• Latest
  • Trending
Glorious Summer

Glorious Summer Review: Elegance Conceals Unease

Brick Review

Brick Review: When the Walls Are Within

The Sandman Season 2 Review

The Sandman Season 2 Review: Portrait of a Ponderous God

Elio Review

Military Advisers Helped “Elio” Get Space Right—Here’s How

19 hours ago
Sinners

Producer Reveals “Sinners” Bought Costumes From Stalled “Blade” Reboot

19 hours ago
Jurassic World Rebirth

‘Jurassic World Rebirth’ Devours $137 M Holiday Debut Without IMAX Screens

19 hours ago
One Flew Over The Cuckoo’s Nest

Cuckoo’s Nest Sequel Series Targets 2025 Anniversary

19 hours ago
Julian McMahon

Australian Screen Icon Julian McMahon Passes Away in Florida

20 hours ago
Demi Moore

Hollywood Walk of Fame Unveils 35-Name Class of 2026

2 days ago
Rob McElhenney

Rob McElhenney Files to Become “Rob Mac,” Citing Years of Mispronunciation

2 days ago
Glenn Howerton

Glenn Howerton Reveals Near Exit From Sunny as Season 17 Arrives

2 days ago
Bidad

Secret Iranian Drama ‘Bidad’ Joins Karlovy Vary Line-Up amid Censorship Fears

2 days ago
Mozart Mozart

ARD-ORF Series “Mozart/Mozart” Wraps, Eyes December 2025 Launch

2 days ago
  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Saturday, July 5, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Elio Review

    Military Advisers Helped “Elio” Get Space Right—Here’s How

    Sinners

    Producer Reveals “Sinners” Bought Costumes From Stalled “Blade” Reboot

    Jurassic World Rebirth

    ‘Jurassic World Rebirth’ Devours $137 M Holiday Debut Without IMAX Screens

    One Flew Over The Cuckoo’s Nest

    Cuckoo’s Nest Sequel Series Targets 2025 Anniversary

    Julian McMahon

    Australian Screen Icon Julian McMahon Passes Away in Florida

    Demi Moore

    Hollywood Walk of Fame Unveils 35-Name Class of 2026

    Rob McElhenney

    Rob McElhenney Files to Become “Rob Mac,” Citing Years of Mispronunciation

    Glenn Howerton

    Glenn Howerton Reveals Near Exit From Sunny as Season 17 Arrives

    Bidad

    Secret Iranian Drama ‘Bidad’ Joins Karlovy Vary Line-Up amid Censorship Fears

  • Movie and TV Reviews
    Brick Review

    Brick Review: When the Walls Are Within

    The Sandman Season 2 Review

    The Sandman Season 2 Review: Portrait of a Ponderous God

    Nyaight of the Living Cat Review

    Nyaight of the Living Cat Review: Resisting the Urge to Pet

    Maa Review

    Maa Review: Kajol Shines, But the Horror Flatlines

    Pretty Thing Review

    Pretty Thing Review: A Stylish Thriller Without the Thrills

    Trainwreck: The Cult of American Apparel Review

    Trainwreck: The Cult of American Apparel Review: The Sleazy Underside of a Fashion Empire

    An Eye for an Eye Review

    An Eye for an Eye Review: When Justice is a Family’s Choice

    The Golden Spurtle Review

    The Golden Spurtle Review: Finding Meaning in an Empty Bowl

    Big Deal Review

    Big Deal Review: Two Men, One Company, and the Cost of Ambition

  • Game Reviews
    Camper Van: Make it Home Review

    Camper Van: Make it Home Review: Designing Tranquility

    Dragon is Dead Review

    Dragon is Dead Review: Forging a God from Spare Parts

    Tamagotchi Plaza Review

    Tamagotchi Plaza Review: Nostalgia Isn’t Enough

    Ruffy and the Riverside Review

    Ruffy and the Riverside Review: Swapping Style for Substance

    Rise of Industry 2 Review

    Rise of Industry 2 Review: Capitalism with Consequences

    Survival Kids Review

    Survival Kids Review: Fun with Friends, A Chore Alone

    Ashwood Valley Review

    Ashwood Valley Review: Pretty Pixels, Poor Play

    Cattle Country Review

    Cattle Country Review: Forging a Life on the Pixelated Frontier

    Nice Day for Fishing Review

    Nice Day for Fishing Review: Casting a Strategic Spell

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Elio Review

    Military Advisers Helped “Elio” Get Space Right—Here’s How

    Sinners

    Producer Reveals “Sinners” Bought Costumes From Stalled “Blade” Reboot

    Jurassic World Rebirth

    ‘Jurassic World Rebirth’ Devours $137 M Holiday Debut Without IMAX Screens

    One Flew Over The Cuckoo’s Nest

    Cuckoo’s Nest Sequel Series Targets 2025 Anniversary

    Julian McMahon

    Australian Screen Icon Julian McMahon Passes Away in Florida

    Demi Moore

    Hollywood Walk of Fame Unveils 35-Name Class of 2026

    Rob McElhenney

    Rob McElhenney Files to Become “Rob Mac,” Citing Years of Mispronunciation

    Glenn Howerton

    Glenn Howerton Reveals Near Exit From Sunny as Season 17 Arrives

    Bidad

    Secret Iranian Drama ‘Bidad’ Joins Karlovy Vary Line-Up amid Censorship Fears

  • Movie and TV Reviews
    Brick Review

    Brick Review: When the Walls Are Within

    The Sandman Season 2 Review

    The Sandman Season 2 Review: Portrait of a Ponderous God

    Nyaight of the Living Cat Review

    Nyaight of the Living Cat Review: Resisting the Urge to Pet

    Maa Review

    Maa Review: Kajol Shines, But the Horror Flatlines

    Pretty Thing Review

    Pretty Thing Review: A Stylish Thriller Without the Thrills

    Trainwreck: The Cult of American Apparel Review

    Trainwreck: The Cult of American Apparel Review: The Sleazy Underside of a Fashion Empire

    An Eye for an Eye Review

    An Eye for an Eye Review: When Justice is a Family’s Choice

    The Golden Spurtle Review

    The Golden Spurtle Review: Finding Meaning in an Empty Bowl

    Big Deal Review

    Big Deal Review: Two Men, One Company, and the Cost of Ambition

  • Game Reviews
    Camper Van: Make it Home Review

    Camper Van: Make it Home Review: Designing Tranquility

    Dragon is Dead Review

    Dragon is Dead Review: Forging a God from Spare Parts

    Tamagotchi Plaza Review

    Tamagotchi Plaza Review: Nostalgia Isn’t Enough

    Ruffy and the Riverside Review

    Ruffy and the Riverside Review: Swapping Style for Substance

    Rise of Industry 2 Review

    Rise of Industry 2 Review: Capitalism with Consequences

    Survival Kids Review

    Survival Kids Review: Fun with Friends, A Chore Alone

    Ashwood Valley Review

    Ashwood Valley Review: Pretty Pixels, Poor Play

    Cattle Country Review

    Cattle Country Review: Forging a Life on the Pixelated Frontier

    Nice Day for Fishing Review

    Nice Day for Fishing Review: Casting a Strategic Spell

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
Glorious Summer

Satisfaction Review: A Silent Storm Beneath Sunlit Waves

The Death of Snow White Review: When Blood Magic Meets Princess Charm

Home Entertainment Movies

Glorious Summer Review: Elegance Conceals Unease

Shahrbanoo Golmohamadi by Shahrbanoo Golmohamadi
1 month ago
in Entertainment, Movies, Reviews
Reading Time: 4 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

Glorious Summer, directed by Helena Ganjalyan and Bartosz Szpak, unfolds over an intimate 88 minutes shot on grain-rich 16 mm stock. Within the sunlit confines of an elegant, palatial estate, three women rise each morning to recite whispered affirmations, their voices woven into an uncanny ritual.

They inhabit a closed world where time seems to stagnate: days spent lounging by a pale stone pool, evenings punctuated only by the mechanical murmur of an unseen steward. Hints of upheaval drift in on distant winds—muffled detonations that contrast sharply with the estate’s tranquil veneer.

The film drifts forward in languid long takes, inviting viewers into a hypnotic loop of serenity and unease. Each frame feels meticulously composed, as though one is peering through a slowly widening lens into a hidden alcove of existence. By withholding conventional plot thrusts, Glorious Summer gently coaxes curiosity to bloom—an invitation to consider what lies beyond the walls without ever forcing its hand.

Visual and Auditory Design

The choice of 16 mm film imbues every shot with a tactile warmth and the subtle grain of nostalgia. Natural sunlight filters through arched windows, casting muted ochres and sun-bleached neutrals across stone corridors.

Glorious Summer

Each composition balances stillness and depth: static wides that underscore the women’s containment give way to occasional, fluid tracking shots that seem to pry at the edges of their sanctum. Production design draws from Renaissance motifs—ornate columns, frescoed walls, a shallow plunge pool edged in carved marble—while the props remain spare and purposeful, their textures inviting quiet inspection.

Sound becomes an invisible architect of mood. A disembodied feminine voice issues instructions in English, Arabic, Swedish and Italian, its multilingual tone reinforcing both intimacy and distance. Mantras loop in soft echo, punctuated by the low hum of unseen machinery.

Moments of almost unbearable silence settle like dust, allowing ambient sounds—footsteps on stone, water ripple—to resonate. Then, like an unsettled dream, a distant explosion fractures the calm, a reminder of volatility lurking just beyond. As the film progresses, shifts in sonic texture—occasionally sharper, at other times more muted—mirror the gradual tension rising within this closed paradise.

Characters and Performances

At the center stands the de facto leader (Helena Ganjalyan), whose measured gaze and purposeful posture betray an undercurrent of distrust. Her every movement suggests careful calculation, as though she alone senses the fault lines beneath their gilded routine.

Glorious Summer

Beside her, the confidant (Magdalena Fejdasz-Hanczewska) carries herself with steadfast loyalty. Subtle gestures—a hand placed lightly on a shoulder, a cautious nod—speak volumes about her resolve and quiet endurance. In contrast, the innocent (Daniela Komędera) moves with open curiosity: her eyes brighten at the smallest novelty, her laughter floating like a fragile bird, betraying both wonder and vulnerability.

When the returnee (Weronika Humaj) arrives, the equilibrium shifts. A single glance exchanged in close-up reveals panic and longing entwined, suggesting that her presence may unravel more than she intends. The trio’s “touch language”—a series of palm strokes and arm signals—emerges as a delicate cipher of trust and secrecy. Their ritualized death-faking drills, enacted with solemn precision, underscore the stakes of escape and the fragility of their alliances.

Nonverbal beats carry weight throughout: a pregnant silence before a whispered command, the way light glints off a tear, the barely perceptible tremor of a fingertip on stone. The ensemble chemistry sustains both unity and unrest, their collective restraint gradually giving way to sharp fractures that reveal the film’s emotional core.

Themes, Structure, and Closing Reflections

Glorious Summer examines the paradox of sanctuary as cage. The palace offers physical safety yet imposes a psychic imprisonment: the very walls that shield the women from harm also insulate them from choice.

Glorious Summer

Ignorance cultivates contentment, but curiosity demands action—each ritual of affirmation becomes a litmus test of their willingness to embrace uncertainty. An unseen authority structures every moment, its calm directives shaping the women’s routines even as they devise covert strategies for self-determination.

Narratively, the film thrives on circularity. Days loop in near-identical rhythms, punctuated by subtle alterations that accumulate into mounting tension. The pacing is deliberate, allowing the viewer’s attention to sharpen over extended scenes, so that the eventual escape attempt lands with potent charge. When the climax arrives, it refracts rather than resolves—the final sequence hovers in liminal space, neither triumphant nor tragic, but pregnant with possibilities.

Lingering questions persist: does true freedom demand the abandonment of comfort? Can beauty endure when its foundations are built on curated isolation? By leaving its finale open, Glorious Summer invites each viewer to confront the cost of paradise—and to measure what they might sacrifice for a glimpse of the unknown.

Glorious Summer premiered at the 2025 SXSW Film Festival and received the Special Jury Award for Poster Design.

Full Credits

Directors: Helena Ganjalyan, Bartosz Szpak

Writers: Helena Ganjalyan, Bartosz Szpak

Producers: Maria Gołos, Monika Matuszewska

Cast: Magdalena Fejdasz-Hanczewska, Helena Ganjalyan, Daniela Komędera, Weronika Humaj, Maja Kalbarczyk, Alicja Matusiak

Director of Photography (Cinematographer): Tomasz Woźniczka

Editor: Alan Zejer

Composer: Bartosz Szpak

The Review

Glorious Summer

8 Score

Glorious Summer immerses viewers in a sunlit utopia that steadily reveals its hidden bars, where ritualized comfort clashes with an irrepressible urge for escape. Szpak and Ganjalyan’s delicate choreography of image and silence teases deep questions about autonomy and the price of serenity. Though its measured pace may test patience, its haunting final frames linger long after the credits roll.

PROS

  • Rich, textured cinematography offers immersive visuals
  • Multilingual narration heightens emotional dissonance
  • Ensemble cast conveys depth through subtle gestures
  • Dreamlike pacing intensifies underlying tension
  • Open-ended finale invites personal reflection

CONS

  • Slow rhythm may challenge viewer engagement
  • Sparse dialogue leaves some story elements unexplored
  • Minimal external context can feel opaque
  • Repetitive routines risk feeling stagnant
  • Ambiguous ending may frustrate those seeking closure

Review Breakdown

  • Overall 0
Tags: 2025 SXSW Film FestivalDaniela KomęderaDramaFeaturedGlorious SummerHelena GanjalyanHelena Ganjalyan & Bartosz SzpakMagdalena FejdaszRozbrat FilmsSci-FiWeronika Humaj
Previous Post

Satisfaction Review: A Silent Storm Beneath Sunlit Waves

Next Post

The Death of Snow White Review: When Blood Magic Meets Princess Charm

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Ice Road Vengeance Review

    Ice Road: Vengeance Review – Liam Neeson’s Diminishing Returns Continue

    1 shares
    Share 0 Tweet 0
  • Stand Your Ground Review: All Action, No Substance

    1 shares
    Share 0 Tweet 0
  • The Sound Review: A Long Way Down

    1 shares
    Share 0 Tweet 0
  • Mix Tape Review: A Story Told on Two Sides of a Cassette

    1 shares
    Share 0 Tweet 0
  • Heads of State Review: Elba and Cena Carry the Ticket

    1 shares
    Share 0 Tweet 0
  • Love Island USA Season 7 Review: Summer’s Hottest Guilty Pleasure Returns

    1 shares
    Share 0 Tweet 0
  • Please Don’t Feed the Children Review: Destry Spielberg’s Ambitious but Flawed Debut

    1 shares
    Share 0 Tweet 0

Must Read Articles

The Sandman Season 2 Review
Entertainment

The Sandman Season 2 Review: Portrait of a Ponderous God

34 minutes ago
Maa Review
Movies

Maa Review: Kajol Shines, But the Horror Flatlines

2 days ago
The Old Guard 2 Review
Movies

The Old Guard 2 Review: Hits of Brilliance in a Muddled War

3 days ago
Sitaare Zameen Par Review
Movies

Sitaare Zameen Par Review: The Real Stars Shine the Brightest

3 days ago
Foundation Season 3 Review
TV Shows

Foundation Season 3 Review: Streaming’s Most Ambitious Spectacle

4 days ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version