Nico Parker says she “can’t value” criticism that fixates on Astrid Hofferson’s hair color, adding that those who “hate inclusivity” will not deter her from the role in Universal’s live-action How to Train Your Dragon. Online hostility surged under the hashtag #AstridGate, with some posts mocking the actor’s tight curls, though supporters quickly countered that faithfulness to personality outweighs pigmentation.
Director Dean DeBlois, returning after the Oscar-nominated animated trilogy, pushed back at complaints, saying performance, not genetics, drove casting and that “not everyone needs to be white in this community”. He also promised expanded mythology that builds on, rather than replicates, the 2010 classic.
The adaptation, led by Parker and The Black Phone star Mason Thames, reaches theaters and IMAX screens on 13 June 2025 after a brief strike-related delay. Gerard Butler reprises Stoick, and newcomers Nick Frost and Julian Dennison join the Viking cohort, reinforcing what DeBlois calls “a cast that feels like the world outside the cinema”.
Universal has begun a brisk rollout: an NBC primetime behind-the-scenes special airs 6 June, previewing new flight sequences and John Powell’s updated score. In recent BBC Radio remarks, Parker and Thames said live dragons built on hydraulic rigs helped them “believe every line,” a choice intended to keep younger viewers immersed.
Industry scholars argue the dispute reflects wider tensions around representation. Dr. Stacy L. Smith of USC’s Annenberg Inclusion Initiative warns that executives often retreat to “what they know” when audience anxieties rise, despite data showing diverse casts expand box-office reach. Smith predicts Dragon will serve as a measurable case of whether vocal backlash aligns with ticket sales.