For over seven decades, John Williams has been crafting some of the most memorable melodies in cinema history. From the ominous two-note teaser of danger in Jaws to the soaring theme of adventure and wonder in Star Wars, Williams’ music has accentuated emotions in iconic movies and become ingrained in our collective experience. At 92, with five Oscars and an unprecedented 52 nominations, Williams is widely considered the most successful film composer of all time.
The documentary Music by John Williams, directed by Laurent Bouzereau, shares insights into the celebrated career of this prolific artist. Through interviews with Williams himself, as well as directors Steven Spielberg and George Lucas, musicians Williams has collaborated with, and others, the film explores the maestro’s journey.
Natural talent and perseverance led Williams from piano sessions in Los Angeles to scoring early television and films. However, it was his partnerships with Spielberg and Lucas that launched Williams’ compositions to new heights and influenced Hollywood itself.
With no narration, Bouzereau tells Williams’ story through these firsthand recollections. We learn intimate details of monumental collaborations, like the two-note motif Williams created that generated fear in millions experiencing Jaws. Spielberg reflects on counting on the final score as the moment when a film truly comes alive. Meanwhile, Williams discusses crafting leitmotifs for characters in Star Wars while nearly accepting another gig instead.
With exclusive access, Bouzereau brings us into recording studios and reveals clips offering glimpses of Williams at work. Yet for all the accolades, Williams remains remarkably humble in recounting an unmatched career still ongoing after nine decades.
This review will explore what made the maestro’s music so impactful through his partnerships with modern cinema’s most iconic directors. It will also analyze Wililams’ ongoing contributions to film history and his unique approach to composition that ensured no part of the creative process repeated, instead spiraling creatively within the familiar.
The Maestro’s Musical Beginnings
John Williams came from a home filled with music. His father was a professional jazz drummer who imparted his love of percussion to his son from a young age. Growing up in New York, John showed an early aptitude for piano and pursued it seriously. After serving in the U.S. Air Force, he settled in Los Angeles to seek work as a session musician.
In the 1950s and 1960s, Williams made a living playing piano for television and films. You’d find him adding the final touches to everything from westerns to comedies. This allowed him to hone his craft at a time when splicing together music and image was in its infancy. Directors were just beginning to recognize the power of a well-placed melody.
Williams gained recognition in this era for his subtle yet impactful adapted scores. His music for Jane Eyre and other movies revealed a talent for setting mood and elevating emotion. Two westerns from this period, The Reivers and The Cowboys, especially impressed a young film enthusiast named Steven Spielberg.
When Spielberg began directing, he sought out Williams. Their first collaboration, Sugarland Express, showed signs of a productive partnership. But it was the minimalist yet masterful score for Jaws that cemented their relationship. With just two ominous notes, Williams reinvented suspense for the silver screen.
News of this musical magician spread far and wide, soon reaching the ears of a man named George Lucas. Williams found himself with not one but two of the biggest directors of the 70s, perfect partners to help broaden his cinematic canvas. Together, they’d inspire billions worldwide through unforgettable movies and the melodies that underscored them.
Magic from Minimalism: Williams’ Watershed Works with Spielberg and Lucas
After teaming up on the 1974 road movie Sugarland Express, Williams and Spielberg’s partnership truly took flight with 1975’s Jaws. The director had sampled stark strings from Robert Altman’s Images for his Temp track. But Williams went minimalist, crafting the film’s lifeforce from a lean two-note motif. Stripped down but deeply unnerving, this iconic theme perfectly conveyed the terror lurking just beneath the waves.
Their collaborative process took root. Recounting fond memories from recording sessions, Spielberg discusses counting on Williams’ magic to bring movies to their fullest emotional heights. “It’s what I always look forward to,” he says. Their bond, like William’s score, was bare-boned yet profoundly impactful.
Word spread of this artistic alchemy to George Lucas, then preparing Star Wars. Williams nearly chose another project but sensed the cultural gravity of Lucas’ space opera. Despite initial doubts, his soaring main theme embraced audiences worldwide. Leitmotifs identified unforgettable characters while thrusting listeners headlong into a new cinematic universe.
Discovering Williams opened up Spielberg and Lucas’ vision, infusing their creations with a resonant soul. Their trust granted the composer freedom to experiment—like the haunting strings underscoring Close Encounters’ climactic first contact. Always striving to avoid repetition, Williams spun familiar themes into fresh contexts. This ensured the timelessness of not just Jaws but scores for later Lucasfilm triumphs like Indiana Jones.
While recounting their collaborations, these directors rave about sparking further imagination from Williams. Though his oeuvre grew exponentially, its heart remained these formative partnerships. Both artists understood cinema as collaborative, recognizing each other’s indelible mark on one another’s legacies. Between them, Williams elevated the experience—and raised the stakes—of emotive storytelling.
His impact continues echoing through modern moviemaking. Simply sharing a snippet elicits vivid memories, as themes transcend any single work. No one has ever again matched Williams’ uncanny, seemingly effortless ability to conjure such richness from such minimalism.
Inside the Maestro’s Musical Mind
To understand John Williams’ artistry requires exploring his creative process. The man himself and fellow composers provide unique perspectives on his methods.
Early on, Williams adopted handwritten notation over computerized scoring. His partner Spielberg enjoys discovering how recordings transform thanks to Williams tinkering alone with paper and pen. Developing themes organically stems from this intimate approach.
Recurring motifs are the maestro’s stock-in-trade. Identifiable notes immerse us in Star Wars’ saga or introduce Close Encounters’ mystery. Yet Williams experiments extensively before crystallizing solutions. He recounts Close Encounters’ five-note phrase emerged from countless variants.
Orchestrating simple kernels into full-bodied extravaganzas demands virtuosity. Williams sculpts core melodies into sweeping canvasses through eclectic textures and tempos. Audiences feel carried by familiar themes in new dramatic journeys.
Directors remain involved throughout. Lucas recalls challenging Williams, who welcomed adjusting Star Wars’ music. Williams prioritizes collaborators’ visions. This flexibility helps explain decades of crafting treasured works that remain fresh.
Dissecting methods risks disservice to art eliciting profound emotion. We glimpse Williams’ gift through impact, not past formulas. Still, his dedication to personal expression amid openness humbles all content to follow one man’s creative vessel.
Williams’ Enduring Influence Across Cinema
With scores for over a century of movies, John Williams made an impact like none other. Reviewing his massive filmography, it’s staggering the variety of genres amplified by his music—from thrillers to family films to biopics and beyond.
Whether crafting mournful remembrance for Schindler’s List or jubilation for Jurassic Park, Williams possessed an uncanny ability to match tone. Classically-trained yet crossing into popular art, his themes welcomed both aficionados and new audiences to appreciate film scores.
Countless works beyond the biggest franchises still resonate, even if lesser-known. Cello solos from Far and Away or triumphant fanfares from various Olympic ceremonies stick long after viewing. Yo-Yo Ma and others remark how performing Williams expands their musicianship.
Through Spielberg and Lucas, Williams single-handedly reinvigorated cinema’s declining orchestra culture. His nostalgia-saturated melody for The Fabelmans proved how seminal getting “hooked on a feeling” from his music has become. Credited by Lucas as co-director, Williams’ orchestration elevated visuals exponentially.
Enthralling performers and directors alike with prolificacy decades continuously, Williams’ influence persists with the younger scorers he inspires. Simply mentioning his pivotal works to those unfamiliar sparks instant vivid memories, as if we all share one sound-tracked life. Such is his legacy in bringing humanity’s stories to the screen.
Behind the Notes with the Maestro
Laurent Bouzereau had the musical equivalent of a front-row ticket thanks to intimate access. Directors can reminisce for hours about collaborating with John Williams, and he let those memories fill the screen.
Scenes with Williams open up, discussing his life yet avoiding hagiography. Creators he inspired provide perspective on this recluse’s profound influence. Captivating sessions reveal Williams crafting scores with unwitting students in the room.
Archival footage provided texture, from youth swinging with jazz luminaries to conducting modern classics. Glimpses into scoring show how performances emerge, fully formed, from Williams at the helm. Interludes with Perlman or Ma exhibit their deep appreciation for his explorations stretching genres.
While avoiding dry technicals that frustrate novices, Bouzereau balanced layman excitement with music theory. Hearing Newman define metaphor elicited equal parts understanding and secondhand embarrassment.
With Spielberg’s fondness for “Johnny” and family portraits, humanity emerged amid bravas. But conversation-centered works, not gossip. Respecting privacy while seizing the hard-won chance to pull back the maestro’s curtain proved rewarding.
Creating a front-row seat to musical brilliance, Bouzereau transported audiences without lecturing. Fans and scholars alike gained from his behind-the-notes glimpse of a living legend’s irresistible music.
Maestro of the Silver Screen
Over its runtime, Music by John Williams proves a worthy homage to one of cinema’s most celebrated composers. Across a career spanning seven decades, Williams crafted some of film’s most indelible melodies.
From suspenseful throngs of Jaws to the sweeping adventure of Star Wars, his music brought movies to life while staying with those who saw them. Whether diehard cinephiles or casual viewers, all recognized Williams’ touch on works ranging from tense thrillers to sentimental tales spanning genres.
Interweaving interviews and musical snippets, Bouzereau unpacked the creative chemistry between Williams and masters like Spielberg that raised blockbusters to art. We glimpsed Williams’ joy in discovery through others’ eyes, his willingness to experiment, and the timelessness of circling core themes.
Deeper than biography, this tribute captured a musical mind’s magic. While skirting heavier topics, moments like Kate Capshaw’s tears for Schindler proved Williams’ ability to spark profound emotions through minimalism.
Setting the legend in context from family roots to working with legends, the documentary honored a man whose name alone resonates memories. Nearly a century after his start, John Williams continues redefining what music can offer visual storytelling.
This celebration of a global artist appropriately premieres amid cinephiles. But Williams’ influence extends beyond fandom to how billions experience narrative itself. For now and eras hence, his gift ensures the movies stay within us, long after the final credits roll.
The Review
Music by John Williams
Music by John Williams presents a fitting tribute to one of cinema's most celebrated composers. Director Laurent Bouzereau crafts thoughtful profiles of Williams through interviews and personal anecdotes that offer insight into his remarkable career and collaborations. While light on analysis, the documentary succeeds in its chief goal of celebrating Williams' indelible legacy through his iconic works.
PROS
- Features exclusive, intimate interviews with John Williams and illustrious directors like Spielberg and Lucas
- Provides insightful glimpses into Williams' creative process and key collaborations
- Offers a satisfying retrospective of Williams' filmography through musical highlights
- Effectively conveys Williams' profound impact on cinema through tributes from fellow artists
- Achieves its goal as an enjoyable celebration of Williams' unmatched career
CONS
- Lacks comprehensive analysis of Williams' full body of work and influences
- Offers little discussion of his music beyond most iconic films
- Provides little depth on Williams' personal life and development as an artist.
