faulted the satire for growing “tiresome” despite flashes of wit. Yet TIME magazine argued Armstrong’s depiction of first-principles thinking gone feral lands a warning about dehumanisation inside Silicon Valley’s ideology. Whether audiences see a worthy heir to Succession or an over-amped tech-bro roast, the writer-director’s swift pivot ensures the debate will unfold while its targets remain in the headlines.

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