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The Substance Review: A Fearless Exploration of Taboo Subjects

Pushing Boundaries of Horror and Social Satire

Naser Nahandian by Naser Nahandian
2 years ago
in Entertainment, Movies, Reviews
Reading Time: 7 mins read
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Coralie Fargeat’s 2024 sci-fi thriller The Substance takes aim at the relentless pursuit of youth and beauty in the entertainment industry. Starring Demi Moore and Margaret Qualley, the film tells the story of aging actress Elisabeth Sparkle, who discovers an experimental substance that will give her a “better,” younger version of herself.

Elisabeth was once a major star, but now in her 50s, she finds herself cut from her television workout show for no longer fitting the right image. Desperate to reclaim her career, she injects herself with the mysterious substance and undergoes a grisly transformation. Emerging from her back is Sue, an exact duplicate of Elisabeth in her physical prime. However, there’s a dark catch: the two must share one body, alternating each week.

As Sue basks in newfound fame, helming a risque new show, the terms of their agreement start unraveling with unforeseen consequences. Fargeat uses sci-fi and body horror tropes to skewer Hollywood’s obsession with absolute youth and the toxic pressures this places on women. With bold performances from Moore and Qualley, The Substance promises to be a twisting thriller tackling issues of aging, identity, and the fleeting nature of beauty.

The Doppelganger Dynamics

Elisabeth Sparkle was once a major Hollywood star, but as the years passed, she transitioned to host a popular morning fitness show called Sparkle Your Life. However, Elisabeth’s career is thrown into turmoil when she overhears the show’s lecherous producer Harvey declaring his intent to replace her with someone “young” and “hot.”

Devastated, an accident leaves Elisabeth shaken yet physically unharmed. At the hospital, an attentive young doctor sees her sadness and hints at an unconventional “treatment” that could change her life. Intrigued yet skeptical, Elisabeth later finds details about this mysterious “substance.” She decides to undergo the unsettling process alone.

At a nondescript facility, Elisabeth receives kits of medical supplies and embarks on strange injections. To her shock, her body violently splits open, and a beautiful young woman emerges, practically a double of Elisabeth in her prime. This is Sue, whom the substance has manifested from Elisabeth’s own essence.

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Sue helps Elisabeth recover and explains the rules: their minds are now shared between two forms. Each must take turns living for one week at a time, with the other in hibernation, to maintain a crucial balance. At first, Sue adjusts quietly, but she soon auditions for Harvey and earns her own breakthrough role.

As Sue basks in her newfound fame, tensions emerge. Elisabeth struggles in her aged body, increasingly envious and replaced. Meanwhile, Sue pushes the fragile limits between their minds, tempted to break routine for selfish gain. Their fragile double life grows more tumultuous, with turmoil certain to consume both women unless a new stability can form between their entwined yet opposing selves.

The Substance Comes Alive On Screen

Coralie Fargeat brings her unique vision to life through an unforgettable visual style. She immerses viewers in the dream-turned-nightmare world of the story through bold creative choices.

The Substance Review

Color plays a big role in setting the mood. Neon tones like yellow and orange pop, giving sequences an intense and disorienting feel. They accentuate the surreal atmosphere. White is also used liberally, from hospital rooms to laboratory settings, giving a clinical yet eerie look. The effect draws us in but leaves us unsettled.

Composition is key to building tension. Tight close-ups of faces intensify emotions. Sudden changes in point of view startle. Split screens during transformations splice reality. Dynamic camerawork charges through scenes energetically. Editing cuts at unexpected moments to heighten anxiety.

Lighting highlights the psychological and physical tolls characters endure. Harsh lighting lays bare their insecurities. Dim lighting obscures what’s emerging from the shadows. Strobes flash during distressing periods. The changing lighting becomes as unnerving as the events on screen.

The sound matches the intensity. Bodily noises magnify discomfort. Electronic distortions mirror interior struggles. Music surges and crashes like an incoming wave. Together, visuals and audio drag us into characters’ terror and trauma.

Fargeat’s technical expertise and artistic eye forge a cohesive nightmare world where beauty and horror intersect. She commands attention through forceful storytelling that demands an emotional response. Viewers get pulled deep into this mind-bending reality that lingers with us, for better or worse, long after leaving the theater.

The Weight of Perception

Coralie Fargeat’s provocative body horror film The Substance doesn’t just tell a tale of twin spirits locked in conflict. Its premise acts as a platform to explore deeply personal and societal issues in a stylistically bold yet nuanced way.

At its heart, the story examines how we see ourselves and how that perception of identity can alter when viewed through the lens of others. Elisabeth Sparkle has built her entire sense of self around her Hollywood career and physical image. But in an industry that venerates youth and beauty, she learns just how quickly one can be cast aside when deemed “past it” at 50 years old. By giving life to Sue, her idealized younger self, the film creates a living symbol of the relentless standards that traumatize women.

Elisabeth’s desperation to regain control reveals just how completely the male gaze has shaped her self-worth. But it’s not only societal expectations that cause inner turmoil; her resentment of Sue shows how cruelly we can judge our former and future selves. The complex issues are further brought to the fore by the realities of Demi Moore and Margaret Qualley playing these dual roles, their performances rich with the baggage of their own careers and generations.

In its exploration of such weighty themes, the film spares no expense on graphic, surreal imagery. But its unflinching satire of the entertainment industry’s misogyny does not feel gratuitous. By portraying the monstrous lengths imposed on women to stay desirable, Fargeat launches a searing indictment of systemic ageism and sexism. Even in the movie’s most nightmarish moments, its targets are unmistakable.

Through dazzling style and deft storytelling, The Substance transforms personal demons into timely commentary. It reveals just how deeply society’s standards become internalized and the havoc wreaked on our identities when our worth is defined by another’s gaze.

The Art of Becoming Someone Else

Demi Moore and Margaret Qualley offer tour-de-force performances in The Substance. They take on dual roles that could have become confusing or one-dimensional in lesser hands. But both actors embrace the challenge with captivating nuance.

The Substance Review

Moore plays Elisabeth, an aging star desperate to cling to her youth and career. You feel her turmoil as everything she knows slips away. There’s rage and bitterness, but also vulnerability. Even in Elisabeth’s darkest moments, Moore ensures you empathize with her plight. Then, as her double Sue emerges, Moore subtly morphs into a different woman. Sue radiates an innocent joy, flying high on her newfound success. But behind the smiles, you sense her selfish disconnect from reality.

It’s a testament to Moore’s mastery that she makes these two such distinct characters while keeping the same face and body. You truly believe they are separate beings until the lines start blurring in absorbing ways. Moore never lets you forget that they are different sides of the same complex person. She grasps the psychological depths with insight and empathy.

Qualley meets Moore’s prowess with a standout performance of her own. As Sue, she exudes a charming confidence but hides fragility beneath. Qualley makes Sue’s descent into delusion tragically realistic, showing us the woman Elisabeth could have been with more time. Their fates become deeply intertwined, and Qualley seamlessly switches between their consciousnesses.

Dennis Quaid insidiously steals many scenes as their loathsome boss Harvey. Slimy yet strangely beguiling, Quaid makes Harvey’s misogyny seem almost reasonable, until his true nature becomes too ugly to overlook. He is the perfect antagonist to test our heroines.

Through spellbinding performances that are both nuanced and bold, Moore and Qualley bring an all-too-human soul to The Substance’s gripping sci-fi premise. Their mesmerizing artistry stayed with this viewer long after leaving the theater.

Horrors of Flesh and Form

As The Substance progresses, the body horror escalates to strikingly grotesque levels. We witness the disturbing physical transformations that Elisabeth and Sue undergo as the rules of their shared existence are broken. Their perfected forms devolve into shocking mutations that drive the increasingly bizarre plot.

Through astonishing makeup and prosthetics work, we see flesh unexpectedly ripped open and reformed. Sue initially emerges whole from Elisabeth’s torn back in an unsettling birth. But overindulging in her youth, Sue’s beautiful body is itself invaded by creeping abnormalities. Her skin develops repellent bulges and discolorations that magnify her unnatural extended life.

Elisabeth fares worse, aging far beyond her years as her time is stolen. Her physique warps into a nightmare not glimpsed since Cronenberg’s The Fly. Bones poke through wrinkled skin like geological formations, promising no comfort remains within. Both women are distorted past recognition, their escalating symptoms acting as fleshy barometers for the rules they’ve broken.

It’s a testament to the film’s creative gore that we watch, captivated yet unsettled, as characters transform into walking medical conditions. Through special makeup artist Persin’s unbelievable handiwork, Fargeat crafts queasy commentary on our fixation with static beauty. Her striking visions of mutability effectively shock us into reflection on youth, age, and the self-loathing perpetuated by unattainable standards. The Substance may appall, but its envelope-pushing visuals expose deeper truths than most straightforward dramas ever could.

The Substance Stirs Controversy and Conversation

Coralie Fargeat’s bold new film has sparked lively discussions with its unflinching exploration of sensitive themes. At its core, The Substance tells a fascinating personal story about society’s unrealistic expectations of women and the drastic steps some feel compelled to take in response.

The Substance Review

Demi Moore delivers a powerfully complex performance as Elisabeth Sparkle, a talented actress struggling in an industry that deems her too old. Seeking a way to regain control, she undergoes a mysterious and risky procedure that has troubling, unintended consequences. Margaret Qualley is equally brilliant as her younger counterpart, their dynamic exposing deeper truths about how we perceive ourselves at different stages of life.

Though undoubtedly disturbing at times, Fargeat treats her subject matter with empathy and nuance. She skillfully immerses viewers in Elisabeth’s dilemma to shed light on insidious issues that far too many face in the real world. The Substance confronts our deepest fears and failures through a compelling genre lens, proving that provocative films can both entertain and spark important conversations when handled with artistry and care.

While not an easy watch, Fargeat’s latest proves herself to be a thrilling storyteller capable of tackling taboo topics with courage and insight. The Substance will certainly divide audiences but deserves discussion and debate, as the most controversial works do. Fans of bold cinema exploring the human condition should not miss this unforgettable experience.

The Review

The Substance

8 Score

The Substance is a daring and disturbing work of body horror art that makes bold feminist social commentary. Though intense and unsettling, Coralie Fargeat's unconventional film makes audiences think deeply as it examines society's double standards and their personal cost. Demi Moore and Margaret Qualley deliver commanding performances in this story that resonates with viewers, prompting reflection about women's empowerment, identity, and how we relate to our past and future selves. With its striking combination of gruesome visuals and challenging themes, The Substance distinguishes itself as one of 2024's most memorable and affecting genre films.

PROS

  • Powerful feminist social commentary and exploration of timely themes
  • Deeply layered performances from Demi Moore and Margaret Qualley
  • Surreal and visually striking body horror execution
  • Unafraid to depict taboo subjects in provocative ways
  • A thought-provoking examination of identity and society's expectations

CONS

  • Gruesome and disturbing visuals won't appeal to all viewers.
  • Some may find the narrative repetitive or overly long at times.
  • An algorithmic approach won't resonate with everyone.
  • Controversial topics could polarize general audiences.

Review Breakdown

  • Overall 0

Tags: 2024 Cannes Film FestivalA Good StoryCoralie FargeatDemi MooreDennis QuaidDramaFeaturedHorrorMargaret QualleyMUBIRay LiottaThe SubstanceWorking Title Films
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