• Latest
  • Trending
Fitting In Review

Fitting In Review: Awkwardness & Triumph in Intersex Narrative

Found Footage: The Making of the Patterson Project Review

Found Footage: The Making of the Patterson Project Review: When Satire Suddenly Turns Sinister

Familiar Touch Review

Familiar Touch Review: Memory’s Slow, Elegant Erasure

Ghost Frequency Review

Ghost Frequency Review: All Atmosphere, No Conclusion

Semi-Soeter Review

Semi-Soeter Review: Comedy in a Corporate Cradle

KPop Demon Hunters Review

KPop Demon Hunters Review: The Theology of the Bop

Death Stranding 2 On the Beach Review 1

Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

The Waterfront Review 1

The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

Olympo Review

Olympo Review: Underwater Secrets and Locker-Room Lies

Eye for an Eye Review

Eye for an Eye Review: Florida Gothic Done Right

Alma and the Wolf Review

Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

RAIDOU Remastered: The Mystery of the Soulless Army Review

RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

Hi-Five Review

Hi-Five Review: An Origin Story on Fast-Forward

  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Wednesday, June 25, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Mindhunter

    David Fincher Weighs Mindhunter Revival as Film Trilogy

    How to Train Your Dragon

    ‘Elio’ Lands With a Thud as Pixar Records Its Worst Opening Weekend

    Seth Rogen

    Seth Rogen Courts Vin Diesel for ‘The Studio’ Season 2

    Jack Betts

    Jack Betts, Spaghetti-Western Export and Spider-Man Board Chief, Dies at 96

    Amanda Seyfried

    Here We Go Again? Seyfried, Craymer Push Mamma Mia 3 Forward

    Lynn Hamilton

    Lynn Hamilton, Steady Star of ‘Sanford and Son,’ Dies at 95

    Owen Wilson

    Owen Wilson Rejoins Stiller and De Niro as ‘Meet the Parents 4’ Sets 2026 Release

    Pretty Little Liars Stars

    After Reboot’s Demise, Pretty Little Liars Cast Plots Big-Screen Return

    jackie chan and bruce lee

    Bruce Lee Returns—Digitally—as Beijing Launches $14 M Restoration Drive

  • Movie and TV Reviews
    Found Footage: The Making of the Patterson Project Review

    Found Footage: The Making of the Patterson Project Review: When Satire Suddenly Turns Sinister

    Familiar Touch Review

    Familiar Touch Review: Memory’s Slow, Elegant Erasure

    Semi-Soeter Review

    Semi-Soeter Review: Comedy in a Corporate Cradle

    KPop Demon Hunters Review

    KPop Demon Hunters Review: The Theology of the Bop

    The Waterfront Review 1

    The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

    Olympo Review

    Olympo Review: Underwater Secrets and Locker-Room Lies

    Eye for an Eye Review

    Eye for an Eye Review: Florida Gothic Done Right

    Alma and the Wolf Review

    Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

    Hi-Five Review

    Hi-Five Review: An Origin Story on Fast-Forward

  • Game Reviews
    Ghost Frequency Review

    Ghost Frequency Review: All Atmosphere, No Conclusion

    Death Stranding 2 On the Beach Review 1

    Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

    RAIDOU Remastered: The Mystery of the Soulless Army Review

    RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

    Still Wakes the Deep: Siren’s Rest Review

    Still Wakes the Deep: Siren’s Rest Review – Revisiting a Sunken Legacy

    TRON: Catalyst Review

    TRON: Catalyst Review: More Style Than Substance

    FBC: Firebreak Review

    FBC: Firebreak Review: Corporate Chaos and Cooperative Action

    Date Everything Review 1

    Date Everything! Review: You’ll Never Look at Your Toaster the Same Way

    Lost in Random: The Eternal Die Review

    Lost in Random: The Eternal Die Review: All Style, Less Story

    Bravely Default: Flying Fairy HD Remaster Review

    Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Mindhunter

    David Fincher Weighs Mindhunter Revival as Film Trilogy

    How to Train Your Dragon

    ‘Elio’ Lands With a Thud as Pixar Records Its Worst Opening Weekend

    Seth Rogen

    Seth Rogen Courts Vin Diesel for ‘The Studio’ Season 2

    Jack Betts

    Jack Betts, Spaghetti-Western Export and Spider-Man Board Chief, Dies at 96

    Amanda Seyfried

    Here We Go Again? Seyfried, Craymer Push Mamma Mia 3 Forward

    Lynn Hamilton

    Lynn Hamilton, Steady Star of ‘Sanford and Son,’ Dies at 95

    Owen Wilson

    Owen Wilson Rejoins Stiller and De Niro as ‘Meet the Parents 4’ Sets 2026 Release

    Pretty Little Liars Stars

    After Reboot’s Demise, Pretty Little Liars Cast Plots Big-Screen Return

    jackie chan and bruce lee

    Bruce Lee Returns—Digitally—as Beijing Launches $14 M Restoration Drive

  • Movie and TV Reviews
    Found Footage: The Making of the Patterson Project Review

    Found Footage: The Making of the Patterson Project Review: When Satire Suddenly Turns Sinister

    Familiar Touch Review

    Familiar Touch Review: Memory’s Slow, Elegant Erasure

    Semi-Soeter Review

    Semi-Soeter Review: Comedy in a Corporate Cradle

    KPop Demon Hunters Review

    KPop Demon Hunters Review: The Theology of the Bop

    The Waterfront Review 1

    The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

    Olympo Review

    Olympo Review: Underwater Secrets and Locker-Room Lies

    Eye for an Eye Review

    Eye for an Eye Review: Florida Gothic Done Right

    Alma and the Wolf Review

    Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

    Hi-Five Review

    Hi-Five Review: An Origin Story on Fast-Forward

  • Game Reviews
    Ghost Frequency Review

    Ghost Frequency Review: All Atmosphere, No Conclusion

    Death Stranding 2 On the Beach Review 1

    Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

    RAIDOU Remastered: The Mystery of the Soulless Army Review

    RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

    Still Wakes the Deep: Siren’s Rest Review

    Still Wakes the Deep: Siren’s Rest Review – Revisiting a Sunken Legacy

    TRON: Catalyst Review

    TRON: Catalyst Review: More Style Than Substance

    FBC: Firebreak Review

    FBC: Firebreak Review: Corporate Chaos and Cooperative Action

    Date Everything Review 1

    Date Everything! Review: You’ll Never Look at Your Toaster the Same Way

    Lost in Random: The Eternal Die Review

    Lost in Random: The Eternal Die Review: All Style, Less Story

    Bravely Default: Flying Fairy HD Remaster Review

    Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Fitting In Review

She Is Conann Review: Blood, Barbarians and Gender Wars

Departing Seniors Review: Too Many Cooks in the Horror Kitchen?

Home Entertainment Movies

Fitting In Review: Awkwardness & Triumph in Intersex Narrative

Womanhood Resists Labels in Semi-Autobiographical Coming-of-Age Story

Arash Nahandian by Arash Nahandian
1 year ago
in Entertainment, Movies, Reviews
Reading Time: 6 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

At first glance, Fitting In may seem like your typical high school coming-of-age story. But writer/director Molly McGlynn infuses this film with raw honesty and emotional depth, touching on universal themes of identity, womanhood, and learning to embrace the skin you’re in.

The film follows Lindy, played with authenticity by Maddie Ziegler, an athletic and bright-eyed 16-year-old eager to lose her virginity to her new crush. But a visit to the gynecologist reveals Lindy has MRKH syndrome – a disorder that leaves her unable to carry a pregnancy or enjoy comfortable penetrative sex.

Stunned, Lindy hides her diagnosis at first, pushing away those closest to her as she grapples internally with its implications. Through thoughtful exchanges and sometimes cringey collisions with those around her, Lindy must reckon with what it means to be a woman on her own terms.

More than a “disease-of-the-week” portrayal, Fitting In tackles messy questions of identity and societal beauty standards with humor and heart. Anchored by Ziegler’s moving lead performance, it’s a film that resonates with the outcast teenage spirit in us all.

Ziegler Shines as Relatable Teen Heroine

As the film’s emotional anchor, Maddie Ziegler turns in a breakout performance that deftly captures the swirling storm of adolescence. She brings heartbreaking authenticity to Lindy, portraying her as a fully-realized teenager – at once confident and fragile, petty and wise beyond her years.

We meet Lindy thirsty for that coveted high school experience, chasing popularity and romance with carefree zeal. But Ziegler lets us see the cracks in Lindy’s self-assurance. In tender scenes with her mother, Ziegler reveals Lindy’s buried insecurities, her unspoken fear that she doesn’t quite fit the mold.

So when her world is upended by the MRKH diagnosis, Ziegler unleashes a gamut of emotions – confusion, shame, white-hot anger. She lashes out in ways both petty and cutting. But Ziegler ensures Lindy remains sympathetic; we feel her sense of isolation, how untethered and scared she is by her changing identity.

In slower scenes, Ziegler’s subtle expressions masterfully telegraph Lindy’s inner journey toward self-acceptance. We watch Lindy’s facade of confidence wrestle with her private moments of vulnerability. It’s a nuanced, introspective performance far beyond Ziegler’s years.

Ziegler’s Lindy reckons with womanhood itself in all its indefinable, imperfect forms. It makes her outburst to reclaim ownership of her own complex femininity truly soar. With honesty and poise, Ziegler makes this heroine’s personal revelation feel triumphantly universal. She is a talent on the rise.

“Explore a poignant chapter of history through the lens of cinema in our Terezín review. This Italian-Czech film delves into the harrowing yet hopeful tale of love and survival within the walls of the Terezín concentration camp. With its artful storytelling and emotional depth, Terezín offers an enlightening glimpse into the resilience of the human spirit in the face of unimaginable adversity.”

Strong Supporting Turns Provide Depth

While Ziegler undoubtedly carries the film, Fitting In benefits greatly from standout supporting turns, especially from D’Pharaoh Woon-A-Tai and Emily Hampshire.

Fitting In Review

As Lindy’s charming love interest Adam, Woon-A-Tai brings empathy and confliction. Determined yet clumsy in his attempts to understand Lindy’s diagnosis, he exudes that all-too-familiar teenage bewilderment over how to support the girl he cares for deeply. We feel his yearning matched by striking moments of helplessness. Woon-A-Tai ensures Adam’s positive masculinity reads as genuine, not heroic fantasy.

Meanwhile, Newfoundland treasure Emily Hampshire leaves her comedic chops behind to craft a tender portrait of resilience as Lindy’s mother Rita. Having faced her own medical trauma with breast cancer, Rita becomes the nurturing guide Lindy both needs and pushes away. Though decades apart in age, Rita and Lindy share the burden of womanhood’s impossible standards. Hampshire’s weathered but resolute maternal presence provides the safe space for Lindy’s eventual unburdening.

Together, Woon-A-Tai and Hampshire represent Lindy’s foremost support network – but also the societal constraints against which she strains. Their grounded, compassionate turns augment Ziegler’s performance to construct a fully-realized coming-of-age. We keenly feel Lindy’s isolation from their orbits of care and concern.

Authentic Lens Informs Resonant Story

As both writer and director, Molly McGlynn steeps Fitting In in personal experience, harnessing her own adolescent journey with MRKH into a wider rumination on the fluid, complex nature of female identity.

Fitting In Review

McGlynn’s semi-autobiographical lens manifests in small observational touches – awkward gynecology appointments, fumbling attempts at intimacy by well-meaning teenage boys, and especially the alienation perpetuated by an indifferent medical establishment. She pointedly contrasts Lindy’s older male doctors peddling “corrective” procedures with her eventual ally, an androgynous specialist who encourages self-acceptance over conformity.

But McGlynn also demonstrates restraint and nuance befitting her lead actress’ grounded performance. She largely resists speechifying, allowing resonant conversations to breathe. When Lindy finally unleashes an impassioned screed on societal womanhood, her message lands more impactfully for its sparse use.

McGlynn maintains a nimble tonal balance as well, allowing uncomfortable moments to play as cringe humor before pivoting into introspective drama. Refreshingly, she refuses total doom and gloom, crafting small reprieves like a sweet lakeside chat between Lindy and her first real friend. The end result has an honesty that never skews too bleak or sentimental.

Anchored by lived experience, McGlynn translates deeply personal trauma into a wider rumination on the fluid, complex nature of female identity. Both simple and profound, Fitting In derives power from its grounded authenticity.

Examining Womanhood’s Defiant Shapelessness

At its core, Fitting In grapples with the very notion of womanhood itself – how it defies rigid definition despite immense societal pressure to conform. Through Lindy’s journey, McGlynn explores the shame that accompanies “abnormal” female bodies and experiences, challenging viewers to expand their own concepts of female identity.

Fitting In Review

When Lindy first learns of her MRKH diagnosis, McGlynn pointedly frames it as identity-shattering, with Lindy grieving the sudden loss of a “normal” adolescent trajectory. Desperate to minimize her differences, Lindy attempts to brute-force the heteronormative milestones of womanhood– dating, penetrative sex, even traditional gender expression.

Yet McGlynn quietly undermines these artificial goalposts, depicting multi-dimensional female characters across the spectrum. Rita still views herself as whole despite her mastectomy, while Lindy’s stylish friend Jax represents assimilation versus rigid classification. Through them all, Lindy realizes the futility of forcing herself into any one label – her womanhood must be defined on her own terms.

McGlynn also examines how genuine understanding around intersex conditions remains regrettably scarce. Even sympathetic figures like Lindy’s boyfriend fumble in their desire to “help”. Meanwhile, male medical practitioners coldly dismiss Lindy’s complex feelings about her diagnosis. The film pointedly indicts their archaic attempts to surgically “correct” patients to fit stricter biological norms.

Most resonantly, McGlynn asserts female sexuality as a spectrum, not binary checkpoint. Although lacking typical reproductive organs, Lindy nonetheless experiences desire, intimacy and love. Her eventual self-acceptance lies in embracing womanhood’s innate diversity across all its biological and social permutations.

At once personal and political, Fitting In argues compellingly for the boundless potential of womanhood to take shape through each individual woman’s defiant agency. Simply put, it cannot be narrowly defined except by those living it fully.

Authenticity Outweighs Occasional Tonal Missteps

At its best, Fitting In feels grounded in truth – from Ziegler’s anguished performance to McGlynn’s clear-eyed perspective on navigating womanhood’s gray areas. Refreshingly, it largely avoids portraying Lindy’s journey through a narrow tragic lens, allowing glimmers of humor alongside hardship.

Fitting In Review

That said, the film’s tonal balance isn’t always graceful. Certain scenes meant to provide comic relief feel jarringly glib, especially a goofy lakeside chat undercutting the trauma of Lindy’s recent breakup. Additionally, while Emily Hampshire is an undeniable talent, she feels miscast as Lindy’s mother, unable to bridge their real-life age difference despite ample skills.

Tonally, Lindy’s climactic public speech also feels somewhat out of step with the film’s restrained essence. While cathartic, an impassioned monologue risks over-simplifying Fitting In’s nuanced exploration of female identity in favor of unambiguous messaging.

Yet these flaws prove minor against the film’s emotional honesty and care. Anchored in one woman’s real-life experience, Fitting In resists portraying Lindy’s journey reductively. Instead, it leaves room for awkwardness, anger and uncertainty alongside empathy, never forcing resolution but rather resonating in the continued struggle of simply fitting in one’s own skin. For Ziegler’s stellar breakout turn alone, it deserves applause.

A Touching Portrait of Self-Acceptance

Anchored by Maddie Ziegler’s breakout performance, Fitting In tackles messy questions of identity and societal beauty standards with humor and heart. It’s a film that cuts to the core of the adolescent experience while speaking to life’s uncomfortable transitions at any age.

Fitting In Review

At times awkward, cringe-worthy and undeniably moving, Lindy’s journey mirrors our own desire to be accepted as we are. Though some elements feel miscalibrated, the film’s emotional honesty outweighs its minor tonal pitfalls.

Ultimately, Fitting In heralds the diverse, indefinable potential of womanhood through a heroine’s act of defiant self-reclamation. It’s a rare coming-of-age portrait told from within the storm itself, resonant for anyone still learning to embrace their own skin.

Smart and disarmingly timely, Fitting In deserves to find its audience among thoughtful moviegoers of any gender seeking inspiring realism. And with captivating vulnerability, Ziegler proves herself a star capable of elevating any story she inhabits. We’ll be eagerly watching where she fits in next.

The Review

fitting in

8.5 Score

Fitting In presents a poignant, stigma-defying portrait of adolescent female identity, anchored by Maddie Ziegler’s breakout lead performance. Though its reach occasionally exceeds its grasp, writer/director Molly McGlynn largely grounds this coming-of-age journey with refreshing honesty and insight. As a rare film exploring the complexities of intersex issues through an accessible lens, Fitting In heralds the defiant shapelessness of womanhood. It argues that we alone can define our skin, imperfections and all.

PROS

  • Powerful lead performance by Maddie Ziegler
  • Authentic perspective and direction by Molly McGlynn
  • Thoughtful examination of complex themes related to female identity and societal pressures
  • Strong supporting cast with empathy and emotional depth
  • Moments of humor balance serious subject matter
  • Honest portrayal of a little-known disorder

CONS

  • Uneven tonal shifts, some attempts at comedy fall flat
  • Emily Hampshire feels miscast as Lindy's mother
  • Climactic speech feels somewhat out of step with restrained tone
  • Complex ideas could benefit from more nuance in places

Review Breakdown

  • Overall 0
Tags: ComedyD'Pharaoh Woon-A-TaiDjouliet AmaraDramaEmily HampshireFeaturedfitting inMaddie ZieglerMolly McGlynnNice Picture
Previous Post

She Is Conann Review: Blood, Barbarians and Gender Wars

Next Post

Departing Seniors Review: Too Many Cooks in the Horror Kitchen?

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Marshmallow Review

    Marshmallow Review: These Woods Hide Unexpected Secrets

    4 shares
    Share 0 Tweet 0
  • Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

    1 shares
    Share 0 Tweet 0
  • Boglands Review: Shadows and Whispers in the Irish Mist

    2 shares
    Share 0 Tweet 0
  • Mix Tape Review: A Story Told on Two Sides of a Cassette

    1 shares
    Share 0 Tweet 0
  • The Librarians: The Next Chapter Season 1 Review – Bridging Eras with Spellbinding Charm

    44 shares
    Share 0 Tweet 0
  • Smoke Review: The Year’s Most Unpredictable and Unsettling Show

    7 shares
    Share 0 Tweet 0
  • Art Detectives Review: The Case of the Brilliant Man and the Underwritten Woman

    184 shares
    Share 0 Tweet 0

Must Read Articles

Semi-Soeter Review
Movies

Semi-Soeter Review: Comedy in a Corporate Cradle

2 hours ago
KPop Demon Hunters Review
Movies

KPop Demon Hunters Review: The Theology of the Bop

3 hours ago
Death Stranding 2 On the Beach Review 1
Games

Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

11 hours ago
The Waterfront Review 1
Entertainment

The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

15 hours ago
Olympo Review
Entertainment

Olympo Review: Underwater Secrets and Locker-Room Lies

15 hours ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version