Warner Bros.’ Sinners has exceeded early expectations with a four-day Easter weekend total nearing $55 million, driven by audience response and an unusually broad campaign strategy. The film, directed by Ryan Coogler and starring Michael B. Jordan in dual roles, was originally projected to open in the mid-$30 million range, with tracking remaining modest until just before release.
The first trailer, released in September, generated limited attention, prompting industry speculation about the risks tied to a $90 million production. The trailer leaned on its premise—Jordan portraying twin brothers—and its horror setting, without revealing the film’s full direction. Later marketing materials withheld key story elements, such as the supernatural component, until a second trailer arrived during NFL playoff coverage in January. That reveal was timed to reach a wide audience, with more than 50 million viewers watching the AFC Championship.
Coogler’s approach to promotion included highlighting the use of IMAX cameras, with Sinners featuring 25 minutes of exclusive expanded aspect ratio footage. The film is the first to shoot with IMAX cameras since Oppenheimer and the last scheduled to do so until Christopher Nolan’s The Odyssey. To emphasize the format, Coogler created a visual breakdown of the aspect ratios, which circulated widely online. He also hosted IMAX screenings in New York, London, and Mexico City, with guests including LeBron James, Adele, Jay-Z, The Weeknd, and Snoop Dogg.
My brothers Ryan Coogler and Michael B. Jordan did it again!!! ABSOLUTE INCREDIBLE FILM! Ryan, Thank you for allowing My Queen, I, family and friends to screen it. 10/10 movie! Make sure y’all go check out “SINNERS” tomorrow! It’s a MUST SEE!!!!!! 🙌🏾🙌🏾🙌🏾🙌🏾🙌🏾 pic.twitter.com/7rLhG7t8El
— LeBron James (@KingJames) April 17, 2025
The film’s story follows twin brothers in 1932 Mississippi, both played by Jordan, who open a juke joint on a night that spirals into chaos following the arrival of a mysterious figure, portrayed by Jack O’Connell. The setting, grounded in the Jim Crow era, combines historical detail with supernatural elements. Themes draw from blues folklore and African spiritual traditions, including references to the legend of a musician exchanging his soul for talent at a crossroads. The film’s music, overseen by Ludwig Göransson, features blues compositions performed by Miles Caton in his screen debut.
Sinners received a 98 percent score on Rotten Tomatoes based on over 240 reviews. More notably, it earned an A CinemaScore, the highest ever recorded for a horror film since the service began polling audiences in 1977. Comparable films such as Get Out and Hereditary received lower grades, making Sinners the first of its genre to reach that mark.
Marketing extended across both traditional and digital platforms. Warner Bros. ran advertisements during the Grammy Awards, NBA All-Star Weekend, and across multiple Turner-owned networks. A late-stage push involved promotional content embedded into legacy shows like Friends and The Big Bang Theory. The studio allocated $21.6 million in domestic television advertising, outspending its campaign for A Minecraft Movie.
Field activations included a branded truck tour called “Fit for Fangs,” which began in Times Square and traveled to multiple U.S. cities. Visitors received silver fang fittings, promoting the vampire component of the story. Stops included the Dreamfest Music Festival in Raleigh, Neon Carnival near Coachella, and events in Atlanta, Oakland, and Los Angeles. At RevolveFest, an activation space featured drinks inspired by the film, a hat customization bar, and Snapchat tie-ins.
Online promotions included a ticketing partnership on Fortnite, a TikTok Spotlight Hub, and Snapchat lenses linked to the film’s themes. Influencer support helped boost visibility in the final weeks before release.
An early review embargo lift on April 10 allowed critical reaction to circulate ahead of opening weekend. The film’s strong response helped drive last-minute ticket sales, pushing Sinners ahead of its initial tracking.
Monday’s box office take came in at $6.7 million, down from Sunday’s $12.3 million. That figure surpasses comparable Easter Monday numbers for genre titles like Us, Nope, The Conjuring, and A Quiet Place, placing Sinners in rare territory for an original horror release.
