Conan O’Brien Must Go Review: A Travelogue Like No Other

For over 30 years, Conan O’Brien delighted audiences with his signature brand of absurd yet insightful comedy. While his long-running late night television shows cemented his status as a legend, Conan had more creative journeys ahead.

As viewing habits rapidly changed, Conan embraced new formats like podcasting. His hit shows “Conan O’Brien Needs a Friend” and spin-off “Conan O’Brien Needs a Fan” built international fan bases Conan had yet to meet face-to-face. So when streaming service Max expressed interest in a travel series, the idea for “Conan O’Brien Must Go” was born.

Armed with just a camera crew and sense of adventure, Conan sets off to surprise fans in their home countries. In Norway, Thailand, Ireland and Argentina, he immerses himself in local culture while staying true to his goofy sensibilities. Whether participating in traditional activities or simply chatting in his unmistakable style, Conan forges new connections across borders.

Through it all, one thing is clear – Conan’s signature wit and charisma translate universally. Fans both newcomers and longtime are invited alongside on his latest journey, a testament to the wide appeal of one comedian’s singular comedic voice.

Surprising Fans Around the World

In each episode of Conan O’Brien Must Go, the energetic host takes viewers along as he travels internationally to visit fans he met through his podcast. Kicking things off in Norway, Conan pays an unannounced visit to aspiring rapper Yarla in Bergen. After the initial shock wears off, Conan does his best to help get one of Yarla’s songs played on the radio. He also samples local culture like a traditional knitting group and a cheeky Viking village.

Next, Conan heads to sunny Argentina. Upon arriving in Buenos Aires, he wastes no time meeting artist Cammy, who eagerly shows off her skills by painting an amusing downtown mural. Conan also reconnects with producer Jordan Schlansky during an eventful countryside excursion. Back in the city, he joins a quirky radio program to chat with its few listeners.

In Thailand, the host ventures to Bangkok to lend support to podcast caller Anna dealing with her overbearing mother. During his time there, Conan delights in sampling street food while dressed absurdly. He even performs a comic song and dance on a popular TV show.

The fourth and final episode takes Conan to the emerald isle. In Dublin, he reunites with Irish siblings Aoife, Niamh and Cillian to learn about their proud heritage. Conan also takes a DNA test to discover his own ancestry roots. The season wraps up with the comedian reflecting on his memorable global adventures and the amusing fans he was glad to surprise along the way.

Conan’s Self-Deprecating Style

Conan O’Brien has honed a distinct style of comedy over his decades in the business. In his new travel series Conan O’Brien Must Go, this shine through in vivid ways.

Conan approaches each destination with unrestrained enthusiasm, throwing himself fully into bizarre situations and ridiculous behaviors. Nothing is off limits in his pursuit of comedy. He’ll put on outlandish outfits, sample dubious local foods or croon a hip hop track without an ounce of singing ability. At every turn he’s the biggest fool, freely poking fun at himself without reservation.

This commits to bits sets Conan apart. While other hosts may dabble in absurdity, Conan goes all in, following every comedic premise to its most absurd conclusion. Whether interacting with locals, fans or the landscapes themselves, he draws big laughs through wild committed performances.

Conan also subverts typical travel show norms. Rather than promoting places, he mainly features his own antic. When he waxes poetic about natural wonders, it’s to set up the joke, like admiring northern lights on his laptop in a hotel. He turns even drones, a travel show staple, into ridiculous props ferrying him across countries.

Through it all, an infectious joy and good humor shines through. Conan clearly relishes meeting people and experiencing new cultures, however briefly. Fans, locals and viewers alike are drawn in, entertained by his extreme self-deprecating antics. While travel shows often feel politely inoffensive, Conan O’Brien Must Go brings big silly grins through Conan’s anarchic comedic voice and commitment to absurdity. Whether living it up or living it down, Conan’s style delivers laughs without reservation.

Travels with Comedy

Whether going toe to toe with a Norwegian couple’s therapist or crashing an Argentine radio show with a few dozen listeners, Conan O’Brien commits fully to each comedic bit in Conan O’Brien Must Go.

In Norway, he visits a young rapper hoping to find success. After surveying the fan’s sparse apartment, Conan jumps at the chance to lay down some impromptu vocals for an album track. With slight reluctance, the bemused rapper agrees – and we’re treated to Conan belting out a falsetto-fueled ode to Norwegian fjords.

Buenos Aires brings an encounter with Jordan Schlansky, Conan’s long-suffering producer and foil. Their dynamic is a mix of exasperation and begrudging respect, coming to a head during an intense exchange over local steak cuts. Nothing is off limits as they jockey for comedic dominance, a testament to their years of experience sharpening barbs.

Conan also swings for celebrity appearances, however unlikely. While searching Dublin’s St. Stephen’s Green park, he becomes fixated on finding Bono hiding among the locals. With determination and delusion in equal supply, Conan canvasses the area in earnest, fantasizing all the while about their musical collaboration.

Between guided tours and mealtime mishaps, Conan finds the humor that engages even when lost in translation. Through it all shines his enthusiasm for adventure and appreciation for the unpredictable. With shameless antics and fearless laughs at his own expense, Conan O’Brien electrifies each destination with the infectious spirit of possibility.

On Location with Conan

The scenic backdrops of Conan O’Brien Must Go are truly stunning. Cinematographer Mike Sweeney captures the landscapes of each country in vivid detail, from the majestic fjords of Norway to the colorful streets of Buenos Aires. Wide shots display the natural beauty of these locations, while close-ups reveal subtle textures and tones.

Sweeney takes full advantage of the series’ drone technology. Sweeping aerial shots convey a sense of grandeur while placing Conan within these landscapes. In one amusing moment, the drone follows Conan into his hotel room, highlighting the contrast between the epic vistas outside and the mundane reality of watching videos on a laptop.

Each episode opens with a particularly epic title sequence. Serious narration by Werner Herzog introduces the location and praises its visual splendors. But his tone shifts once Conan enters the scene. Herzog declares him “the defiler” in uniquely ominous fashion, setting an absurd yet intriguing tone. His thick accent elevates even the silliest descriptions of Conan’s exploits.

Between spectacular vistas and Herzog’s eloquent pronouncements, the production values of Conan O’Brien Must Go transport viewers right into each setting. Yet Sweeney ensures the sights remain complementary rather than distracting, with a keen eye for how locations enhance Conan’s hijinks. Together with Herzog’s narration, these elements strike a deft balance between comedy and scenic appreciation, keeping viewers fully immersed in each new world Conan explores.

Traversing Genres

Conan O’Brien has proven that leaving late night TV was the right move, opening new avenues for his singular brand of comedy. Fans know him best from his long tenure hosting late night, but that format could contain his rule-bending humor. Now whether interviewing celebrities while consuming insanely spicy chicken wings or traveling internationally to surprise fans, Conan engages audiences with fresh antics.

The travelogue format gives him room to fully commit to bits. In Norway he sings with a fan’s band, reaching octaves that would make Pavarotti blush. He commissions an over-the-top mural in Argentina featuring unlikely subjects. Viewers chuckle, recognizing how Conan makes every situation absurdly amusing. Despite disruption, he treats people warmly and never mocks cultures.

By spreading his talents across podcasts, streaming shows and specials, Conan proves one need not remain confined within labels like ‘late night host.’ Audiences still flock to enjoy his energetic wit and fearless silliness.

Plus he shows how maintaining creativity into the later years brings rewarding projects. Conan’s boundary-pushing inspires other performers, like how Eddie Murphy’s comeback special felt reminiscent of Conan’s unique mix of smart and silly. As genres continue evolving, Conan blazed a path for humorists of all stripes.

Conan Strikes the Perfect Balance

With Conan O’Brien Must Go, the legendary comedian brings his signature blend of absurdity and sincerity to the travelogue format with great success. Across four wildly entertaining episodes, Conan fully commits to each ridiculous situation and character, whether singing Norwegian rap or commissioning an outlandish mural in Buenos Aires. Yet beneath the silliness, glimpses of genuine authentic connections also shine through.

Conan’s interactions with fans display humor with heart. He treats each person, whatever their background, as an equal partner in the joke. Whether teasing an aspiring rapper or debating a therapist, Conan elevates others as much as he elevates his own antics. Scenes between longtime collaborator Jordan Schlansky feel both comic and real in their dynamic. Even when poking fun at cultural norms, Conan does so with tourists’ wide-eyed inquisitiveness, not disrespect.

This balance allows audiences to fully enjoy the absurdity without concern for targets. We root for Conan and laugh with him, not at anyone. His legacy of pushing boundaries while maintaining goodwill remains remarkably consistent across different formats and eras.

Through it all, Conan’s passion and appreciation for the absurd clearly shine. Whether donning medieval garb or licking a stranger’s cheek, he commits singularly to each bit with irresistible gusto. Scenes feel unplanned yet perfect for Conan’s brand.

By traveling internationally yet centering local people, Conan O’Brien Must Go breathes new life into the genre. It proves both Conan’s comedic longevity and ability to innovate while paying homage. We eagerly await where his boundary-pushing talents take us next, whether returning abroad or bringing his unique style to another new project. Conan’s artistry leaves viewers, as ever, wanting more.

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