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We Can Be Heroes Review: Of Courage, Compassion and Coming of Age

The Magic of Make-Believe: Exploring How Games of Imagination Can Foster Finding One's Place in the World

Arash Nahandian by Arash Nahandian
2 years ago
in Entertainment, Movies, Reviews
Reading Time: 7 mins read
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Tucked away in the lush forests of upstate New York lies Wayfinder camp. Here, each summer young people come together to join incredible adventures of imagination. Directors Carina Mia Wong and Alex Simmons have brought us a delightful glimpse into this special world through their new documentary We Can Be Heroes.

At Wayfinder, teens explore creatively through live-action roleplaying games known as LARPs. Each participant takes on a character within an immersive story crafted by counselors. For a week, they become elves, magicians and more as their collective story unfolds. However, there is more to these games than fantasy fun. For many campers, Wayfinder offers a safe haven.

Mainly focusing on three teens, We Can Be Heroes introduces us to Abby recovering from a long medical battle, Dexter coping with anxiety and Cloud striving to belong. At Wayfinder, all feel free to be fully themselves without judgment. Through LARPing, each discovers new strengths and forms bonds that will last beyond summer’s end.

With compassion, Simmons and Wong observe these young heroes as they explore identities, overcome personal challenges and support one another. Never mocking the activity, the directors skillfully transport us into the vibrant world of camp to experience the empowerment and joy it provides. We Can Be Heroes highlights how, for some, fantasy and friendship can become lifelines during the difficult search for purpose in today’s world. Overall, this heartwarming film celebrates the power we all hold within to become heroes in our own lives.

Welcoming Fantasy

The Wayfinder Experience Summer Camp provides an welcoming escape for its campers. Nestled in the forests of upstate New York, this unusual camp centers around live-action roleplaying games known as LARPs. For a week each summer, Wayfinder transports youth away from reality’s pressures into vibrant worlds of magic and adventure.

Here we meet three unique individuals seeking refuge within fantasy. Dexter comes from a homeschooled background, longing for connection. Socialization brings anxiety, yet he hopes meeting last year’s crush. Abby also desires community after a long medical struggle. A recently diagnosed condition means relying on a feeding tube, but Abby refuses to let that hold back dreams. Then there’s exuberant Cloud, only eleven yet wielding Make-Pretend as skillfully as his beloved lightsabers.

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This summer’s LARP storyline, ‘The Last Green’, involves various factions battling to halt dark forces transforming their land into a barren wasteland. The tale’s crafters, counselors Clare and Claire, envision an epic task requiring united heroes. As ‘Infernious Nocturna’, shy Dexter joins nobility seeking allies against the creeping void. Bubbly Abby plays an intrepid adventurer aiding refugees. Rowdy Cloud initially disrupts proceedings until counselor Judson assists channeling his mischief constructively as the trickster god ‘Luna’.

Other notable figures include Miranda, hoping Wayfinder readies her for college’s independence, and armor-maker Max, bringing grandeur to each quest. Counselor Judson also nurtures campers through their personal quests, having faced depression through similar fantasy roleplaying.

With support from compassionate leaders and newfound kindred spirits, these youths explore identity and fellowship freely within the sanctuary of make-believe. For a week, there are no diagnoses, homeschooling or anxieties – only heroic destiny unfolding through collective imagination.

Immersive Storytelling in We Can Be Heroes

We Can Be Heroes incorporates inventive filmmaking techniques to fully immerse viewers in the lived experience of the campers at Wayfinder. When the campers embark on their Live Action Role Playing campaigns, known as LARPs, the documentary shifts its visual style. The aspect ratio widens to cinematic proportions and the color palette enhances the fantasy aesthetic. Combined with Dan Deacon’s rousing original score, these changes transform the footage into an epic tale.

We Can Be Heroes review

Through Dexter’s narration, we are transported into the world of “The Last Green” alongside the campers. Their make-believe takes center stage, presented as a dramatic quest to save their realm from a darkening force. It’s artfully shot to indulge our imagination, capturing the campers’ profound engagement and creative efforts. Yet the documentary style returns when following the campers off the battlefield. This juxtaposition of realism and fantasy respects both the campers’ experience and their creative endeavors.

Three cinematographers partnered to capture the camp’s story. Shifting between campers immersed in the action or sharing introspective interviews, their work provides nuanced insights. We experience meaningful character arcs without neglecting others’ storylines. The filmmakers avoid focusing exclusively on any single camper, balancing depth with breadth to portray the community. It’s a deft directorial choice that preserves each adolescent’s dignity while celebrating their diverse talents.

Through innovative storytelling, We Can Be Heroes truly brings viewers into the world of Wayfinder. Both the campers’ make-believe and their authentic selves are brought to vibrant life.

Escaping Into New Horizons

The teenagers featured in We Can Be Heroes arrive at camp seeking something more. Each carries their own burdens and hopes to transcend real world constraints. Through collaborative storytelling, they are liberated to become whomever they imagine.

At Wayfinder, expectations fall by the wayside. No one faces judgment for their quirks or differences. Abby navigates life with a serious illness, yet her condition does not define her within these woods. Here, she adventures unencumbered as a capable elf warrior. Eli too escapes a troubled home environment, basking in the acceptance of new companions.

For teenagers especially, identity remains unfixed. Wayfinder is a space where one may experiment freely, uncovering new strengths. Cloud delights in chaos but learns the value of cooperation through coaching. Miranda prepares to launch into adult life, guided by the wisdom of fantasies fulfilled. Each camper develops in their own way, with interests indulged rather than shut down.

Some come seeking mere distraction, like Dexter with his worries. Yet for him and others, deeper bonds and self-awareness bloom. By book’s end, even Cloud harnesses his rebellious spirit constructively. The camp’s emphasis on positivity and collaboration empowers lasting growth, whether overcoming loneliness or crafting antidotes to real world adversity.

Most impactfully, Wayfinder is a place where imagination reigns. Through collaborative world-building and kinetic gameplay, walls dissolve between diverse personalities. Students become heroes, protecting their realm not just within stories but in relationships formed. Their adventures may be make-believe, but the lessons of empowerment, compassion, and community endure long after the final scene fades to black.

Honoring Authentic Voices

Films about young people often risk exposing subjects or generating easy laughs at their expense. We Can Be Heroes avoids such pitfalls through a tone of respect. Directors Carina Mia Wong and Alex Simmons display great care in crafting empathetic portraits.

Consent appears a priority throughout. Campers seem at ease, trusting the filmmakers to convey experiences authentically without judgment. Interviews avoid prodding or gotcha tactics, instead drawing out passions through gentle prompts. Footage grants privacy where needed yet still invites viewers inside special moments. This balance builds understanding from a place of mutual care.

Neurodivergent identities face no stigma here. Differences elicit pride as campers bond through shared quirks. When certain behaviors challenge norms, counselors respond with nuance, validating underlying needs. Their wise, non-punitive guidance nurtures inclusion so all may feel celebrated for who they are. Audiences glimpse how empowering environments can be when built on compassion.

Most impactfully, campers receive an unpaid platform. Rather than serve as subjects of outsider perspectives, their voices become the documentary’s foundation. We see life changing effects and gain role models through resilient spirits like Abby, facing immense challenges yet refusing to let a diagnosis define dreams. Mingled with laughter are profound insights few adults ever share so openly and honestly.

By honoring the humanity in each person, We Can Be Heroes uplifts. It spotlights young lives too rarely afforded nuanced portrayals, dismantling preconceptions and fostering understanding. Through respecting authentic voices, filmmakers spread their subjects’ message that we all deserve embracing our true selves freely. Their loving testament continues impacting more hearts.

Honoring Diverse Experiences

For many, activities like LARPing remain mysterious. We Can Be Heroes peels back assumptions through vivid portraits of joy, anxiety and belonging. Directors Carina Mia Wong and Alex Simmons shine light in a balanced, enriching way.

Viewers unfamiliar with this world need not fear exclusion. Subtitles gently orient during camp preparations, yet focus stays on campers rather than lengthy exposition. We learn through their eyes – the fear of first encounters, magic in committing to fantastical personas. Visuals transport us into their world without shattering reality’s frame.

Heartwarming human stories emerge from fantastical brushstrokes. Abby faces daily challenges with tenacity many lack. Cloud shows how structured play nurtures quirks often stifled. Dexter’s anxiety feels plain yet profound. Each glimpse deepens our shared well of feelings, however we experience life.

Sensitivities also spread understanding. Camp rules mandate respecting all, and tensions arise when someone’s passionate fun disrupts others’. Counselors guide through patience, not punishment, modeling inclusion. Viewers witness how supportive spaces lift every spirit.

Fantasy might seem the superficial surface layer, but it melts away to reveal complex truths. Friendships form that ease life’s hardest realities. Identities blossom with safe harbor to simply be. While surface tales entertain, their roots in the human condition resonate timelessly.

We leave not as outsiders peering in, but allies sharing in life’s triumphs, setbacks and moments bringing us close. All empowered to embrace fully whomever we are, wherever our journeys lead, through each other’s strength. Such is the gift these filmmakers grant the willing of heart.

Embracing Our Shared Humanity

We Can Be Heroes leaves us with hope. Though following different paths, these teens find fellowship through shared imagination. Directors Wong and Simmons welcome us into their world without judgement, instead celebrating courage amid life’s challenges.

Abby, Dexter and others remind us that inside each person lies a creative spirit yearning to be free. At Wayfinder, worries fade as magic takes hold. Yet deeper truths also emerge, of belonging and resilience. Warmed by new friendships, kids face tomorrow with restored light.

Wong and Simmons make an activity unfamiliar to many understandable and admirable. LARPing offers more than entertainment – it is empowerment. Here, identities blossom without limits, as courage and empathy strengthen bonds uniting all people. We see our common care for justice and connection transcends surface differences.

This film is a gift. It breathes life into the shy smiles and imaginings of an ascending generation who will shape our collective future. They deserve outlets to nurture hopes unafraid. If opening our eyes to others’ joy, maybe our world might reflect that same open-heartedness. Then all may find refuge to simply be.

We Can Be Heroes invites us to see, in each other, not what divides us, but our shared humanity. Its message will linger in hearts receptive to compassion. In these kids and their strengths, there lies enduring hope.

The Review

We Can Be Heroes

8 Score

We Can Be Heroes presents an affecting glimpse of teenagers finding belonging through shared creativity and play. Directors Wong and Simmons treat their subjects - and by extension, their audience - with uncommon warmth and respect. While not revolutionary in form, the film delivers perspective and heart in equal measure. It leaves in its wake a brighter vision of societal inclusion and the power of community to lift all people.

PROS

  • Authentically captures the intimate experiences of its subjects
  • Treats LARPing with understanding, portraying it as a meaningful activity
  • Shows how games of imagination can foster belonging and resilience
  • Celebrates creativity, challenging views that dismiss certain interests
  • Films gameplay sections creatively to invite viewers into the experience
  • Features relatable characters and touching story arcs

CONS

  • Could spend more time exploring specific gameplay details
  • Narrative structure is not the most refined or tightly edited
  • Some may find certain scenes of characters indulge too long

Review Breakdown

  • Overall 0

Tags: Alex SimmonsCarina Mia WongConcordia StudioDocumentaryFeaturedMuck MediaWe Can Be Heroes (2024)
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