Acclaimed actor Colman Domingo takes on his most raw and complex role yet in the poignant drama Sing Sing. Directed by Greg Kwedar and co-written by real-life inmates Clarence “Divine Eye” Maclin and John “Divine G” Whitfield, the film offers an intimate look inside a maximum-security prison and the transformative power of the arts.
Sing Sing draws inspiration from the long-running Rehabilitation Through the Arts program at Sing Sing Correctional Facility in Ossining, New York. For over 30 years, the program has utilized theater, visual arts, and creative writing to rehabilitate inmates serving life sentences. In the film, Domingo portrays John “Divine G” Whitfield, a inmate with theatrical aspirations who strives to land the lead role in the prison’s production of Hamlet.
Critics have praised Domingo’s nuanced portrayal of Whitfield, noting its depth and authenticity. In an interview with The Hollywood Reporter, Domingo spoke of drawing from his extensive theater background to bring more raw emotion to the role within the film’s unconventional production environment. Sing Sing’s verisimilitude is enhanced by appearances from former RTA participants, including co-writer Clarence “Divine Eye” Maclin in his acting debut.
While some reviews noted inconsistencies in Sing Sing’s tonal shifts, most agree it carves out its own identity by focusing on the therapeutic benefits of performance for inmates. It also breaks new ground in its community-based financing model that grants equity to all involved, recognizing the ownership those who shared their real experiences deserve.
As Sing Sing makes its way to theaters, it shines a light on the ongoing debate around rehabilitation in the American criminal justice system. Through its blend of Shakespearean drama and contemporary commentary, the film invites audiences to reconsider their perceptions of incarcerated individuals and the transformative potential of the arts.
