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Jafar Panahi’s It Was Just an Accident Wins Sydney Film Prize

Rare public appearance by the Iranian filmmaker highlights a record year for Sydney Film Festival and renewed calls for artistic freedom. Sources

Naser Nahandian by Naser Nahandian
1 year ago
in Entertainment, Entertainment News, Movies
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Jafar Panahi’s road-movie thriller It Was Just an Accident claimed the A$60,000 Sydney Film Prize at the 72nd Sydney Film Festival’s closing ceremony, drawing a standing ovation inside the State Theatre and praise from a jury that called the picture “courageous” and “brimming with truth”.

Director Justin Kurzel’s panel selected the film for its “audacious, cutting-edge and courageous” approach, the festival confirmed in its winners’ announcement. The award capped a record-breaking edition that sold more than 150,000 tickets—an 11 percent jump on last year, according to festival chief Frances Wallace.

Panahi appeared in person to accept the prize, a rare public outing made possible by the easing of the travel ban that once confined him to Iran. Festival staff kept his visit secret until opening night to avoid jeopardising the director, who spent months in prison and years under house arrest for films that challenge Tehran’s authorities. The victory follows the movie’s Palme d’Or triumph at Cannes three weeks earlier, a win hailed by Iranian dissidents as a blow to state censorship.

Shot clandestinely in Iran, the 102-minute film begins with a minor car mishap that unspools into a moral reckoning, blending dark comedy with questions of revenge and forgiveness; Panahi has described it as a humanistic response to his own interrogations. Its Australian screenings anchored a full retrospective of the filmmaker’s ten-feature career and preceded news that the title will open next month’s New Zealand International Film Festival.

Accepting the crystal trophy, Panahi told the crowd—through an interpreter—that the award “belongs to every artist whose voice is muted at home,” reiterating calls for creative freedom that the jury echoed in its statement. Wallace framed the moment as a signal that Sydney will continue “guarding cinema’s power to confront oppression,” while local outlets noted the festival’s expanded A$200,000 prize pool and sold-out sessions across 242 films. For Panahi, whose films have already survived smuggling drives and court injunctions, the ovation suggested his newest journey is just beginning.

Tags: It Was Just an AccidentJafar PanahiPalme d’Or WinnerSydney Film Festival
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