Neagley Review: Maria Sten Gives Reacher’s World a New Engine
Prime Video has reached the stage of franchise success where expansion becomes less a question of creative necessity than institutional...
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Corporate language has a peculiar talent for making threats sound therapeutic. Layoffs become restructuring. Surveillance becomes accountability. A rural retreat where employees compete for the privilege of remaining employed can therefore arrive wrapped in the vocabulary of teamwork and professional growth without anybody in management apparently noticing the joke. Go Team! notices it immediately. Tío Mochales, once a successful Spanish cheese company, has fallen on difficult times. Its employees are sent to the village associated with the company’s origins for what appears to be an exercise in reconnecting with shared values. Then the actual purpose emerges. Jobs are at risk,...

The most upsetting thing in Don’t Move happens before the giant spider has even entered the picture. Megan stands outside an amusement park dark ride waiting for her husband and young son, then watches a fire turn the attraction into a trap. She runs inside, releases other riders, reaches her family, and still cannot save them. She gets close enough to be burned. Close enough to hear them. Close enough for survival to feel possible right until it isn’t. That scene hurts. It is cruel in a way the rest of the movie rarely allows itself to be, and that...

Sandra Vale’s collapse onstage should be the hinge that reorganizes Closing Night. Until then, Cody Fern’s debut has been loading its chamber: an acclaimed actress struggling through rehearsals for Mother Courage, a sister she has avoided for three decades, a nephew quietly reconnecting with her, and invitations that drag an estranged family toward New York. Once Sandra forgets her lines and lands in the hospital, the story finally has the event capable of forcing every buried grievance into the same room. The problem is that Fern and co-writer Devon Bostick have already decided that almost every grievance should arrive at...

Turning a 1989 arcade beat ’em up into a self-aware animated comedy sounds suspiciously easy. The original game gives you barbarians, magic, skeletons, monsters, and Death Adder waiting to be hit until he stops moving. There is plenty of room between those pixels for writers to start making jokes. The harder question is what happens after joke number forty. That is where Golden Axe becomes surprisingly interesting. Mike McMahan and Joe Chandler approach SEGA’s series with the same rapid-fire comic instinct that has shaped plenty of modern adult animation, and the first few episodes occasionally feel trapped by it. Every...

Prime Video has reached the stage of franchise success where expansion becomes less a question of creative necessity than institutional reflex. A show works, audiences arrive, and suddenly one successful corner of television is expected to support an entire neighborhood. Neagley could easily have been the most predictable product of that machinery: take a popular supporting character from Reacher, reproduce the formula around her, add a familiar cameo, and keep the subscription engine humming. What makes the series interesting is that it understands how little value there would be in simply building a smaller Reacher around Maria Sten. That difference...

Nora waits outside the office until 10:05 because she has been told to arrive “a little after 10.” Five minutes should mean nothing, yet the pause tells us almost everything about her relationship with Platen, the prestigious New York literary magazine where she has landed an unpaid internship. She is terrified of getting even the smallest rule wrong because, to her, this place already matters enormously. Writer-director Alexandra Pechman understands how much young ambition depends on tiny acts of interpretation. What time counts as “a little after”? How casually should you speak to an editor? How should you dress? When...
Prime Video has reached the stage of franchise success where expansion becomes less a question of creative necessity than institutional...
Read moreDetailsThe most revealing joke in Drawn Together may be one the film barely seems to recognize as a joke. Marfil...
Read moreDetailsA relationship that has lasted ten years should have accumulated enough history to survive one bad stretch. A Love Other...
Read moreDetailsBassam Tariq understands that an action hero can look most vulnerable when the problem in front of him cannot be...
Read moreDetailsInsomniac spent three Spider-Man games teaching players to expect movement, freedom, and improvisation from its superheroes. Logan demands almost the...
Read moreDetails"Dancing With the Stars" kicked off its 35th season with an unusual format Tuesday night, sending home a couple before the show's full cast of 16 had even finished making its ballroom debut. The season premiere split its opening week across two nights, with the eight male celebrities performing first...
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Corporate language has a peculiar talent for making threats sound therapeutic. Layoffs become restructuring. Surveillance becomes accountability. A rural retreat where employees compete for the privilege of remaining employed can...
The most upsetting thing in Don’t Move happens before the giant spider has even entered the picture. Megan stands outside an amusement park dark ride waiting for her husband and...
Removing gacha mechanics from a mobile RPG sounds like the easy part. The harder question is what happens to everything...
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