• Latest
  • Trending
Oh, Hi! Review

Oh, Hi! Review: The Perils of Love in a Modern World

God Will Not Help

Locarno Competition Film God Will Not Help Lands at New Europe

19 seconds ago
Lee Jung-jae

Lee Jung-jae on Squid Game’s Grueling Finale and Global Stakes

3 minutes ago
Vicky Krieps

Vicky Krieps: Jarmusch’s Venice-Bound Drama “Never Chased Cannes”

10 minutes ago
A Tree Fell in the Woods Review

A Tree Fell in the Woods Review: The Anatomy of Modern Malaise

Spark Review

Spark Review: Learning the Rules of Connection

GEX Trilogy Review

GEX Trilogy Review: It’s Tail Time, One More Time

Love & Rage: Munroe Bergdorf Review

Love & Rage: Munroe Bergdorf Review: Deconstructing the Armour

Andy Kaufman Is Me Review

Andy Kaufman Is Me Review: The Man Who Wasn’t There

Matt Reeves

Gunn Says Reeves’ Batman II Script “Reads Great” as 2026 Date Holds

4 hours ago
Bachelor in Paradise

‘Bachelor in Paradise’ Moves to Costa Rica, Drops Trailer for Milestone Season 10

4 hours ago
Jurassic World Rebirth

Jurassic World Rebirth Dominates U.K. Debut Ahead of Superman’s Arrival

4 hours ago
bidad

Iranian Director Faces Fines as Bidad Heads to Karlovy Vary

4 hours ago
  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Tuesday, July 8, 2025
GAZETTELY
  • Home
  • Movie and TV News
    God Will Not Help

    Locarno Competition Film God Will Not Help Lands at New Europe

    Lee Jung-jae

    Lee Jung-jae on Squid Game’s Grueling Finale and Global Stakes

    Vicky Krieps

    Vicky Krieps: Jarmusch’s Venice-Bound Drama “Never Chased Cannes”

    Matt Reeves

    Gunn Says Reeves’ Batman II Script “Reads Great” as 2026 Date Holds

    Bachelor in Paradise

    ‘Bachelor in Paradise’ Moves to Costa Rica, Drops Trailer for Milestone Season 10

    Jurassic World Rebirth

    Jurassic World Rebirth Dominates U.K. Debut Ahead of Superman’s Arrival

    bidad

    Iranian Director Faces Fines as Bidad Heads to Karlovy Vary

    Superman

    James Gunn Shrugs Off $700 Million Target for ‘Superman’ Reboot

    Anne Hathaway

    Anne Hathaway Details Grueling Shoot and Breath-Breaking Dance for Mother Mary

  • Movie and TV Reviews
    A Tree Fell in the Woods Review

    A Tree Fell in the Woods Review: The Anatomy of Modern Malaise

    Spark Review

    Spark Review: Learning the Rules of Connection

    Love & Rage: Munroe Bergdorf Review

    Love & Rage: Munroe Bergdorf Review: Deconstructing the Armour

    Andy Kaufman Is Me Review

    Andy Kaufman Is Me Review: The Man Who Wasn’t There

    State of Firsts Review

    State of Firsts Review: The Person Beyond the Politics

    Billion Dollar Playground Review

    Billion Dollar Playground Review: Service, Spectacle, and the Performance of Wealth

    Great White Waters Review

    Great White Waters Review: Dead in the Water

    The Summer Hikaru Died Review

    The Summer Hikaru Died Review: Boy Meets Boy, Boy Gets… Something Else

    Beth Review

    Beth Review: Channel 4’s Digital Drama Experiment Falls Short of Revolutionary Promise

  • Game Reviews
    GEX Trilogy Review

    GEX Trilogy Review: It’s Tail Time, One More Time

    Berserk or Die Review

    Berserk or Die Review: Controlled Chaos in a Pixelated Arena

    Zombie Army VR Review

    Zombie Army VR Review: Nazi Zombies Get the VR Treatment They Deserve

    Five Nights at Freddy's: Secret of the Mimic Review

    Five Nights at Freddy’s: Secret of the Mimic Review: For Fans Only

    Deltarune Review

    Deltarune Review: Another World in the Storeroom

    Tour de France 2025 Review

    Tour de France 2025 Review: Chess on Two Wheels

    Street Fighter 6 Years 1 2 Fighters Edition Review 1

    Street Fighter 6: Years 1-2 Fighters Edition Review – The Ultimate Portable Fighting Experience

    Puyo Puyo Tetris 2S Review

    Puyo Puyo Tetris 2S Review: When Two Worlds Collide on Switch 2

    Camper Van: Make it Home Review

    Camper Van: Make it Home Review: Designing Tranquility

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    God Will Not Help

    Locarno Competition Film God Will Not Help Lands at New Europe

    Lee Jung-jae

    Lee Jung-jae on Squid Game’s Grueling Finale and Global Stakes

    Vicky Krieps

    Vicky Krieps: Jarmusch’s Venice-Bound Drama “Never Chased Cannes”

    Matt Reeves

    Gunn Says Reeves’ Batman II Script “Reads Great” as 2026 Date Holds

    Bachelor in Paradise

    ‘Bachelor in Paradise’ Moves to Costa Rica, Drops Trailer for Milestone Season 10

    Jurassic World Rebirth

    Jurassic World Rebirth Dominates U.K. Debut Ahead of Superman’s Arrival

    bidad

    Iranian Director Faces Fines as Bidad Heads to Karlovy Vary

    Superman

    James Gunn Shrugs Off $700 Million Target for ‘Superman’ Reboot

    Anne Hathaway

    Anne Hathaway Details Grueling Shoot and Breath-Breaking Dance for Mother Mary

  • Movie and TV Reviews
    A Tree Fell in the Woods Review

    A Tree Fell in the Woods Review: The Anatomy of Modern Malaise

    Spark Review

    Spark Review: Learning the Rules of Connection

    Love & Rage: Munroe Bergdorf Review

    Love & Rage: Munroe Bergdorf Review: Deconstructing the Armour

    Andy Kaufman Is Me Review

    Andy Kaufman Is Me Review: The Man Who Wasn’t There

    State of Firsts Review

    State of Firsts Review: The Person Beyond the Politics

    Billion Dollar Playground Review

    Billion Dollar Playground Review: Service, Spectacle, and the Performance of Wealth

    Great White Waters Review

    Great White Waters Review: Dead in the Water

    The Summer Hikaru Died Review

    The Summer Hikaru Died Review: Boy Meets Boy, Boy Gets… Something Else

    Beth Review

    Beth Review: Channel 4’s Digital Drama Experiment Falls Short of Revolutionary Promise

  • Game Reviews
    GEX Trilogy Review

    GEX Trilogy Review: It’s Tail Time, One More Time

    Berserk or Die Review

    Berserk or Die Review: Controlled Chaos in a Pixelated Arena

    Zombie Army VR Review

    Zombie Army VR Review: Nazi Zombies Get the VR Treatment They Deserve

    Five Nights at Freddy's: Secret of the Mimic Review

    Five Nights at Freddy’s: Secret of the Mimic Review: For Fans Only

    Deltarune Review

    Deltarune Review: Another World in the Storeroom

    Tour de France 2025 Review

    Tour de France 2025 Review: Chess on Two Wheels

    Street Fighter 6 Years 1 2 Fighters Edition Review 1

    Street Fighter 6: Years 1-2 Fighters Edition Review – The Ultimate Portable Fighting Experience

    Puyo Puyo Tetris 2S Review

    Puyo Puyo Tetris 2S Review: When Two Worlds Collide on Switch 2

    Camper Van: Make it Home Review

    Camper Van: Make it Home Review: Designing Tranquility

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Oh, Hi! Review

Mark of the Deep Review: Pirate Perils and Dark Secrets

Dark Match Review: Where Wrestling Meets Horror

Home Entertainment Movies

Oh, Hi! Review: The Perils of Love in a Modern World

A Journey Through Emotional Labyrinths:

Naser Nahandian by Naser Nahandian
5 months ago
in Entertainment, Movies, Reviews
Reading Time: 4 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

In the serene landscape of upstate New York, “Oh, Hi!” presents Iris and Isaac—two individuals caught in a fleeting romantic moment. Their story unfolds against a tranquil backdrop, where spring’s soft light illuminates their temporary connection.

The film captures their brief encounter with delicate strokes, painting scenes of shared meals, spontaneous dance, and whispered conversations. Their interactions sparkle with an initial lightness, creating a tableau of youthful possibility.

Yet beneath this surface, complexity emerges. Isaac’s unexpected revelation disrupts the gentle narrative, transforming their encounter from a casual romantic interlude into a deeper exploration of human vulnerability. The story takes an introspective turn, challenging viewers’ expectations about connection and intimacy.

Through a non-linear narrative structure, the film weaves time’s unpredictable threads. Flashbacks and emotional shifts create a kaleidoscopic view of their interaction, blurring lines between memory and experience. Each scene becomes a fragmented piece of a larger, more nuanced emotional landscape.

The landscape of upstate New York serves as more than mere scenery—it becomes a silent witness to their ephemeral connection, its quiet beauty reflecting the transient nature of their shared moments.

Woven Shadows: The Dance of Imperfect Souls

In the swirling world of “Oh, Hi!,” Iris, portrayed by Molly Gordon, dances precariously between intense emotion and fragility. Her spirited nature masks a complex inner landscape of unspoken longings. Gordon crafts Iris with remarkable depth, creating a character both magnetic and wounded. She emerges as a protagonist caught between self-determination and emotional turmoil, her vibrant exterior hiding profound internal struggles.

Logan Lerman’s Isaac stands as a complex counterpoint, radiating an enigmatic presence that shifts between attraction and distance. His performance captures the intricate struggle of someone resisting emotional entanglement. Isaac becomes a symbol of modern romantic hesitation, embodying the tension between desire and fear of vulnerability.

Max and Kenny, played by Geraldine Viswanathan and John Reynolds, provide crucial narrative texture. Their sharp interactions and nuanced performances create additional layers of emotional complexity. Max offers sardonic wisdom, while Kenny maintains a grounded perspective amid the unfolding drama.

The ensemble creates a rich exploration of human connections, revealing the delicate threads that bind people together through moments of conflict, attraction, and profound uncertainty.

A Dance Between Light and Shadow: The Alchemy of Genre

In “Oh, Hi!,” genres interlock like enigmatic puzzle pieces. The film begins with the warmth of a romance, reminiscent of classic relationship stories. Subtle humor initially colors the narrative, creating a soft introduction to character interactions.

Sophie Brooks crafts a story that unexpectedly transforms. The initial lighthearted moments gradually darken, revealing complex emotional undercurrents. Characters move through experiences that blur lines between connection and disconnection.

The narrative explores emotional complexity, shifting between playful moments and darker psychological terrain. Viewers witness a journey that challenges expectations, presenting characters whose motivations remain fluid and unpredictable.

Cinematic moments reveal the intricate layers of human interaction, where initial perceptions quickly dissolve. The film creates a space where emotional states are not fixed but constantly evolving, challenging audience assumptions about relationships and personal dynamics.

Through nuanced storytelling, “Oh, Hi!” examines the fragile connections between people, presenting a world where emotions are neither simple nor straightforward. The experience invites viewers to explore the subtle rhythms of human connection.

Love’s Labyrinth: Navigating the Modern Existential Romance

“Oh, Hi!” explores modern romance through the lens of digital connection and uncertainty. The film examines a relationship characterized by hesitation and emotional complexity, revealing the fragile landscape of young love in an era of fleeting interactions.

Iris embodies the contemporary romantic struggle, wrestling with desire and apprehension. Her quest for connection reflects a deeper search for meaning, where romantic choices blur between personal agency and digital randomness. The emotional terrain becomes a complex map of unspoken feelings and tentative connections.

Isaac emerges as a nuanced character, representing shifting masculinity. He moves through emotional spaces with calculated subtlety, demonstrating the intricate negotiations of intimacy and distance. His character prompts reflection on gender dynamics and personal boundaries.

The narrative captures the essence of connection in a world where interpersonal relationships are increasingly mediated by technology, exposing the raw vulnerability beneath surface interactions.

A Tapestry of Shadows: The Artistry of Brooks

In “Oh, Hi!,” Sophie Brooks crafts her directorial work with the precision of an artist exploring human connection. Her visual storytelling creates a rich landscape where quiet settings reveal the internal struggles of her characters. The green spaces and sunlit waters of upstate New York create a backdrop that reflects the emotional undercurrents, producing scenes that feel both peaceful and charged with unspoken tension.

Brooks’ approach moves like a delicate dance, shifting between quiet romantic moments and intense emotional turns. This rhythm allows viewers to sense the weight of each interaction, from playful exchanges to deep psychological depths. Her direction transcends visual style, becoming a meditation on love’s complex layers.

The screenplay weaves dialogue that captures contemporary communication, blending sharp observation with underlying emotional weight. Characters speak with a natural rhythm that suggests complex inner lives. The language reveals subtle tensions, creating a narrative that feels both intimate and exploratory.

While Brooks demonstrates skill in portraying her characters, the script occasionally struggles to fully reveal Isaac’s emotional landscape. The vibrant dialogue sometimes eclipses the need for deeper character development, leaving certain narrative paths unexplored. Yet her work remains a compelling exploration of human connection and emotional subtlety.

Whispers of Love: A Reflective Journey

“Oh, Hi!” presents a compelling narrative within contemporary cinema, crafting a story that pulses with raw emotional depth. Molly Gordon and Logan Lerman infuse their roles with electric performances, creating characters that vibrate with complex inner lives.

The film navigates through nuanced emotional territories, presenting a cinematic experience that challenges traditional storytelling. While certain character arcs remain understated, the core narrative maintains a magnetic pull. Isaac’s storyline, though not fully excavated, hints at deeper psychological landscapes waiting to be explored.

The movie speaks to millennial experiences of connection, weaving through moments of comedic intensity and quiet introspection. Its approach to romantic storytelling breaks from conventional patterns, offering viewers a window into the messy, unpredictable terrain of contemporary relationships. Each scene feels like a carefully crafted glimpse into the intricate dance of human vulnerability and connection.

The Review

Oh, Hi!

7 Score

Sophie Brooks creates a compelling narrative in "Oh, Hi!" that intertwines romance with psychological depth. The film delivers powerful performances and a striking thematic approach, drawing viewers into its intricate emotional landscape. While the story occasionally wavers, its sharp observations on contemporary relationships strike a meaningful chord, blending comedic elements with introspective moments. "Oh, Hi!" presents an audacious cinematic experience that challenges traditional storytelling, inviting audiences to explore the nuanced terrain of human connection and emotional vulnerability.

PROS

  • Stellar performances by Molly Gordon and Logan Lerman.
  • Unique blend of romantic comedy and psychological thriller elements.
  • Thought-provoking exploration of millennial relationships and commitment issues.

CONS

  • Inconsistent narrative pacing and tone shifts.
  • Some character development, particularly Isaac's, feels underexplored.
  • Risk of alienating audiences who prefer traditional rom-com formulas.

Review Breakdown

  • Overall 0
Tags: 2025 Sundance Film FestivalFeaturedJimmy Gary Jr.Logan LermanMolly GordonOh Hi!Oh Hi! (2025)Ruben OrtizSophie Brooks
Previous Post

Mark of the Deep Review: Pirate Perils and Dark Secrets

Next Post

Dark Match Review: Where Wrestling Meets Horror

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Man Finds Tape Review

    Man Finds Tape Review: The Smartest Horror Film of the Year

    0 shares
    Share 0 Tweet 0
  • Mix Tape Review: A Story Told on Two Sides of a Cassette

    1 shares
    Share 0 Tweet 0
  • Pretty Thing Review: A Stylish Thriller Without the Thrills

    0 shares
    Share 0 Tweet 0
  • Heads of State Review: Elba and Cena Carry the Ticket

    1 shares
    Share 0 Tweet 0
  • Stand Your Ground Review: All Action, No Substance

    1 shares
    Share 0 Tweet 0
  • Ice Road: Vengeance Review – Liam Neeson’s Diminishing Returns Continue

    1 shares
    Share 0 Tweet 0
  • Love Island USA Season 7 Review: Summer’s Hottest Guilty Pleasure Returns

    2 shares
    Share 0 Tweet 0

Must Read Articles

The Summer Hikaru Died Review
TV Shows

The Summer Hikaru Died Review: Boy Meets Boy, Boy Gets… Something Else

6 hours ago
Abraham's Boys: A Dracula Story Review
Movies

Abraham’s Boys: A Dracula Story Review: The Tyranny of the Good Man

14 hours ago
The Madame Blanc Mysteries Season 4 Review
Entertainment

The Madame Blanc Mysteries Season 4 Review: Sally Lindsay’s Gentle Detective Returns

14 hours ago
It's Always Sunny in Philadelphia Season 17 Review
TV Shows

It’s Always Sunny in Philadelphia Season 17 Review: Still Depraved After All These Years

15 hours ago
Ballard Review
TV Shows

Ballard Review: Maggie Q Leads a Compelling Team of Misfits

15 hours ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely