In a groundbreaking cinematic project, Danish filmmaker Mads Hedegaard has created a unique film that transports viewers to prehistoric Scandinavia by developing completely original languages for his new movie “Stranger.”
The film, which premiered at Sweden’s Goteborg Film Festival, tells the story of Aathi, a young woman from the first farming community in southern Scandinavia. Unlike typical prehistoric narratives focused on conflict, Hedegaard’s approach explores the deeper human experiences of early societies.
“When we think about the Stone Age, we think about warriors,” Hedegaard explained. “But her story is more human. It’s not just about fighting, but about society and passing things on.”
To ensure authenticity, Hedegaard collaborated with a linguistics expert specializing in ancient languages. The production team developed complete dictionaries and grammatical rules, blending Siberian tribal languages with ancient Mayan and Turkish influences. This approach allows the film to avoid modern language pitfalls and create a more immersive experience.
The film’s commitment to historical accuracy goes beyond language. Prehistoric experts consulted on every detail, from housing construction to tool and clothing design. This meticulous approach reflects Hedegaard’s background in documentary filmmaking, though managing a hundred-person crew in Hungarian forests presented significant challenges.
“Stranger” explores deeper themes that resonate with contemporary audiences. The film examines fundamental human experiences like fear of outsiders, resistance to change, and the emergence of societal concepts. “Some say that Egypt or Ancient Greece were the cradles of civilization,” Hedegaard noted. “I would argue it was this time. This is where it all started.”
Featuring performances by Angela Bundalovic, Danica Curcic, and others, the film is being distributed internationally by REinvent International Sales. Drawing inspiration from movies like “Apocalypto” and “The Revenant,” Hedegaard’s project breaks new ground in portraying Stone Age life.
“I don’t want to pretend I know what’s right and what’s wrong,” Hedegaard reflected. “Hopefully, this film can make us think about human interaction and cultural contact.”
The film promises to offer audiences a unique glimpse into humanity’s distant past, challenging traditional narratives about prehistoric societies.
