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The Highest Stakes Review: Poker Becomes Punishment in This Strange Thriller

The Highest Stakes treats poker less like a sport and closer to ritual theater. Five strangers arrive at a luxury hotel for a private tournament with a $20 million jackpot, the kind of premise that suggests slick card-table psychology, expensive suits, and smug men pretending mathematics is destiny. The film has some of that, yet its real interest lies elsewhere. This is a revenge thriller disguised as a poker movie, with mystery-box construction, faint supernatural shading, and a nasty little moral engine turning underneath the velvet surface. The setup is pulpy in a pleasingly old-fashioned way: strangers trapped in a...

The Easy Kind Review: Elizabeth Cook Carries a Wounded, Tuneful Portrait of Artistic Survival

The Easy Kind studies the price of artistic freedom through EC, a lightly fictionalized version of Elizabeth Cook, played by Cook herself with a nervy mix of charm, fatigue, and cigarette-burn wit. EC is a Nashville country singer-songwriter who chose her own voice over the industry’s smoother machinery. That decision has given her dignity, authorship, and the kind of integrity people love to praise from a safe distance. It has also left her with unpaid repairs, shrinking opportunities, a leaky roof, and a career that seems respected without feeling secure. Katy Chevigny shapes the film as a hybrid portrait, combining...

Reviews Games

Stonemachia Review: Crossfall Games Builds a Bold Debut

Stonemachia, the debut Soulslike from Crossfall Games, has the kind of premise that could collapse under its own eccentricity: a chess-themed action RPG set in a warped Italian fantasy realm where angels behave like a plague. Instead, its strange logic gives the game a sharp identity. You play as Zefiro, a lowly pawn moving through Medhelan, a distorted vision of Milan scarred by the Plague of Angels. These angels have seeped into statues, fountains, ornaments, and sacred architecture, turning beauty into threat. The game moves with the shape of a Soulslike, yet its pulse is faster and more aggressive. It...

A. Rimbaud Review: An Experimental Biopic With Rare Emotional Force

Patrick Wang’s A. Rimbaud takes the biopic and strips it down until only the volatile core remains. There are no sweeping recreations of 19th-century Paris, no bustling cafés packed with poets, no decorative period pageantry to reassure the viewer. Instead, Wang places Arthur Rimbaud inside a black-box theatrical space and lets Blake Draper carry the film across 175 minutes, from the poet’s reckless youth to his later life as a colonial merchant and envoy. The central device sounds almost perversely risky: Rimbaud is the only visible speaking figure, while everyone around him is represented through musical instruments. Lovers, relatives, rivals,...

Savage House Review: Candlelit Chaos in a Crumbling House of Privilege

Peter Glanz’s Savage House turns the English country estate into a pressure cooker, then adds pox, debt, adultery, political unrest, and aristocratic vanity for seasoning. Set in 1715, during the early Hanoverian reign of King George I, the film follows Sir Chauncey and Lady Savage, a ruined couple still performing grandeur inside a house that seems one bad loan away from collapsing into the mud. Their lives are already a carnival of appetites. He drinks, schemes, suffers, rages, and chases status with the dignity of a gout-ridden peacock. She maintains the poise of nobility while her family name, finances, and...

Madfabulous Review: Queer Victorian History Wrapped in Silk, Debt, and Theatrical Flair

Madfabulous looks back at Henry Cyril Paget, the 5th Marquess of Anglesey, as a figure caught between inheritance and invention. Set in late Victorian North Wales, Celyn Jones’ period comedy-drama follows an aristocrat whose passions for theatre, jewels, costumes, parties, and performance make him a scandal to the people around him. Henry does not enter his ancestral world hoping to preserve it. He arrives like a disturbance in silk, feathers, and nerves. Callum Scott Howells plays Henry as a man who treats existence as a stage, turning fashion and gesture into forms of resistance against class, gender, and family expectation....

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By its fifth season, Clarkson’s Farm has reached a curious stage in its life. Diddly Squat is no longer the...

Cape Fear Review: A Slow-Burn Thriller About Fear, Privilege, and Moral Rot

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Cape Fear turns a familiar revenge premise into a long, clammy study of guilt, reputation, and family collapse. Created by...

The Vampire Lestat Review: A Reinvention That Earns Every Risk It Takes

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AMC's decision to rename its prestige vampire drama signals something deliberate and irreversible. The Vampire Lestat, the rebranded third season...

Masters of the Universe Review: When Nostalgia Costs $200 Million

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Nearly forty years have passed since the 1987 Dolph Lundgren film nearly buried He-Man in celluloid ignominy. The Masters of...

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Not Suitable for Work enters Hulu’s comedy lineup with the confidence of a show that knows exactly which couch it...

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Top Lists & Features

Gazettely’s 15 Worst Movies of 2025

2025 was exhausting. That's the word that keeps coming back. Another year of watching studios spend Scrooge McDuck money on ...

5 months ago