Movies

Amazomania begins with the old grammar of exploration: a white man tying his boots, speaking into...

High school comedy has always carried a faint odor of imprisonment. Lockers, bells, cafeteria hierarchies, gym...

Alex Wall and Will Sterling’s That Friend belongs to a very American comic tradition: the road-adjacent...

We Are Stardust begins with a wonderfully strange proposition: what if the history of the solar...

Just Look Up begins with a scene any documentary editor would be grateful to have in...

Pieter-Jan De Pue’s Mariinka begins with a place before it becomes a ruin. The eastern Ukrainian...

Girlfriends begins where many coming-of-age films end: with the adult version of the protagonist already tired...

Replica looks at artificial intelligence through one of its softest and strangest entry points: romance. Chouwa...

There is a terrible irony in the title Photophobia. In medical language, it suggests an aversion...

Alison Chernick’s House of Criticism turns the life of art criticism into something tactile: coffee cups,...