• Latest
  • Trending
The Twister Caught in the Storm Review

The Twister: Caught in the Storm Review: Voices from Joplin’s Epicenter

Militantropos Review

Militantropos Review: Poignant Vérité in a Conflict Zone

The Disappearance Of Josef Mengele Review

The Disappearance Of Josef Mengele Review: Diehl’s Chilling Transformation

Monster Train 2 Review

Monster Train 2 Review: All Aboard for Infernal Excellence

Kika Review

Kika Review: Manon Clavel’s Breakout Performance

Jodie Foster

Jodie Foster Overcomes Fear to Lead French Thriller Vie Privée at Cannes

3 hours ago
Greta Gerwig

Carey Mulligan Joins Gerwig’s Narnia Prequel as Digory’s Mother in Netflix Reboot

3 hours ago
Jesse Eisenberg

Jesse Eisenberg Wraps Third Directorial Film with Julianne Moore in Untitled Musical Comedy

3 hours ago
Tell Her That I Love Her Review 1

Tell Her That I Love Her Review: Understanding the Mothers We Barely Knew

Alejandro González Iñárritu

Iñárritu Reflects on Amores Perros at Cannes While Teasing Wild Cruise Comedy

4 hours ago
Jafar Panahi

Jafar Panahi Breaks 22-Year Cannes Absence with Clandestine Thriller

4 hours ago
Milly Alcock

Milly Alcock Leans on Former Supergirl and Coaching Advice for DCU Relaunch

4 hours ago
Caught Stealing

Austin Butler’s Chaotic Descent in Darren Aronofsky’s Crime Caper

4 hours ago
  • Home
  • Privacy Policy
  • Terms and Conditions
  • Gazettely Review Guidelines
Wednesday, May 21, 2025
GAZETTELY
  • Home
  • Movie and TV News
    Jodie Foster

    Jodie Foster Overcomes Fear to Lead French Thriller Vie Privée at Cannes

    Greta Gerwig

    Carey Mulligan Joins Gerwig’s Narnia Prequel as Digory’s Mother in Netflix Reboot

    Jesse Eisenberg

    Jesse Eisenberg Wraps Third Directorial Film with Julianne Moore in Untitled Musical Comedy

    Alejandro González Iñárritu

    Iñárritu Reflects on Amores Perros at Cannes While Teasing Wild Cruise Comedy

    Jafar Panahi

    Jafar Panahi Breaks 22-Year Cannes Absence with Clandestine Thriller

    Milly Alcock

    Milly Alcock Leans on Former Supergirl and Coaching Advice for DCU Relaunch

    Caught Stealing

    Austin Butler’s Chaotic Descent in Darren Aronofsky’s Crime Caper

    Chief of War

    Jason Momoa Unveils Epic Teaser for Hawaiian War Drama Chief of War

    Platonic Season 2

    Platonic Season 2 to Premiere August 6 on Apple TV+

  • Movie and TV Reviews
    Militantropos Review

    Militantropos Review: Poignant Vérité in a Conflict Zone

    The Disappearance Of Josef Mengele Review

    The Disappearance Of Josef Mengele Review: Diehl’s Chilling Transformation

    Kika Review

    Kika Review: Manon Clavel’s Breakout Performance

    Tell Her That I Love Her Review 1

    Tell Her That I Love Her Review: Understanding the Mothers We Barely Knew

    Love Me Tender Review

    Love Me Tender Review: Vicky Krieps in a Battle for Selfhood

    Lilo & Stitch Review

    Lilo & Stitch Review: A Live-Action Love Letter to Family

    It Was Just an Accident Review

    It Was Just an Accident Review: Panahi’s Dark Road of Justice

    A Private Life Review

    A Private Life Review: Jodie Foster’s Bilingual Breakthrough

    Fuori Review

    Fuori Review: Sunlight and Solitude in Rebibbia

  • Game Reviews
    Monster Train 2 Review

    Monster Train 2 Review: All Aboard for Infernal Excellence

    Deliver At All Costs Review

    Deliver At All Costs Review: Physics-Driven Mayhem

    Deck of Haunts Review

    Deck of Haunts Review: Reverse-Horror at Its Best

    RoadCraft Review

    RoadCraft Review: Mastering Mud, Metal, and Mighty Machines

    FREERIDE Review

    FREERIDE Review: Pastel Worlds and Emotional Echoes

    Among Us 3D Review

    Among Us 3D Review: First-Person Fun That Falls Short

    Wizordum Review

    Wizordum Review – Retro FPS Recharged

    La Quimera Review

    La Quimera Review: A Dystopian Disappointment

    Detective Dotson Review

    Detective Dotson Review: Colourful Cases and Community Whispers

  • The Bests
No Result
View All Result
  • Home
  • Movie and TV News
    Jodie Foster

    Jodie Foster Overcomes Fear to Lead French Thriller Vie Privée at Cannes

    Greta Gerwig

    Carey Mulligan Joins Gerwig’s Narnia Prequel as Digory’s Mother in Netflix Reboot

    Jesse Eisenberg

    Jesse Eisenberg Wraps Third Directorial Film with Julianne Moore in Untitled Musical Comedy

    Alejandro González Iñárritu

    Iñárritu Reflects on Amores Perros at Cannes While Teasing Wild Cruise Comedy

    Jafar Panahi

    Jafar Panahi Breaks 22-Year Cannes Absence with Clandestine Thriller

    Milly Alcock

    Milly Alcock Leans on Former Supergirl and Coaching Advice for DCU Relaunch

    Caught Stealing

    Austin Butler’s Chaotic Descent in Darren Aronofsky’s Crime Caper

    Chief of War

    Jason Momoa Unveils Epic Teaser for Hawaiian War Drama Chief of War

    Platonic Season 2

    Platonic Season 2 to Premiere August 6 on Apple TV+

  • Movie and TV Reviews
    Militantropos Review

    Militantropos Review: Poignant Vérité in a Conflict Zone

    The Disappearance Of Josef Mengele Review

    The Disappearance Of Josef Mengele Review: Diehl’s Chilling Transformation

    Kika Review

    Kika Review: Manon Clavel’s Breakout Performance

    Tell Her That I Love Her Review 1

    Tell Her That I Love Her Review: Understanding the Mothers We Barely Knew

    Love Me Tender Review

    Love Me Tender Review: Vicky Krieps in a Battle for Selfhood

    Lilo & Stitch Review

    Lilo & Stitch Review: A Live-Action Love Letter to Family

    It Was Just an Accident Review

    It Was Just an Accident Review: Panahi’s Dark Road of Justice

    A Private Life Review

    A Private Life Review: Jodie Foster’s Bilingual Breakthrough

    Fuori Review

    Fuori Review: Sunlight and Solitude in Rebibbia

  • Game Reviews
    Monster Train 2 Review

    Monster Train 2 Review: All Aboard for Infernal Excellence

    Deliver At All Costs Review

    Deliver At All Costs Review: Physics-Driven Mayhem

    Deck of Haunts Review

    Deck of Haunts Review: Reverse-Horror at Its Best

    RoadCraft Review

    RoadCraft Review: Mastering Mud, Metal, and Mighty Machines

    FREERIDE Review

    FREERIDE Review: Pastel Worlds and Emotional Echoes

    Among Us 3D Review

    Among Us 3D Review: First-Person Fun That Falls Short

    Wizordum Review

    Wizordum Review – Retro FPS Recharged

    La Quimera Review

    La Quimera Review: A Dystopian Disappointment

    Detective Dotson Review

    Detective Dotson Review: Colourful Cases and Community Whispers

  • The Bests
No Result
View All Result
GAZETTELY
No Result
View All Result
The Twister Caught in the Storm Review

Deck of Haunts Review: Reverse-Horror at Its Best

Fuori Review: Sunlight and Solitude in Rebibbia

Home Entertainment Movies

The Twister: Caught in the Storm Review: Voices from Joplin’s Epicenter

Scott Clark by Scott Clark
10 hours ago
in Entertainment, Movies, Reviews
Reading Time: 4 mins read
A A
0
Share on FacebookShare on TwitterShare on PinterestShare on WhatsAppShare on Telegram

Netflix’s The Twister: Caught in the Storm plunges viewers into the EF5 tornado that tore through Joplin, Missouri on May 22, 2011. Under Alexandra Lacey’s direction, the film sidesteps detached narration in favor of first-person accounts, placing us amid the roar of collapsing buildings and the snap of flying debris. Lacey stitches together handheld footage, archival news clips and audio recordings captured during a high-school graduation celebration gone awry.

Moments before cap tosses and diploma handoffs, wind slithers across the auditorium roof; then chaos erupts. Throughout, intimate testimonies—spoken over the howl of the storm—anchor the spectacle in lived experience. Instead of offering a textbook timeline of meteorological data, the film trades charts for heartbeats, trading wind-speed stats for the ragged breaths of survivors.

Listeners hear,rather than read, what it felt like when sky met earth with murderous intent. What emerges is less a dispassionate case study and more an unfiltered descent into nature’s fury, punctuated by flickers of human compassion and courage.

“Threads of Survival”: Narrative Structure and Personal Stories

Lacey’s narrative unfolds through five distinct arcs, each mapped to a different vantage point on that fateful day. Cecil, a Joplin High junior wrestling with faith and identity, ushers classmates into a storage closet as roofs tear away. Mac and Kaylee, amateur storm-chasers, trade laughter for terror as their curiosity transforms into desperation when their truck becomes prey.

Keegan, captain of the football team, departs graduation in time to sidestep the twister only to return as a makeshift EMT. Steven and Eric find themselves ripped from their vehicle, clinging to one another in a shattered convenience store. Finally, Chad, a 13-year-old visitor from California, watches a childhood fascination become a nightmare.

Lacey sequences these threads by alternating pre-storm calm—caps and gowns, truck rides, frozen-yogurt shifts—with escalating tension: ominous cloud formations, frantic weather-app alerts, hurried shelter-seeking. Foreboding lingers in slow pans across empty streets, then snaps into violent motion as the tornado touches down. Ordinary routines shatter under brutal winds, and the contrast between everyday life and elemental destruction underscores the film’s rhythm: slow dread, sudden violence, and the fragile breath held in between.

“Winds of Craft”: Visual Style and Technical Execution

Footage selection anchors this documentary’s authenticity. Grainy cell-phone videos capture debris whipping past open doors. Amateur storm-chasing clips show crews jostled by wind-gusts strong enough to topple utility poles. Archival news segments provide a broader view, while sparse slow-motion reenactments emphasize key moments—roof panels peeling off, droplets of rain hanging like bullets.

The Twister: Caught in the Storm Review

Editing choices drive momentum: interviews dissolve into storm footage just as survivors’ voices rise over wind howls, then cut back to silent close-ups of tear-streaked faces. That interplay between calm testimony and roaring gale keeps viewers off balance. Sound design heightens immersion: in one sequence, the jagged audio from inside the convenience store’s eye-wall becomes the centerpiece, raw and unfiltered.

Ambient noise—metal sheets scraping, glass shattering—melds with a restrained musical score that pulses only when tension peaks. Yet a few clips, likely sourced from stock footage, lack clear provenance; transitions feel abrupt, and the mismatch between speaker and image can jar immersion. Those moments aside, technical execution largely succeeds in marrying form and content to capture both the tornado’s brutality and the survivors’ resilience.

“Tremors of the Heart”: Emotional Resonance and Thematic Threads

At its core, the film hinges on emotional peaks that echo long after the credits roll. Viewers recoil as survivors recount “seeing the town explode,” voices trembling with disbelief. Dark humor peeks through when one witness quips, “I saw Wizard of Oz, and it didn’t look dangerous,” moments before roofs peel away.

The Twister: Caught in the Storm Review

Kaylee’s admission of survivor’s guilt—“We said our ‘I love you’s and waited to die”—cuts deep, pairing raw confession with the oppressive silence that follows. Lacey resists naming themes overtly, yet the film wrestles with human fragility against elemental power.

Ordinary celebrations give way to life-or-death choices, and strangers become protectors: Cecil shepherds classmates to safety, Keegan trades helmet for stethoscope, and Chad’s fascination spawns an inadvertent life lesson. Irony tightens its grip as the “class of the apocalypse” discovers that prophecy in one sense came true.

After the storm passes, testimony shifts: survivors describe new wounds—PTSD flashbacks, shaken faith, a hardened sense of community. Those threads converge in hushed reflections on endurance, prompting viewers to wonder how one rebuilds faith in a world that can turn on a dime. The film offers scant epilogue on reconstruction; instead, it leaves us with that lingering image of sky and earth locked in a fight where humans merely hold on.

The Twister: Caught in the Storm released on Netflix on March 19, 2025.

Full Credits

Director: Alexandra Lacey

Writer: Alexandra Lacey

Producers: Carla Grande, Leslie Lucey

Executive Producers: George Waldrum, Jonny Taylor, Mark Lewis

Cast: Mac Wright, Kaylee Parker, Chad Crilley, Doug Heady, Christy Ricci, Cecil Cornish, Andrew Keegan Tinney, Steven Weersing, Doug, Mike Bettes, Anderson Cooper, John King, Don Lemon, Will Norton, Barack Obama, Tracey Presslor, David Weersing

Director of Photography (Cinematographer): David Vollrath

Editor: Nic Zimmermann

Composer: Nick Foster

The Review

The Twister: Caught in the Storm

8 Score

Netflix’s documentary immerses viewers in Joplin’s EF5 tornado through firsthand accounts and raw footage, marrying visceral spectacle with human resilience. While some stock footage sources feel unclear, the film’s pacing and sound design sustain unrelenting tension. Its focus on personal arcs—from Cecil’s faith struggle to Chad’s coming-of-age horror—imbues the disaster with emotional weight. Caught in the Storm emerges as a gripping example of community grit when nature turns ruthless.

PROS

  • Immersive survivor testimonies that place viewers amid the tornado’s fury
  • Tense pacing that mirrors the storm’s escalation
  • Raw sound design—especially the convenience-store audio—that heightens realism
  • Focus on diverse personal arcs, from faith struggles to unexpected heroism

CONS

  • Occasional use of stock or reenactment footage with unclear sourcing
  • Slow-motion sequences feel overused in places
  • Sparse meteorological context leaves factual gaps
  • Limited exploration of long-term aftermath and community rebuilding

Review Breakdown

  • Overall 0
Tags: Alexandra LaceyAndrew Keegan TinneyCecil CornishChad CrilleyChristy RicciDocumentaryDoug HeadyFeaturedKaylee ParkerMac WrightNetflixSteven WeersingThe Twister: Caught in the Storm
Previous Post

Deck of Haunts Review: Reverse-Horror at Its Best

Next Post

Fuori Review: Sunlight and Solitude in Rebibbia

Try AI Movie Recommender

Gazettely AI Movie Recommender

This Week's Top Reads

  • Pillion Review

    Pillion Review: A Bold Study in Submissive Self-Discovery

    1 shares
    Share 0 Tweet 0
  • Top 40 Richest Football Club Owners in the World

    0 shares
    Share 0 Tweet 0
  • Duster Season 1 Review: High-Octane Caper in the Southwest

    1 shares
    Share 0 Tweet 0
  • Everyone Is Going to Die Review: When Privilege Meets Retribution

    1 shares
    Share 0 Tweet 0
  • Sons of the Neon Night Review: Brothers at War in Neon Shadows

    0 shares
    Share 0 Tweet 0
  • Reedland Review: Slow-Burn Mystery Amid Dutch Wetlands

    1 shares
    Share 0 Tweet 0
  • The Chronology of Water Review: Survival in Every Stroke

    1 shares
    Share 0 Tweet 0

Must Read Articles

Monster Train 2 Review
Games

Monster Train 2 Review: All Aboard for Infernal Excellence

2 hours ago
Lilo & Stitch Review
Movies

Lilo & Stitch Review: A Live-Action Love Letter to Family

8 hours ago
Motorheads Season 1 Review
TV Shows

Motorheads Season 1 Review: Rust Belt Roots and Revved Engines

1 day ago
Eleanor the Great Review
Movies

Eleanor the Great Review: June Squibb’s Defiant Masterclass

1 day ago
Nine Perfect Strangers Season 2 Review
Entertainment

Nine Perfect Strangers Season 2 Review: A Second Dose of Psychedelic Disappointment

1 day ago
Loading poll ...
Coming Soon
Who is the best director in the horror thriller genre?

Gazettely is your go-to destination for all things gaming, movies, and TV. With fresh reviews, trending articles, and editor picks, we help you stay informed and entertained.

© 2021-2024 All Rights Reserved for Gazettely

What’s Inside

  • Movie & TV Reviews
  • Game Reviews
  • Featured Articles
  • Latest News
  • Editorial Picks

Quick Links

  • Home
  • About US
  • Contact Us
  • Advertise with Us
  • Review Guidelines

Follow Us

Facebook X-twitter Youtube Instagram
No Result
View All Result
  • Home
  • Movies
  • Entertainment News
  • Movie and TV Reviews
  • TV Shows
  • Game News
  • Game Reviews
  • Contact Us

© 2024 All Rights Reserved for Gazettely

Go to mobile version