• Latest
  • Trending
Late Night with the Devil Review

Late Night with the Devil Review: Raising Hell on Live Television

Without a Dawn Review

Without a Dawn Review: Introspection in a Cabin of Shadows

The Correspondent Review

The Correspondent Review: Richard Roxburgh’s Tour de Force

Bogieville Review

Bogieville Review: Low-Budget Ingenuity and Flawed Execution

Slow Horses

Slow Horses Rides Back on 24 September With Season 5

10 hours ago
A Minecraft Movie

SXSW Panel Reveals How Minecraft Movie Crafted a $948 M Blockbuster

10 hours ago
Ollie Madden

Netflix Poaches Film4 Chief Ollie Madden to Supercharge U.K. Movie Slate

10 hours ago
Mariska Hargitay

Hargitay’s ‘My Mom Jayne’ Lifts the Curtain on a Hollywood Tragedy

10 hours ago
Aureole – Wings of Hope Review

Aureole – Wings of Hope Review: Precision Platforming with a Divine Twist

Coastal Review

Coastal Review: Intimate Performances, Tepid Momentum

The Dark Money Game

The Dark Money Game Review: How Secret Funds Warped Democracy

Call of the Void Review

Call of the Void Review: Atmospheric Chills and Lingering Questions

Dovey's Promise Review

Dovey’s Promise Review: One Woman’s Stand Against Injustice

  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Tuesday, June 3, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Slow Horses

    Slow Horses Rides Back on 24 September With Season 5

    A Minecraft Movie

    SXSW Panel Reveals How Minecraft Movie Crafted a $948 M Blockbuster

    Ollie Madden

    Netflix Poaches Film4 Chief Ollie Madden to Supercharge U.K. Movie Slate

    Mariska Hargitay

    Hargitay’s ‘My Mom Jayne’ Lifts the Curtain on a Hollywood Tragedy

    frankenstein 2025

    Fans Push for Big-Screen Run After Netflix Drops Frankenstein Teaser

    Blake Lively Justin Baldoni

    Judge Faces New Twist as Lively Seeks to Trim Lawsuit Against Baldoni

    Jacob Elordi

    Elordi’s POW Drama Leads to Frankenstein and Wuthering Heights

    Paramount

    Paramount Sets July 2 Shareholder Meeting as Skydance Vote Looms

    Maggie Lawson

    Psych Alum Maggie Lawson to Lead CBS’s Boston Blue

  • Movie and TV Reviews
    The Correspondent Review

    The Correspondent Review: Richard Roxburgh’s Tour de Force

    Bogieville Review

    Bogieville Review: Low-Budget Ingenuity and Flawed Execution

    Coastal Review

    Coastal Review: Intimate Performances, Tepid Momentum

    The Dark Money Game

    The Dark Money Game Review: How Secret Funds Warped Democracy

    Call of the Void Review

    Call of the Void Review: Atmospheric Chills and Lingering Questions

    Dovey's Promise Review

    Dovey’s Promise Review: One Woman’s Stand Against Injustice

    The Balcony Movie Review

    The Balcony Movie Review: A Philosophical Perch on Human Transience

    What It Feels Like for a Girl Season 1 Review

    What It Feels Like for a Girl Season 1 Review: Before Trans Visibility Had a Name

    Bullet Train Explosion Review

    Bullet Train Explosion Review: Bureaucracy, Bombs, and the Weight of Duty

  • Game Reviews
    Without a Dawn Review

    Without a Dawn Review: Introspection in a Cabin of Shadows

    Aureole – Wings of Hope Review

    Aureole – Wings of Hope Review: Precision Platforming with a Divine Twist

    Kingdom Come: Deliverance II Brushes with Death Review

    Kingdom Come: Deliverance II Brushes with Death Review: A Painter’s Tale in Bohemia

    Kulebra and the Souls of Limbo Review

    Kulebra and the Souls of Limbo Review: Guiding Spirits with Style and Sincerity

    Blacksmith Master Review

    Blacksmith Master Review: The Satisfying Grind of Metal and Management

    Labyrinth Of The Demon King Review

    Labyrinth Of The Demon King Review: Unforgiving, Unforgettable Horror

    Cubic Odyssey Review

    Cubic Odyssey Review: An Ambitious Architect’s Space Dream

    Game of Thrones: Kingsroad Review

    Game of Thrones: Kingsroad Review: A Song of Systems and Sorrows

    To a T Review

    To a T Review: Finding Perfection in an Imperfect Shape

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Slow Horses

    Slow Horses Rides Back on 24 September With Season 5

    A Minecraft Movie

    SXSW Panel Reveals How Minecraft Movie Crafted a $948 M Blockbuster

    Ollie Madden

    Netflix Poaches Film4 Chief Ollie Madden to Supercharge U.K. Movie Slate

    Mariska Hargitay

    Hargitay’s ‘My Mom Jayne’ Lifts the Curtain on a Hollywood Tragedy

    frankenstein 2025

    Fans Push for Big-Screen Run After Netflix Drops Frankenstein Teaser

    Blake Lively Justin Baldoni

    Judge Faces New Twist as Lively Seeks to Trim Lawsuit Against Baldoni

    Jacob Elordi

    Elordi’s POW Drama Leads to Frankenstein and Wuthering Heights

    Paramount

    Paramount Sets July 2 Shareholder Meeting as Skydance Vote Looms

    Maggie Lawson

    Psych Alum Maggie Lawson to Lead CBS’s Boston Blue

  • Movie and TV Reviews
    The Correspondent Review

    The Correspondent Review: Richard Roxburgh’s Tour de Force

    Bogieville Review

    Bogieville Review: Low-Budget Ingenuity and Flawed Execution

    Coastal Review

    Coastal Review: Intimate Performances, Tepid Momentum

    The Dark Money Game

    The Dark Money Game Review: How Secret Funds Warped Democracy

    Call of the Void Review

    Call of the Void Review: Atmospheric Chills and Lingering Questions

    Dovey's Promise Review

    Dovey’s Promise Review: One Woman’s Stand Against Injustice

    The Balcony Movie Review

    The Balcony Movie Review: A Philosophical Perch on Human Transience

    What It Feels Like for a Girl Season 1 Review

    What It Feels Like for a Girl Season 1 Review: Before Trans Visibility Had a Name

    Bullet Train Explosion Review

    Bullet Train Explosion Review: Bureaucracy, Bombs, and the Weight of Duty

  • Game Reviews
    Without a Dawn Review

    Without a Dawn Review: Introspection in a Cabin of Shadows

    Aureole – Wings of Hope Review

    Aureole – Wings of Hope Review: Precision Platforming with a Divine Twist

    Kingdom Come: Deliverance II Brushes with Death Review

    Kingdom Come: Deliverance II Brushes with Death Review: A Painter’s Tale in Bohemia

    Kulebra and the Souls of Limbo Review

    Kulebra and the Souls of Limbo Review: Guiding Spirits with Style and Sincerity

    Blacksmith Master Review

    Blacksmith Master Review: The Satisfying Grind of Metal and Management

    Labyrinth Of The Demon King Review

    Labyrinth Of The Demon King Review: Unforgiving, Unforgettable Horror

    Cubic Odyssey Review

    Cubic Odyssey Review: An Ambitious Architect’s Space Dream

    Game of Thrones: Kingsroad Review

    Game of Thrones: Kingsroad Review: A Song of Systems and Sorrows

    To a T Review

    To a T Review: Finding Perfection in an Imperfect Shape

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Late Night with the Devil Review

The Gone Review: When Celtic Noir Meets Māori Mysticism

Palm Royale Review: Opulence Meets Subversion in Apple TV+'s Soapy Gem

Home Entertainment Movies

Late Night with the Devil Review: Raising Hell on Live Television

An Audacious Descent into Supernatural Pandemonium and Media Debauchery

Shahrbanoo Golmohamadi by Shahrbanoo Golmohamadi
1 year ago
in Entertainment, Movies, Reviews
Reading Time: 6 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

Late Night with the Devil is a devilishly entertaining horror satire that dares to merge the spooky and the showbiz. This audacious genre mashup from Australian writer-director duo Colin and Cameron Cairnes unleashes supernatural terror amidst the bright lights and razzle-dazzle of a live 1970s television broadcast.

The year is 1977, the night is Halloween, and struggling late-night talk show host Jack Delroy is desperate for a ratings win. In his relentless pursuit of success, he invites an assortment of otherworldly guests – a self-proclaimed psychic, a professional skeptic, a parapsychologist, and most disturbingly, a young girl seemingly possessed by demonic forces. What begins as a shameless bid for viewership quickly descends into an unholy nightmare.

The Cairnes brothers merge the disparate worlds of horror and vintage TV entertainment with devilish flair. Drawing clear inspiration from blasphemous classics like The Exorcist while channeling the frenetic energy of an actual live taping, Late Night with the Devil is a startlingly fresh take on satanic shockers. With its era-specific production design and tongue-in-cheek satirical bent, it emerges as a frightfully fun love letter to the golden age of broadcast television…with a singularly sinister twist.

Delirious Descent Into Devilish Desperation

At the center of Late Night with the Devil’s descent into madness is Jack Delroy, the charismatic yet increasingly unhinged host of the flagging talk show Night Owls. Portrayed with remarkable depth by David Dastmalchian, Jack is a man driven to despair after the devastating loss of his beloved wife. In a last-ditch effort to resuscitate his fading career, he devises a Halloween special that teeters on the edge of unholiness.

For this unholy occasion, Jack assembles a motley crew of outlandish guests linked to the supernatural. There’s Christou, a self-professed psychic plagued by disturbing visions; Carmichael, an arrogant illusionist-turned-professional skeptic; and Dr. June Ross-Mitchell, a parapsychologist promoting her book on satanic cults. Most alarming of all is Lilly, Dr. Ross-Mitchell’s patient – a seemingly sweet young girl concealing a terrifying secret. According to the doctor, Lilly is possessed by a demonic entity she calls “Mr. Wriggles.”

What begins as a shameless ratings ploy quickly spirals into unrestrained pandemonium. Strange phenomena start manifesting on the set – eerie voices, levitating objects, and a crisis of belief that pits the skeptics against the true believers. Jack presses on shamelessly, desperate for the show to be a smash despite his colleagues’ increasing unease.

As the broadcast barrels towards its cataclysmic conclusion, an unholy evil is roused from its slumber. The entity’s malevolent influence casts a creeping sense of dread over the production, culminating in an explosive final act of sheer, unrestrained horror. Jack’s egomaniacal hunger for success unlocks a doorway to unspeakable terrors that even he may be powerless to contain.

Hellish Homage to Vintage Horrors

The Cairnes brothers prove to be remarkably skilled pupas, weaving together a deft homage to vintage horror classics while injecting fresh, contemporary flair. Their painstaking recreation of a 1970s television studio is nothing short of revelatory – the garish color palette, the wood-paneled sets, the painfully retro fashions…it all coalesces into a richly immersive time capsule.

Late Night with the Devil Review

Beyond the period trappings, the filmmaking itself is a masterclass in building dread through clever cinematic trickery. The Cairnes deftly intermingle different photography techniques, seamlessly cutting between sleek broadcast footage and gritty behind-the-scenes chaos captured with a provocative handheld approach. They even shift aspect ratios at key moments, visualizing the stark divide between the polished on-air persona and the escalating reality.

These stylistic flourishes are more than just gimmicks – they’re instruments fine-tuned to manipulate the audience’s sense of perspective and unease. The velvet curtain separating showmanship from spirituality grows increasingly tattered as the film hurtles towards its delirious climax. The illusion of control slowly disintegrates, reflecting Jack’s frenzied psychological downward spiral.

To bring their unholy visions to life, the Cairnes expertly blend old-school practical effects with modern visual trickery. Prosthetic creatures ooze across the screen, while supernatural forces manifest as both corporeal abominations and diabolical hallucinations slithering at the corner of the frame. It’s a masterful fusion of analog and digital wizardry that remains true to the era while never letting the seams show.

Diabolical Delroy Drives Demented Delirium

At the malevolent core of Late Night with the Devil lies a truly possessed performance by David Dastmalchian as the ill-fated Jack Delroy. Dastmalchian fully inhabits the increasingly manic mindset of a once-respected TV personality slowly losing his grip on reality. With wild eyes and a smarmy smile masking inner anguish, he charts Jack’s delirious descent from showman to conduit for the unholy.

Late Night with the Devil Review

Dastmalchian’s unhinged intensity is perfectly counterbalanced by Ian Bliss as the smugly skeptical Carmichael. Bliss’ droll, almost bored delivery razor-sharply cuts through the growing chaos, boldly challenging any notion of supernatural interference. His grounded presence amidst the escalating pandemonium makes the horrific events even more unsettling.

Equally unnerving is Laura Gordon’s turn as Dr. June Ross-Mitchell, whose exploitative parapsychological research profoundly unsettles in its reckless arrogance. Gordon’s glacial exterior cracks with telling subtlety as things spiral out of control, exposing the deeply human terror festering beneath her academic veneer.

But it’s young Ingrid Torelli as the possessed Lilly who truly chills to the bone. One moment an unassuming innocent, the next a conduit for unfathomable evil, Torelli’s seamless transformations are the stuff of nightmares. Her wild eyes and guttural growls will haunt long after the credits roll.

The entire ensemble shines in capturing the kinetic frenzy of a live television production devolving into anarchy. What begins as controlled, professional showmanship amongst the cast and crew rapidly degenerates into sheer, unbridled pandemonium. It’s a masterful actualization of humanity’s loss of control in the face of overwhelming malevolent forces.

Devilish Descent into Media Madness

Beneath its lurid otherworldly thrills, Late Night with the Devil operates as a biting satirical dissection of society’s unholy obsession with media spectacle and fame at all costs. Jack Delroy’s desperation to revive his flagging television career becomes a scathing allegory for the Faustian bargains struck by those ravenous for the spotlight’s alluring glow.

Late Night with the Devil Review

The film pulls no punches in portraying the grotesque depths to which showbiz opportunists will stoop for ratings and relevance. Jack’s eager exploitation of the occult and suffering – be it a psychic’s mental breakdown or a possessed girl’s torment – reflects the ruthless manipulation peddled by unscrupulous media purveyors. His incessant pandering to the live studio audience’s desire for bigger, better freakshow acts disturbingly mirrors how modern influencers manufacture outrage to feed our cultural appetite for viral content.

Late Night with the Devil revels in exposing this toxic feedback loop, illustrated through the “truth vs. trickery” conflict embodied by the skeptic Carmichael’s furious debunking efforts. The eternal tension between what we desire to believe and cold, hard reality is savagely lampooned, casting humanity as willing participants in our own mass delusion. We so desperately crave the illusion of mystique and the supernatural that we cast aside all rationality and consume whatever lurid fantasies are spoon-fed to us.

By fusing satanic shocks with media satire, the film compounds its indictment of the masses’ eager consumption of metaphorical snake oil from tin-pot purveyors of evil. As the nightmare escalates to apocalyptic heights, Late Night’s deranged funhouse mirror reflects our society’s grotesque willingness to be corrupted and enthralled by the nefarious and sensational – all for one short-lived sugar rush of fame and spectacle.

Deliciously Devilish Delight

Late Night with the Devil is a wickedly entertaining romp that fuses satanic scares with deliriously sharp satire. The Cairnes brothers strike a devilishly deft balance, serving up an engaging horror/dark comedy hybrid that keeps audiences both jumping from fright and howling with laughter at the skewering of media excess.

Late Night with the Devil Review

As a period horror piece, it revels in its 1970s aesthetics and tropes without ever devolving into mere pastiche. The retro charms are impeccably recreated butanchored by genuine thrills and an undercurrent of sardonic social commentary. As for the satire itself, the barbs aimed at showbiz insincerity and sensationalism hit bullseye after bullseye with merciless precision.

For horror aficionados craving unique premises and fans of pitch-black media satires like Network or satirical shockers such as Scream, Late Night with the Devil will surely enthrall. Its blend of old-school supernatural spooks and no-holds-barred lampooning of society’s hunger for lurid spectacle places it in a class of its own within the genre hellscape.

While the frenetic final act arguably sacrifices some of the nuance for sheer demented fury, the film remains an audacious creative swing that connects more often than not. A delightfully deranged dissection of humanity’s desperation for fame and our endless capacity for self-delusion, Late Night emerges as one of the most electrifying entries in the recent generation of smarter, more subversive horror filmmaking.

The Review

Late Night with the Devil

8 Score

To conclude, Late Night with the Devil is a thrillingly subversive horror satire that grips from its ominous opening straight through to the deliriously demented climax. With biting social commentary layered amidst brilliant performances and dazzling technical flair, the Cairnes brothers have conjured a devilishly entertaining descent into media madness and the darkest depths of showbiz opportunism. While not entirely flawless, the film's ingenious melding of supernatural chills and incisive cultural critique more than compensates for the occasional lapse into gratuitous chaos. For horror fans burned out on tired tropes, or anyone starved for unique genre premises executed with intelligence and style, this devilish delight simply must be experienced.

PROS

  • Brilliant satirical blend of horror and media satire
  • Excellent lead performance by David Dastmalchian as Jack Delroy
  • Impeccable recreation of a 1970s TV studio and aesthetics
  • Clever filmmaking techniques like aspect ratio shifts, mixing footage styles
  • Biting social commentary on society's hunger for spectacle
  • Creative and unique horror premise centered around a possessed TV broadcast
  • Impressive practical and visual effects

CONS

  • Final act arguably gets a bit too frenetic and loses some nuance
  • Some of the supporting characters could have been fleshed out more
  • A few of the satirical elements veer into over-the-top territory
  • Doesn't maintain the dread/tension as consistently as it could

Review Breakdown

  • Overall 0
Tags: Cameron CairnesColin CairnesDavid DastmalchianFayssal BazziFeaturedHorrorIan BlissLate Night with the DevilLaura Gordon
Previous Post

The Gone Review: When Celtic Noir Meets Māori Mysticism

Next Post

Palm Royale Review: Opulence Meets Subversion in Apple TV+’s Soapy Gem

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Mountainhead Review

    Mountainhead Review: Deepfakes and Deep Trouble

    1 shares
    Share 0 Tweet 0
  • Boglands Review: Shadows and Whispers in the Irish Mist

    1 shares
    Share 0 Tweet 0
  • Death Valley Review: A Witty Welsh Wander into Cosy Crime

    1 shares
    Share 0 Tweet 0
  • The Librarians: The Next Chapter Season 1 Review – Bridging Eras with Spellbinding Charm

    25 shares
    Share 0 Tweet 0
  • The Better Sister Season 1 Review: Not Quite a Killer Thriller

    16 shares
    Share 0 Tweet 0
  • MobLand Season 1 Review: Family Ties and Underworld Intrigues

    1 shares
    Share 0 Tweet 0
  • Nine Puzzles Season 1 Review: Puzzle Pieces, Pain, and Police Procedurals

    1 shares
    Share 0 Tweet 0

Must Read Articles

Bullet Train Explosion Review
Movies

Bullet Train Explosion Review: Bureaucracy, Bombs, and the Weight of Duty

1 day ago
Game of Thrones: Kingsroad Review
Reviews Games

Game of Thrones: Kingsroad Review: A Song of Systems and Sorrows

3 days ago
Stick Season 1 Review
TV Shows

Stick Season 1 Review: Owen Wilson Drives a Heartfelt, Flawed Dramedy

3 days ago
Destination X Review
Entertainment

Destination X Review: A Game of Veiled Realities

4 days ago
Earnhardt Review
Entertainment

Earnhardt Review: The Anatomy of a NASCAR Titan

4 days ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version