Art Detectives Review: The Case of the Brilliant Man and the Underwritten Woman

In the vast, churning sea of streaming content where gritty anti-heroes and season-long arcs reign, a show like “Art Detectives” feels like an act of quiet rebellion. This six-part series from Acorn TV revives the case-of-the-week procedural, a format many considered a relic of broadcast television.

The show invites viewers into the Metropolitan Police’s Heritage Crime Unit, a department tasked with investigating offenses tied to the rarefied world of art and antiquities. At its center is DI Mick Palmer, a wonderfully eccentric detective played by Stephen Moyer, whose passion for history is his primary investigative tool.

He is quickly partnered with the sharp, pragmatic DS Shazia Malik (Nina Singh), forming a duo tasked with solving murders where the clues are hidden in Vermeer paintings and Viking hoards. The series promises intellectual puzzles over gratuitous violence, offering a type of escapism that feels both traditional and curiously fresh in today’s television environment.

A Partnership of Old Knowledge and New Guard

The success of a character-led procedural rests on its leads, and “Art Detectives” offers a fascinating study in contrasts. DI Mick Palmer is a delightful departure from the trope of the arrogant male genius. He is, for all intents and purposes, a massive nerd.

His quirks, like sniffing centuries-old bookshelves for hints of poison or dissecting animal sounds on a rock band’s demo tape, stem from a place of pure, unadulterated enthusiasm. Stephen Moyer’s performance is brimming with a warm charisma, portraying Mick as more of an excitable professor than a hardened cop. His joy in the arcane is infectious.

Standing beside him is DS Shazia Malik, his modern, clear-eyed counterpart. The chemistry between Moyer and Singh is immediate and excellent, and the writers deserve credit for creating a partnership built on mutual respect. The show sidesteps the tired trope of using a younger character to mock an older one’s methods. Yet, this is where a familiar industry contradiction appears.

For all her capability, Shazia’s character remains a sketch. We learn she left a dismissive boss and that her parents worry, but her own ambitions and inner life are left largely unexplored. The show presents a progressive-looking team while sidelining the narrative development of its woman-of-color lead, a frustratingly common oversight.

History as a Weapon, Art as a Motive

By embracing an episodic structure, “Art Detectives” makes a statement about viewing habits. Each installment is a self-contained story, a low-commitment hour that stands in defiance of the binge-or-bust model.

The cases themselves are the show’s educational hook, turning viewers into amateur historians as the detectives untangle mysteries involving everything from Titanic memorabilia to high-stakes wine fraud. Some plots are naturally more absorbing than others, but they consistently use physical objects as portals to stories about legacy, greed, and cultural ownership. Running through these standalone episodes are threads of Mick’s personal life.

A gently developing romance with museum curator Rosa (Sarah Alexander) provides a sweet, academic courtship. A more potent conflict arises from the reappearance of his estranged father, Ron (Larry Lamb), a professional art forger. This subplot cleverly ties Mick’s professional pursuit of authenticity to a deeply personal struggle with his own origins, culminating in a finale where his two worlds inevitably collide.

Dressed for Success, Built for More

The production of “Art Detectives” understands its appeal lies in the details. The writing creates a rich, believable world populated by interesting figures. A standout element is the costume design, which outfits its cast of suspects and grieving relatives in an array of tailored velvet and fine tweeds.

This aesthetic choice is more than just decoration; it reinforces the series’ focus on the affluent, cloistered sphere where these crimes take place. The show is a perfect example of a streaming service like Acorn TV leaning into its niche, delivering a polished, specific product for a dedicated audience.

The six-episode season grows in confidence, and its final moments deftly resolve the main plot while introducing a clear direction for a second season. This structure reveals a savvy understanding of the modern television landscape: create a satisfying story, but always leave a door open for renewal. The investigation feels secure, built on a solid foundation with ample room to expand its collection.

Art Detectives premiered on June 9, 2025 with its first episode “Pictures At An Exhibition” on Acorn TV in North America, launching a six‑episode first season.

Full Credits

Director: Jennie Paddon, Declan Recks

Writers: Dan Gaster, Emma Goodwin, Will Ing, Kitty Percy, Paul Powell

Producers: Candida Julian‑Jones

Executive Producers: Dan Gaster, Will Ing, Paul Powell, Catherine Mackin, Bea Tammer, Daniel March, Klaus Zimmermann, Stephen Moyer

Cast: Stephen Moyer, Nina Singh, Joe Barber, Sam Phillips, Barry John Kinsella, Richard Ashton, Adam Lawrence, Warren McCook, Lily Catalifo, Laoise Sweeney, Nicky Harley, Steven Calvert, Adrian Wheeler, Chris Patrick‑Simpson, Alan Turkington

Editors: Eleanor Cotton

Composer: Eoin O’Callaghan