Edge of Summer Review: Through Young Eyes

As the summer sun shone down on the coastal villages of Cornwall, two young friends were about to discover how quickly childhood wonders can turn to deeper mysteries. In Lucy Cohen’s Edge of Summer, 11-year-old Evie arrives for her summer break, dreaming of relaxing days spent with her mother. But new faces and family secrets will send both Evie and her friend Adam on an unexpected journey.

From the start, something seems off about Evie’s holiday. Rather than quality time with just her mother, another guest has invited himself along – an unwelcome distraction. And while the shoreline and seaside hold adventures every day, Evie finds herself an outsider amongst the local kids. Luckily one local boy, Adam, seems different. Like Evie, he’s coping with troubles of his own, a missing father leaving more questions than answers.

When Adam takes Evie to explore an abandoned tin mine, their discoveries shake both children to their core. Strange sounds in the depths hint at a past hiding darker truths than any surface secret. As Evie and Adam grow closer escaping their families above, they find within the mine’s walls an echo of problems closer to home. Through vividly capturing the charm and unrest of that seaside town, Cohen’s film brings childhood curiosity face to face with life’s sharper edges, where innocence ends at the edge of summer.

Exploring Edge of Summer’s Coastal Realm

There’s a dreamlike quality to the coastal corners of Cornwall where Edge of Summer is set. From the moment Evie arrives at that seaside cottage, you can feel the lazy rhythms of summer taking hold. Sweeping vistas carry the eye towards a watercolor horizon, while hidden nooks like the sloping sand await discovery. It’s the perfect place for children to lose themselves for a few carefree weeks.

But director Lucy Cohen ensures an undercurrent of unease too. She works wonders with her Cornish locations, using their natural beauty to deepen the film’s atmospheric tension. Whether it’s the village green where awkward encounters play out, or lonely shorelines where tough talks take place, unease simmers beneath summer’s surface. Iain Andrews’ production design transports us fully to 1991, from period details like Evie’s jelly bracelet to a family home stuck firmly in another era.

Cohen’s cinematography is also a highlight, drawing us deep into this coastal realm. Rachel Clark’s camera dances across the shimmering seas or peeks inside darkened corners with intoxicating fluidity. You can nearly taste the salty air and feel the pebbled shore beneath bare feet. Landscapes become vivid characters in their own right, ushering the interwoven tales of these young protagonists in powerful ways.

As truths are teased out and revelations surface, so too does a subtle shift take hold. Sun-dappled scenes take on a gloomier tone, while the abandoned mine at the center of it all cracks open like a festering wound. Its oppressive tunnels come to symbolize broader family flaws hiding in plain sight. In the end, it’s this ability to sculpt rich atmospherics that makes Edge of Summer’s coastal realm so impactful – a place where childhood magic meets life’s murkier corners.

Facing Family & Forging Relationships

We first meet Evie and Adam both seeking escape—Evie from family tensions disrupting her summer, Adam from secrets bubbling at home. Played brilliantly by Flora Hylton and Joel Sefton-Iongi, these pre-teen protagonists bring nuanced performances conveying the complex emotions of children navigating troubles beyond their years.

Hylton breathes life into Evie’s shy, inquisitive nature now clouded by her mother’s behavior. We feel Evie’s confusion and hurt as she watches family bonds fray. Yet beneath lies a hopeful spirit, evident as she tentatively opens to new friend Adam. It’s a walking tightrope that Hylton flawlessly balances—showing Evie’s inner resilience despite outer doubts.

Sefton-Iongi matches this complexity note for note as Adam. Uncertainty clouds his gaze, walls up from facing responsibilities too mature. But moments of vulnerability and care emerge—whether protecting his sister or lending an ear to Evie. His connection with Hylton creates an authentic chemistry, two souls finding solace in one another.

Together they feel real in ways few child performances do, conveying emotions beyond their years in relatable fashion. Subtle interactions—a shy smile, lingering looks between them—speak volumes of feelings too new to grasp. Even as truths surface darkening the plot, their bond remains a emotional through-line.

This makes delving into family shadows feel genuinely brave and affecting. Their exploration of life’s murkier edges gives Edge of Summer heart and weight. It’s a testament to Hylton and Sefton-Iongi’s incredible talents that two young strangers forging companionship feels every bit as impactful as the adult dilemmas surrounding them. Their performances ensure these children’s intersecting stories of discovery remain the soul of the film.

Troubled Homes Through Innocent Eyes

Evie and Adam both face family troubles beyond their young comprehension. Evie arrives hoping for quality time with her mother, only to find Yvonne’s attention diverted by “family friend” Tony. It’s clear there’s more to their relationship, though just what isn’t fully clear.

In Nichola Burley’s performance as Debbie, we see another struggling single mom. Her son Adam helps care for his little sister after their father mysteriously disappeared years prior. Burley conveys a weariness in Debbie, coupled with a wish to shelter her kids from whatever darkness led to their dad leaving.

Josie Walker equally shines as Yvonne, a mother wrestling with her own needs yet reluctant to burden her daughter. Walker plays multiple layers—the flirty girl engaging Tony one moment, then crying alone as a woman in over her head. Both Burley and Walker bring nuance to their portrayals of mothers facing their own private battles.

The film smartly mirrors the children’s limited perspectives through brief, ambiguous insights into these family problems. We learn just enough to sense dissolution, but not its whole truth. Like Evie and Adam learning to interpret the incomplete clues available to their young minds, viewers piece together the full picture.

This approach creates an intimate view of hidden troubles perceived through innocent eyes. The children’s curiosity pulls us deeper into unraveling life’s mysteries, from cryptic fights to missing fathers last seen in the treacherous mines. Layer by layer, the contours of parental issues take vague shape, mirroring a pre-teen’s dawning awareness of the imperfect realities beneath the surface of those they depend upon.

By favoring feeling over facts, Edge of Summer taps deeply personal waters of realizing one’s family comprises flawed humans, not indestructible pillars. It’s a rite perhaps all must face, viewed here with compassionate wisdom and skill.

Mines, Monsters and the Mysteries Between

The abandoned tin mine plays a key role in Edge of Summer, with Adam taking Evie into its depths. What starts as curiosity soon veers into something stranger.

Once underground, the children hear strange noises that terrify – yet intrigue – them. Banging echoes through the caverns as their young imaginations run wild. Could it be “knockers,” spirits said to inhabit Cornish mines? The film weaves in local folklore of these creatures, sometimes seen as mischievous mine fairies or ghosts of the dead.

Was something really down there calling to them? Or merely fears incarnate in the dark? The movie leaves this ambiguous, much like the truths eluding the children above ground. As their worlds fragment, the mine takes on layered symbolism.

It becomes a place where suppressed memories and emotions surface, where Adam and Evie can confront subconscious anxieties without judgment. A refuge from the difficult realities of their homes. But it’s also potentially dangerous, mirroring how unresolved wounds fester if left buried too long.

Most intriguing is how the mine scenes shift the film’s overall tone. Coachwood colors and seascapes give way to an ominous shadow play as reality seems to blur. Have they stumbled on magic, or merely the borderlands between what’s understood and what remains hidden?

Like the knockers who bring both warnings and wonders, the hullabaloo from below reflects truths too troubling for the children to face. Dark secrets from the past pushing to the light.

By film’s end, as Adam and Evie find solidarity and strengths to confront hard truths, so the mystery of the mine remains – much like life’s untidiest parts, which stay veiled yet shape our steps all the same.

Facing Life’s Hard Edges Together

Edge of Summer explores some tough themes as Evie and Adam each start understanding life’s sharper sides. Both feel their families hold mysteries, and they sense the carefree days of childhood slipping away.

Evie thought she knew her mum, only to find an unknown man in their holiday. Seeing beyond her parents’ flaws isn’t easy. Meanwhile, Adam’s family tragedy lingers unspoken. Like Evie, he’s losing the innocence of not comprehending hardship.

As the film shows so well though, they need not face these challenges alone. Throwing in their lot together provides solace few others can. Just being heard helps lessen feeling so overwhelmed.

Their bond proves how understanding and accepting one young person can be for another going through comparable private pains. In each other they find willingness to confront difficult truths, and courage to stop running from worries into fantastical realms.

The parallels between Evie and Adam show that coming of age means more than new clothes or interests – it’s realizing life holds joy and sorrow, and we all must find our own ways coping. We see too how hard that transition remains, whether it was their time or our own.

Families fail to talk or listen in every generation. Children grow up quicker than allowed. Secrets fester where open ears could bring healing. And none of us ever truly shed the need for community during solitary struggles.

Edge of Summer presents life’s messiness with remarkable empathy. Some things may change on the surface, but where youth and tribulation combine, its insight remains as resonant as the sea.

Boundaries Blurring in the Summer Haze

Well now, we’ve covered plenty on Edge of Summer. To wrap up, let me reiterate what an atmospheric piece of work this is. Cohen sucked us right into that sun-drenched Cornish coastline. You got the breeze off the ocean, the grass between your toes. And it’s a real credit that amid such beautiful surroundings, she found space to shine a light on some mighty dark subject matter.

Families fracturing, secrets festering – Cohen grasps how messy relationships can be. And she handles it all with real care. None of it feels sensationalized or silly. At the same time, you believe these characters’ messy emotions. Special shout to those young leads too. Hylton and Sefton-Iongi own their roles entirely. They breathe life into Evie and Adam, letting us live those swirling tweener feelings.

With a directorial debut this assured, Cohen has a bright future. She grasps how to set a scene and sink you deep in a character’s psyche. And while some critiqued where the plot went, I think she boldly blurred boundaries in a way that stirred discussion. Overall it leaves you pondering how fleeting innocence can be, and how even in summer haze, darkness finds cracks to seep through.

So in the end, Edge of Summer sneaks up and lingers with you. It presents coming-of-age in a refreshingly nuanced light. And it proves that within the beauty of coastlines and community, trouble often lies just beneath the surface. With strengths like these, I’d say Cohen marks herself as a director to watch for many misty mornings ahead.

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