• Latest
  • Trending
Jafar Panahi

Jafar Panahi’s It Was Just an Accident Wins Sydney Film Prize

3 hours ago
Zenithal Review

Zenithal Review: A French Farce of Phallic Proportions

Bravely Default: Flying Fairy HD Remaster Review

Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

The Chosen Season 5 Review

The Chosen Season 5 Review: The Gravity of a Predestined Hour

Star Trek: Strange New Worlds Season 3

Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

Brad Pitt

“Keep It on the Ground,” Brad Pitt Says of Possible Tom Cruise Team-Up

3 hours ago
Netflix Spain

Netflix Taps Expósito, Morte and Corberó for Next Wave of Spanish Originals

3 hours ago
Robin Wright

Robin Wright Links AI Fears to Pay-Gap Fight at Monte-Carlo Festival

4 hours ago
Al Pacino

Al Pacino Granted Rare Vatican Audience With Pope Leo XIV

4 hours ago
Superman

Gunn Says DCU Deaths Are Final—No Takebacks for Superman Reboot

4 hours ago
Atrabilious

Trailer Unveils Parker’s Star-Packed Noir Atrabilious

4 hours ago
Will Smith

Will Smith Explains Why He Passed on Nolan’s “Inception”

4 hours ago
Andy Serkis

Serkis Debuts Animated Animal Farm After 14-Year Journey

15 hours ago
  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Monday, June 16, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Jafar Panahi

    Jafar Panahi’s It Was Just an Accident Wins Sydney Film Prize

    Brad Pitt

    “Keep It on the Ground,” Brad Pitt Says of Possible Tom Cruise Team-Up

    Netflix Spain

    Netflix Taps Expósito, Morte and Corberó for Next Wave of Spanish Originals

    Robin Wright

    Robin Wright Links AI Fears to Pay-Gap Fight at Monte-Carlo Festival

    Al Pacino

    Al Pacino Granted Rare Vatican Audience With Pope Leo XIV

    Superman

    Gunn Says DCU Deaths Are Final—No Takebacks for Superman Reboot

    Atrabilious

    Trailer Unveils Parker’s Star-Packed Noir Atrabilious

    Will Smith

    Will Smith Explains Why He Passed on Nolan’s “Inception”

    Andy Serkis

    Serkis Debuts Animated Animal Farm After 14-Year Journey

  • Movie and TV Reviews
    Zenithal Review

    Zenithal Review: A French Farce of Phallic Proportions

    The Chosen Season 5 Review

    The Chosen Season 5 Review: The Gravity of a Predestined Hour

    Star Trek: Strange New Worlds Season 3

    Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

    Rosemead Review

    Rosemead Review: Lucy Liu’s Devastating, Career-Best Performance

    Tatami Review

    Tatami Review: Shot in Stark, Unflinching Black and White

    Diablo Review

    Diablo Review: Adkins Shines in a Tonally Divided Thriller

    Best Wishes to All Review

    Best Wishes to All Review: Beneath the Tranquil Surface

    Bark Review

    Bark Review: Confronting the Stranger Within

    Thug Life Review

    Thug Life Review: Kamal Haasan Shines in a Faltering Saga

  • Game Reviews
    Bravely Default: Flying Fairy HD Remaster Review

    Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

    Yakuza 0 Director's Cut Review

    Yakuza 0 Director’s Cut Review: Neon Lights and Brutal Fights

    Trident's Tale Review

    Trident’s Tale Review: Buried Treasure or Fool’s Gold?

    The Siege and the Sandfox Review

    The Siege and the Sandfox Review: A Pixel-Perfect Prison Break

    MindsEye Review

    MindsEye Review: A Beautifully Empty World

    The Alters Review

    The Alters Review: Surviving Your Past

    Dune: Awakening Review

    Dune: Awakening Review: A Brutal, Beautiful World Held Back by Combat

    Warhammer 40,000: Space Marine - Master Crafted Edition Review

    Warhammer 40,000: Space Marine – Master Crafted Edition Review: Old Scars, New Paint

    Fast Fusion Review

    Fast Fusion Review: Speed, Interrupted

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Jafar Panahi

    Jafar Panahi’s It Was Just an Accident Wins Sydney Film Prize

    Brad Pitt

    “Keep It on the Ground,” Brad Pitt Says of Possible Tom Cruise Team-Up

    Netflix Spain

    Netflix Taps Expósito, Morte and Corberó for Next Wave of Spanish Originals

    Robin Wright

    Robin Wright Links AI Fears to Pay-Gap Fight at Monte-Carlo Festival

    Al Pacino

    Al Pacino Granted Rare Vatican Audience With Pope Leo XIV

    Superman

    Gunn Says DCU Deaths Are Final—No Takebacks for Superman Reboot

    Atrabilious

    Trailer Unveils Parker’s Star-Packed Noir Atrabilious

    Will Smith

    Will Smith Explains Why He Passed on Nolan’s “Inception”

    Andy Serkis

    Serkis Debuts Animated Animal Farm After 14-Year Journey

  • Movie and TV Reviews
    Zenithal Review

    Zenithal Review: A French Farce of Phallic Proportions

    The Chosen Season 5 Review

    The Chosen Season 5 Review: The Gravity of a Predestined Hour

    Star Trek: Strange New Worlds Season 3

    Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

    Rosemead Review

    Rosemead Review: Lucy Liu’s Devastating, Career-Best Performance

    Tatami Review

    Tatami Review: Shot in Stark, Unflinching Black and White

    Diablo Review

    Diablo Review: Adkins Shines in a Tonally Divided Thriller

    Best Wishes to All Review

    Best Wishes to All Review: Beneath the Tranquil Surface

    Bark Review

    Bark Review: Confronting the Stranger Within

    Thug Life Review

    Thug Life Review: Kamal Haasan Shines in a Faltering Saga

  • Game Reviews
    Bravely Default: Flying Fairy HD Remaster Review

    Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

    Yakuza 0 Director's Cut Review

    Yakuza 0 Director’s Cut Review: Neon Lights and Brutal Fights

    Trident's Tale Review

    Trident’s Tale Review: Buried Treasure or Fool’s Gold?

    The Siege and the Sandfox Review

    The Siege and the Sandfox Review: A Pixel-Perfect Prison Break

    MindsEye Review

    MindsEye Review: A Beautifully Empty World

    The Alters Review

    The Alters Review: Surviving Your Past

    Dune: Awakening Review

    Dune: Awakening Review: A Brutal, Beautiful World Held Back by Combat

    Warhammer 40,000: Space Marine - Master Crafted Edition Review

    Warhammer 40,000: Space Marine – Master Crafted Edition Review: Old Scars, New Paint

    Fast Fusion Review

    Fast Fusion Review: Speed, Interrupted

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Jafar Panahi

“Keep It on the Ground,” Brad Pitt Says of Possible Tom Cruise Team-Up

Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

Home Entertainment

Jafar Panahi’s It Was Just an Accident Wins Sydney Film Prize

Rare public appearance by the Iranian filmmaker highlights a record year for Sydney Film Festival and renewed calls for artistic freedom. Sources

Naser Nahandian by Naser Nahandian
3 hours ago
in Entertainment, Entertainment News, Movies
Reading Time: 2 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

Jafar Panahi’s road-movie thriller It Was Just an Accident claimed the A$60,000 Sydney Film Prize at the 72nd Sydney Film Festival’s closing ceremony, drawing a standing ovation inside the State Theatre and praise from a jury that called the picture “courageous” and “brimming with truth”.

Director Justin Kurzel’s panel selected the film for its “audacious, cutting-edge and courageous” approach, the festival confirmed in its winners’ announcement. The award capped a record-breaking edition that sold more than 150,000 tickets—an 11 percent jump on last year, according to festival chief Frances Wallace.

Panahi appeared in person to accept the prize, a rare public outing made possible by the easing of the travel ban that once confined him to Iran. Festival staff kept his visit secret until opening night to avoid jeopardising the director, who spent months in prison and years under house arrest for films that challenge Tehran’s authorities. The victory follows the movie’s Palme d’Or triumph at Cannes three weeks earlier, a win hailed by Iranian dissidents as a blow to state censorship.

Shot clandestinely in Iran, the 102-minute film begins with a minor car mishap that unspools into a moral reckoning, blending dark comedy with questions of revenge and forgiveness; Panahi has described it as a humanistic response to his own interrogations. Its Australian screenings anchored a full retrospective of the filmmaker’s ten-feature career and preceded news that the title will open next month’s New Zealand International Film Festival.

Accepting the crystal trophy, Panahi told the crowd—through an interpreter—that the award “belongs to every artist whose voice is muted at home,” reiterating calls for creative freedom that the jury echoed in its statement. Wallace framed the moment as a signal that Sydney will continue “guarding cinema’s power to confront oppression,” while local outlets noted the festival’s expanded A$200,000 prize pool and sold-out sessions across 242 films. For Panahi, whose films have already survived smuggling drives and court injunctions, the ovation suggested his newest journey is just beginning.

Tags: It Was Just an AccidentJafar PanahiPalme d’Or WinnerSydney Film Festival
Previous Post

“Keep It on the Ground,” Brad Pitt Says of Possible Tom Cruise Team-Up

Next Post

Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Art Detectives Review

    Art Detectives Review: The Case of the Brilliant Man and the Underwritten Woman

    50 shares
    Share 0 Tweet 0
  • Deep Cover Review: A Script for Chaos, Left Unread

    2 shares
    Share 0 Tweet 0
  • Boglands Review: Shadows and Whispers in the Irish Mist

    1 shares
    Share 0 Tweet 0
  • Mix Tape Review: A Story Told on Two Sides of a Cassette

    1 shares
    Share 0 Tweet 0
  • The Survivors Season 1 Review: A Town Drowning in Secrets

    1 shares
    Share 0 Tweet 0
  • Titan: The OceanGate Disaster Review: History Repeats Itself in the Deep

    1 shares
    Share 0 Tweet 0
  • Call Her Alex Review: Hulu’s Frustrating Look at a Media Titan

    2 shares
    Share 0 Tweet 0

Must Read Articles

The Chosen Season 5 Review
TV Shows

The Chosen Season 5 Review: The Gravity of a Predestined Hour

2 hours ago
Star Trek: Strange New Worlds Season 3
TV Shows

Star Trek: Strange New Worlds Season 3 Review: High Concepts and Diminished Ambition

2 hours ago
Thug Life Review
Movies

Thug Life Review: Kamal Haasan Shines in a Faltering Saga

1 day ago
The Gilded Age Season 3 Review
TV Shows

The Gilded Age Season 3 Review: The Architecture of Power Crumbles

1 day ago
Revival Review
Entertainment

Revival Review: Wausau’s Walking Dead Offer More Than Brains

2 days ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version