• Latest
  • Trending
Nobody is Crazy Review

Nobody is Crazy Review: Arioni’s Triumph of Reflection Over Flash

Peg O' My Heart Review

Peg O’ My Heart Review: Strong Acting Can’t Save a Clumsy Script

Hats Off to Love Review (1)

Hats Off to Love Review: Checking the Boxes with Style

Akira Warner Bros

Warner Bros. Lets Akira Rights Expire After Two-Decade Struggle

1 hour ago
Adam Sandler and Jerry Bruckheimer

Sandler, Bruckheimer Turn NHL Draft Into Hollywood Showcase

2 hours ago
Matthew Goode

Matthew Goode’s ‘Too Dark’ Bond Pitch Sheds Light on 007 Reboot Debate

2 hours ago
because shes worth it

Five-Lion Triumph for L’Oréal’s Ilon Specht Documentary

2 hours ago
Joshua Jackson

Joshua Jackson Revisits the ‘Stressful’ Gay Scene That Made Cruel Intentions a Cult Classic

3 hours ago
James Bond

Amazon MGM Sets Fresh Course for James Bond Franchise

3 hours ago
Exterritorial

Netflix Saddles Up After Exterritorial Success

3 hours ago
I'm Beginning to See the Light Review (1)

I’m Beginning to See the Light Review: A Russian Soul in an American Fable

The Biggest Fan Review

The Biggest Fan Review: One Great Performance Can’t Save a Hollow Story

Tom Clancy's The Division 2: Battle for Brooklyn Review

Tom Clancy’s The Division 2: Battle for Brooklyn Review: A Nostalgic But Flawed Homecoming

  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Saturday, June 28, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Akira Warner Bros

    Warner Bros. Lets Akira Rights Expire After Two-Decade Struggle

    Adam Sandler and Jerry Bruckheimer

    Sandler, Bruckheimer Turn NHL Draft Into Hollywood Showcase

    Matthew Goode

    Matthew Goode’s ‘Too Dark’ Bond Pitch Sheds Light on 007 Reboot Debate

    because shes worth it

    Five-Lion Triumph for L’Oréal’s Ilon Specht Documentary

    Joshua Jackson

    Joshua Jackson Revisits the ‘Stressful’ Gay Scene That Made Cruel Intentions a Cult Classic

    James Bond

    Amazon MGM Sets Fresh Course for James Bond Franchise

    Exterritorial

    Netflix Saddles Up After Exterritorial Success

    Mission Impossible - The Final Reckoning Review

    ‘Final Reckoning’ Nears $550 M While Budget Questions Linger

    Love Island USA Hannah Fields

    Inside the Vote That Sent Hannah Home—and Why Viewers Aren’t Over It

  • Movie and TV Reviews
    Peg O' My Heart Review

    Peg O’ My Heart Review: Strong Acting Can’t Save a Clumsy Script

    Hats Off to Love Review (1)

    Hats Off to Love Review: Checking the Boxes with Style

    I'm Beginning to See the Light Review (1)

    I’m Beginning to See the Light Review: A Russian Soul in an American Fable

    The Biggest Fan Review

    The Biggest Fan Review: One Great Performance Can’t Save a Hollow Story

    Heads of State Review

    Heads of State Review: Elba and Cena Carry the Ticket

    Mr. Blake at Your Service! Review

    Mr. Blake at Your Service! Review: The Anarchist in the Butler’s Pantry

    The Sound Review

    The Sound Review: A Long Way Down

    Please Dont Feed the Children Review

    Please Don’t Feed the Children Review: Destry Spielberg’s Ambitious but Flawed Debut

    Ice Road Vengeance Review

    Ice Road: Vengeance Review – Liam Neeson’s Diminishing Returns Continue

  • Game Reviews
    Tom Clancy's The Division 2: Battle for Brooklyn Review

    Tom Clancy’s The Division 2: Battle for Brooklyn Review: A Nostalgic But Flawed Homecoming

    9 Kings Review

    9 Kings Review: Seven Monarchs, Endless Strategic Possibilities

    Rematch Review

    Rematch Review: Sloclap’s Ambitious Football Experiment Falls Short of Goals

    Chronicles of the Wolf Review

    Chronicles of the Wolf Review: Forging a Path Through the Past

    JDM Japanese Drift Master Review

    JDM: Japanese Drift Master Review – When Mechanics Meet Manga

    Blood Bar Tycoon Review

    Blood Bar Tycoon Review: A Bloody Good Idea, Poorly Executed

    Ghost Frequency Review

    Ghost Frequency Review: All Atmosphere, No Conclusion

    Death Stranding 2 On the Beach Review 1

    Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

    RAIDOU Remastered: The Mystery of the Soulless Army Review

    RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Akira Warner Bros

    Warner Bros. Lets Akira Rights Expire After Two-Decade Struggle

    Adam Sandler and Jerry Bruckheimer

    Sandler, Bruckheimer Turn NHL Draft Into Hollywood Showcase

    Matthew Goode

    Matthew Goode’s ‘Too Dark’ Bond Pitch Sheds Light on 007 Reboot Debate

    because shes worth it

    Five-Lion Triumph for L’Oréal’s Ilon Specht Documentary

    Joshua Jackson

    Joshua Jackson Revisits the ‘Stressful’ Gay Scene That Made Cruel Intentions a Cult Classic

    James Bond

    Amazon MGM Sets Fresh Course for James Bond Franchise

    Exterritorial

    Netflix Saddles Up After Exterritorial Success

    Mission Impossible - The Final Reckoning Review

    ‘Final Reckoning’ Nears $550 M While Budget Questions Linger

    Love Island USA Hannah Fields

    Inside the Vote That Sent Hannah Home—and Why Viewers Aren’t Over It

  • Movie and TV Reviews
    Peg O' My Heart Review

    Peg O’ My Heart Review: Strong Acting Can’t Save a Clumsy Script

    Hats Off to Love Review (1)

    Hats Off to Love Review: Checking the Boxes with Style

    I'm Beginning to See the Light Review (1)

    I’m Beginning to See the Light Review: A Russian Soul in an American Fable

    The Biggest Fan Review

    The Biggest Fan Review: One Great Performance Can’t Save a Hollow Story

    Heads of State Review

    Heads of State Review: Elba and Cena Carry the Ticket

    Mr. Blake at Your Service! Review

    Mr. Blake at Your Service! Review: The Anarchist in the Butler’s Pantry

    The Sound Review

    The Sound Review: A Long Way Down

    Please Dont Feed the Children Review

    Please Don’t Feed the Children Review: Destry Spielberg’s Ambitious but Flawed Debut

    Ice Road Vengeance Review

    Ice Road: Vengeance Review – Liam Neeson’s Diminishing Returns Continue

  • Game Reviews
    Tom Clancy's The Division 2: Battle for Brooklyn Review

    Tom Clancy’s The Division 2: Battle for Brooklyn Review: A Nostalgic But Flawed Homecoming

    9 Kings Review

    9 Kings Review: Seven Monarchs, Endless Strategic Possibilities

    Rematch Review

    Rematch Review: Sloclap’s Ambitious Football Experiment Falls Short of Goals

    Chronicles of the Wolf Review

    Chronicles of the Wolf Review: Forging a Path Through the Past

    JDM Japanese Drift Master Review

    JDM: Japanese Drift Master Review – When Mechanics Meet Manga

    Blood Bar Tycoon Review

    Blood Bar Tycoon Review: A Bloody Good Idea, Poorly Executed

    Ghost Frequency Review

    Ghost Frequency Review: All Atmosphere, No Conclusion

    Death Stranding 2 On the Beach Review 1

    Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

    RAIDOU Remastered: The Mystery of the Soulless Army Review

    RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Nobody is Crazy Review

Chimp Crazy Review: An In-Depth Look at a Docuseries Raising Big Questions

My Penguin Friend Review: Schurmann Forges Beauty from Pain in a Deceptively Simple Story

Home Entertainment Movies

Nobody is Crazy Review: Arioni’s Triumph of Reflection Over Flash

Nobody is Crazy Stimulates Thought on Societal Attitudes, Health, and What it Means to Embrace Life's Present Moments with Open Minds.

Arash Nahandian by Arash Nahandian
11 months ago
in Entertainment, Movies, Reviews
Reading Time: 7 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

Federico J. Arioni’s Nobody is Crazy takes us on a philosophical journey through the intricacies of time and existence in his examination of one teenager’s crisis of identity. At the film’s center is Rafael, a troubled youth struggling with OCD who encounters the enigmatic Nobody, played with aplomb by writer/director Arioni himself.

Claiming to hail from parts temporal unknown, Nobody takes Rafael on a discursive adventure through the theoretical possibilities, and improbabilities, of chrononautical endeavors. More profoundly, their discussions explore what it means to truly inhabit the present moment and accept oneself.

Backed by a strong central performance from Manuel Gutierrez as Rafael, Arioni has crafted no mere time-travel yarn but a thoughtful meditation on perspective and living authentically within the flow of time.

Unraveling the Threads: A Tale of OCD, Time Travel, and Friendship

The film introduces us to Rafael, a troubled yet introspective teenager grappling with obsessive-compulsive disorder in its myriad forms. We learn of his difficult upbringing – an orphan adopted and later confronted with the fracturing of his foster family.

Staying with his exasperated mother, Rafael finds the traditional avenues of therapy and medication ineffective in quelling the rigid compulsions that isolate him. It is at his psychologist’s suggestion that Rafael reluctantly attends a support group, his last chance before the threatened military boarding school.

There, a most unexpected encounter awaits. Outside the meeting’s conclusion, Rafael crosses paths with an enigmatic stranger clad ominously in black mask and gloves. Introducing himself as Nobody, the man professes a most peculiar attribute – an ability to traverse the temporal stream at will. A time traveler? Rafael is understandably skeptical, yet equally intrigued by this eccentric figure who speaks so assuredly on life’s grandest mysteries.

Thus begins Rafael’s philosophical odyssey, as he seeks to uncover the veracity of Nobody’s claims through intense dialectic. Over frequent discursive walks through their hometown, Nobody proves the perfect companion for Rafael’s quest, easing his isolation with alternative perspectives on identity and the nature of existence. In time, their discussions draw the interest of free-spirited roller girl Daria, whose presence lightens their exchanges.

Together, this unconventional trio embark on an exploration of possibility that will reshape Rafael’s view of both his inner and outer worlds. By journey’s end, the truths unearthed may unsettle even the most grounded of perspectives on the fluid boundaries between sanity and extraordinary experience.

Masks and Minds: The Compelling Characters of “Nobody is Crazy”

At the film’s core is Rafael, portrayed with nuance by Manuel Gutierrez. We see a teenager rigidly bound by compulsions, struggling to find acceptance in a world not built for minds like his. Gutierrez imbues Rafael with quiet desperation, conveying the isolation of neurodivergence without melodrama. It is a performance that grounds the more fantastical elements and keeps us invested in Rafael’s journey.

Nobody is Crazy Review

That journey is set in profound motion by Rafael’s fateful meeting with the enigmatic Nobody, played with utter conviction by Federico J. Arioni. Mysterious behind his perpetual mask, Nobody presents a vision of unbridled curiosity and acceptance that calls Rafael to break free of inhibition.

Arioni navigates Nobody’s mercurial nature deftly, leaving us to ponder his true nature until the film’s stunning denouement. His character proves the ideal catalyst to awaken Rafael’s mind to new temporal perspectives.

Joining their discourse is the free-spirited Daria, embodied vibrantly by Lara Ammi Wheeler. Daria lightens their exchanges with a playful charm, drawing Rafael from his inwardness. Wheeler brings a lively spirit to her role, representing the transformative power of human connection. Her presence underscores Rafael’s burgeoning realization that forging relationships, not rigid routine, truly liberates the mind and soul.

Supporting these principals are solid performances from P. Arioni and others as Rafael’s exasperated mother and rotating mental health professionals. They paint a world that, while meaning well, ultimately serves to further isolate Rafael through relentless attempts to normalize his neurodivergence. It is a subtle yet potent commentary on society’s treatment of those deemed ‘other.’

Through its ensemble of richly drawn characters, Nobody is Crazy crafts its most profound statement: that true understanding and acceptance, not endless therapies or diagnoses, ultimately empower those on the outer fringes of societal definition to realize their fullest, most authentic selves.

Beyond Sanity: Philosophical Depths and Mental Health Insights

At its core, Nobody is Crazy delves profoundly into concepts of time, existence and human perception. Through the enigmatic Nobody’s philosophical discourses with Rafael, Arioni’s film explores the theoretical intricacies of chrononautical endeavors with intellectual vigor.

Nobody is Crazy Review

Nobody asserts Ecclesiastes’ view that the timeline is fixed, with no heroic intervention able to alter what has been ordained. His assertion underscores the film’s existential bent – that finding purpose lies not in changing external factors, but in accepting life’s flow and inhabiting each moment fully.

Closely tied to its temporal musings is the film’s contemplation of societal attitudes towards mental divergence. In Rafael, Arioni presents a thoughtful study of a neurodivergent teenager struggling against a system intent on normalization.

Rafael’s compulsions are presented not as illness but innate quirks, and his isolation stems more from an lack of societal compassion than any internal deficiency. Through Nobody, Arioni suggests that true empowerment comes not from endless therapies but from embracing one’s authentic nature.

It is this message of self-acceptance that forms the bedrock of Rafael’s coming-of-age journey. His encounters with the mystifying Nobody and the free-spirited Daria open his mind to new relational and philosophical possibilities.

Freed from inhibitions through their bond, Rafael begins to redefine himself and his place in the world on his own terms. By film’s end, the truths unearthed reshaped Rafael’s sense of identity, driving home Arioni’s assertion that living presently and authentic to one’s nature is the sole path to realizing one’s fullest potential.

With intellect and empathy, Arioni has crafted in Nobody is Crazy no mere sci-fi yarn but a profound meditation on existence. Through Rafael’s awakening to new temporal and societal perspectives, the film invites its viewers to similarly re-examine preconceptions and embrace life’s flow with open and accepting minds. It is a thoughtful triumph that will stimulate discussion and reflection for time travelers to come.

Capturing Moments: The Visual Language of Arioni’s Argentina

Arioni crafts Nobody is Crazy with a visual aesthetic well-suited to its contemplative nature. Cinematographer Jonatan Robledo frames each shot with attentiveness, lending Rafael’s journeys a lived-in authenticity. Shifting fluidly between close character studies and wide establishing shots, Robledo captures the minutiae of interaction alongside Buenos Aires’ varied locales.

Nobody is Crazy Review

Through Robledo’s lensing, Arioni’s direction maintains a naturalistic flow befitting the film’s discursive pace. Scenes unfold with patience, allowing discussions to breathe without directorial interruption. Focus remains on performances rather than flourish, prioritizing Rafael’s changing perspectives over flashy visuals. It is a stylistic choice echoing the film’s existential message – that life’s meaning emerges not from flashy escapades but inner reflection within reality’s steady flow.

As a setting for Rafael’s awakening, Buenos Aires itself takes on profound significance. Arioni conducts us through the city’s public spaces, cultural landmarks and quiet back alleys, transforming them into stages for philosophical debate.

In an art museum Rafael gains new appreciation for perspectival views, just as the carnival opens his mind to life’s fleeting pleasures. Their strolls seem to wander, yet each destination awakens Rafael to fresh understanding.

Through its unhurried rhythm and attentive locations, Nobody is Crazy invites sustained reflection on life’s deepest questions. Arioni’s direction maintains rapt focus on his characters’ internal evolution, prioritizing psychology over pyrotechnics.

It is a patient, grounded vision befitting the film’s thoughtful consideration of what it means to truly inhabit one’s temporal existence. In Nobody is Crazy, purpose is found not through flashy escapism but in thoughtful wandering life’s varied paths.

Echoes of the Past: Cultural Touchstones and Cinematic Homages

Arioni populates Nobody is Crazy with an array of referents that enrich its temporal themes on multiple levels. Perhaps most prominently, Nobody acts as a conduit introducing Rafael to the pop culture of the 1980s, a decade the time traveler claims to hail from.

Nobody is Crazy Review

Through him, the film references touchstones like The Karate Kid and Back to the Future that shaped generations. These nods lend Nobody an air of authenticity as a chrononaut while entertaining viewers versed in the ways of that era.

On a more academic level, Arioni’s film engages in respectful dialogue with the works of other cinematic time theorists. Nods to films like Looper and Abre Los Ojos acknowledge Nobody is Crazy’s place in the lineage of works exploring temporal conundrums through philosophical debate rather than pyrotechnic spectacle. Such references underscore Arioni’s aim to stimulate reflection, not merely divert.

Situated in Buenos Aires, the film also functions as a subtle portrait of Argentine youth culture. Its urban settings and characters’ engagement with local artistic hubs lend the story an authentic sense of place. Even minor details, like the presence of street artists paying homage to global pop icons, imbue the film with cultural specificity.

Through these intertextual layers, Arioni anchors Nobody is Crazy as much in our shared pasts as Rafael’s personal journey of discovery. His use of referents engages audiences on intellectual and emotional levels, subtly emphasizing how our perspectives are shaped as much by outside influences as inner reflections on life’s flow.

“Nobody is Crazy” is A Unique Voice in Contemporary Cinema

Through its philosophical journey across the timeless terrain of the human condition, Nobody is Crazy proves a thought-provoking triumph despite certain structural weaknesses. Chief among its strengths lies in Arioni’s ability to stimulate profound reflection on existence’s deepest mysteries through minimalist means. With patience and empathy, he crafts a tale that awakens fresh perspectives without resorting to pyrotechnic artifice.

Nobody is Crazy Review

Its appeal spans generations, resonating with all seeking insight into societal growing pains surrounding neurodivergence. For the neurotypical, Rafael’s story cultivates understanding and compassion. Younger viewers on similar quests for acceptance will find affirmation in his empowering realization that authentic self-acceptance, not endless “fixing,” is the sole path to liberation.

Though its deliberate pace may test some, Arioni’s direction maintains rapt focus on internal evolution over flashy escapism. In Rafael’s journey, we glimpse the transformative power of embracing life’s flow with open, questioning minds.

By film’s end, Arioni subtly underscores how our ability to see beyond the present’s confines shapes not only how we perceive reality, but how we inhabit our own ephemeral moments within time’s current.

For in the end, Nobody proves exactly as advertised – a chrononaut not of machines but of ideas, sparking audiences to reconsider preconceptions and accept and embrace the present with renewed clarity and compassion.

In this, Arioni’s film transcends its humble means to stimulate reflection for travelers through time to come. Rafael’s Odyssey reminds that life’s meaning emerges not from without, but from within – a profoundly timely message in any era.

The Review

8 Score

Federico J. Arioni's Nobody is Crazy proves a thoughtful triumph, using minimalist means to stimulate profound reflection on existence. With patience and empathy, Arioni crafts a tale that awakens fresh perspectives on societal attitudes towards those deemed "other" as well as life's deepest mysteries. While certain structural quirks may test some, Arioni maintains focus on internal evolution over flashy escapism to tell a story with timely lessons of acceptance that will resonate for travelers through time to come.

PROS

  • Thoughtful exploration of complex themes like mental health, societal attitudes, and living in the present
  • Subtle yet impactful commentary on normalizing neurodivergence
  • Evocative performances that anchor the philosophical elements
  • Authentic portrait of Argentine youth culture and settings
  • Stimulates reflection through minimalist style over spectacle

CONS

  • Pacing drags at times, testing patience of some viewers
  • Structural quirks emerge from talk-heavy format
  • Subtitles may frustrate those opposed to foreign films
  • Deliberate tempo won't satisfy those seeking action/escapism

Review Breakdown

  • Overall 0
Tags: DramaFantasyFederico J. ArioniLara Ammi WheelerManuel GutierrezNobody is Crazy (2019)
Previous Post

Chimp Crazy Review: An In-Depth Look at a Docuseries Raising Big Questions

Next Post

My Penguin Friend Review: Schurmann Forges Beauty from Pain in a Deceptively Simple Story

Discussion about this post

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Smoke Review

    Smoke Review: The Year’s Most Unpredictable and Unsettling Show

    7 shares
    Share 0 Tweet 0
  • Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

    1 shares
    Share 0 Tweet 0
  • Boglands Review: Shadows and Whispers in the Irish Mist

    2 shares
    Share 0 Tweet 0
  • Mix Tape Review: A Story Told on Two Sides of a Cassette

    1 shares
    Share 0 Tweet 0
  • Marshmallow Review: These Woods Hide Unexpected Secrets

    4 shares
    Share 0 Tweet 0
  • The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

    1 shares
    Share 0 Tweet 0
  • Outrageous Season 1 Review: Champagne and Cyanide

    1 shares
    Share 0 Tweet 0

Must Read Articles

Heads of State Review
Movies

Heads of State Review: Elba and Cena Carry the Ticket

4 hours ago
Squid Game Season 3 Review
Entertainment

Squid Game Season 3 Review: No Happy Endings Here

1 day ago
Love Island USA Season 7 Review
Entertainment

Love Island USA Season 7 Review: Summer’s Hottest Guilty Pleasure Returns

2 days ago
The Bear Season 4 Review
Entertainment

The Bear Season 4 Review: A Contemplative, Cathartic Final Course

2 days ago
Surviving Ohio State Review
Movies

Surviving Ohio State Review: The Weight of Witness

2 days ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version