Star Wars: Tales of the Empire marks the latest entry in the Tales of anthology series, following 2020’s Tales of the Jedi. Like its predecessor, Tales of the Empire focuses on two lesser-known protagonists from the franchise: the Nightsister warrior Morgan Elsbeth and disillusioned Jedi Barriss Offee. Over the course of six animated shorts, we learn more about these characters’ journeys into and out of the darkness.
Yet for all the positives Tales of the Empire brings – its stunning animation, pulse-pounding action, and clues into these characters’ pasts – the shorts feel uneven in their storytelling. Elsbeth’s three episodes tread familiar ground from The Mandalorian and Ahsoka without much new insight into her path to vengeance. And while Barriss emerges as the more complex character, her transition into an Inquisitor moves at such a brisk pace that it leaves questions unanswered.
With only 12 to 18 minutes dedicated to each character, these anthology tales struggle to achieve the depth a feature-length film could allow. The series toggles between Elsbeth and Barriss in a way that dilutes both of their arcs, when focusing more intensively on one may have proved better.
In the end, Tales of the Empire delivers entertainment but falls short of its potential to truly illuminate these lesser-known figures through deft, nuanced narratives. To better serve these characters, future Tales would benefit from refining how they structure their storytelling.
Enhancing the Experience
The animation quality in Tales of the Empire continues Lucasfilm Animation’s stellar track record. Just as with Clone Wars and Bad Batch, the visuals are a true testament to the talented crews bringing these stories to life.
Subtle yet striking uses of light and color evoke the grimness of the Empire’s reach. Harsh reds and sharp shadows permeate Morgan’s story, mirroring her smoldering anger. Meanwhile Barriss’ journey sees softer blues and purples, reflecting her inner conflict between Jedi teachings and the pull of the dark side.
Action sequences really shine thanks to fluid choreography. Every blow and parry feels weighted, keeping you on edge during fight scenes. Morgan’s battle defending Corvus from assassins is especially impressive, a thrilling display of her prowess with the Darksaber.
Complementing the visuals is the fantastic musical score. Composers Kevin Kinerdial up emotion throughout, from ominous Imperial themes to poignant solos reflecting key character beats. Their music amplifies both the Hope and heartbreak across these stories.
Tales of the Empire also benefits from in-depth worldbuilding. Every ship, stormtrooper, and Inquisitor feels authentically lived-in in the Star Wars universe. Small touches keep the setting strikingly real.
With its lush animation and complementary elements, Tales of the Empire fully pulls viewers into its flawed but fascinating characters’ journeys. The technical achievements heighten enjoyment of these Dark Side tales.
The Journey of Morgan Elsbeth
Morgan Elsbeth’s story begins with tragedy. A young nightsister of Dathomir, she could only watch in horror as the warlord Grievous laid waste to her people. We see the massacre through her eyes in the premiere episode, surrounded by death and with her home in flames. It’s a harrowing way for any character to start their tale.
From there, Elsbeth dedicates herself to vengeance against the Empire responsible. She puts her intelligence to use serving them, hoping to one day repay their evil in kind. Yet the Empire proves as untrustworthy an ally as they are an enemy. They take from her again, this time demanding the resources of her new planet Corvus.
By the time we meet Elsbeth in The Mandalorian, she’s a twisted tyrant lashing out at all who cross her path. Understandably so, given all she’s endured. But over three episodes in Tales of the Empire, her story begins to feel redundant. We learn little new about her motivations or methods. Repetitive scenes of combat and scheming start to blend together.
It’s easy to see why Elsbeth’s backstory intrigued Filoni. But attempting to flesh out a character in a single anthology series may have been too tall an order. With less screen time stretched over multiple productions, her evolution feels more natural. Three tight, focused episodes could have told her origin well while leaving room for others to shine.
As is, Elsbeth’s arc adds little new insight to who she is or how she arrived at that point. Fans already understood her anger by the end of her first episode. The others spend too long treading ground already covered. A shortened role may have left viewers wanting more, while still serving the other characters of Tales of the Empire.
The Redemption of Barriss Offee
Barriss Offee’s story left many unanswered questions at the end of The Clone Wars. After bombing the Jedi Temple and framing Ahsoka, she received an ambiguous fate in prison. This understandably led many fans to speculate on what became of the fallen Jedi. As a former member of the Order, disillusioned by their actions, she seemed a perfect candidate to become an Inquisitor hunting her old allies.
Tales of the Empire begins to address this long-awaited storyline. We see Barriss’ indoctrination into the dark side, as she’s offered a place within the Empire if she can prove her new allegiance. The complexity of her situation is fascinating – she wants to believe the Jedi were misguided, yet struggles with what she must do now. This inner conflict provides an engaging new dimension to the Inquisitorius program we’ve seen before.
Unfortunately, Barriss’ redemption arc feels all too brief. Across just three short episodes, we watch her training, a moral test, and then a sudden change of heart. But there isn’t enough time to sit with her cognitive dissonance. We don’t get a real sense of her remorse for past actions or the suffering that would drive someone from Dark to Light. The pacing speeds through most meaningful character development.
It’s a shame, as Offee showed potential for a truly compelling story of fallen and redeemed. With a lengthier format to dwell in the aftermath of her Temple bombing, or build towards confronted Anakin, this could have been deeply impactful. As it stands, her indoctrination plays out far more richly than the resolution. Barriss Offee deserved better than just another rushed redemption tale.
Too Much, Too Fast
Tales of the Empire presents an engaging concept – delving into the darker corners of the Star Wars universe through the eyes of two conflicted characters. However, the brevity of each episode sometimes works against it. Clocking in at just 12-18 minutes apiece, the six shorts feel compressed.
This fast pacing serves the arc of Morgan Elsbeth reasonably well. Her descent involves visible traumatic events that can be depicted swiftly. Yet Barriss Offee’s journey is intrinsically more intricate – questioning both her past actions and new allegiances. To properly explore this inner turmoil would benefit from extended runtime.
Across only a few episodes, Barriss’ transformation from disillusioned Jedi to dark side assassin to redeemed fighter seems rushed. There is little time to sit with her complex emotions. More fleshed out moments of doubt, or grappling with dark actions committed, could have intensified her redemption’s power.
Splitting focus between the protagonists may also have diluted their individual storytelling. Dedicating the full series to a single character may have allowed deeper unraveling of their psyche and motives. Viewers would become more invested in traveling that full change of heart.
This is not to say Tales of the Empire failed to engage. The crisp animation and pulse-pounding action thrilled. Yet for those hoping to gain profound understanding of these lesser known stars, brevity proved a limitation. With a larger overall scope like previous Tales installments, this tale of the Empire’s darkness could have shone even brighter.
Striking Visuals, Mixed Results
The animation in Tales of the Empire truly is a delight to behold. Lush backdrops and vibrant lighting bring the worlds to life, while fluid fight choreography keeps action sequences pulse-pounding. These technical achievements alone make it worth watching.
Potential for character exploration is there too, seen most clearly in Barriss Offee’s storyline. Her progression from disillusioned Jedi to dark side operator shows inner conflict writ large. Had more time been devoted just to her journey, it could have proven deeply engrossing.
But uneven execution holds the series back. While Morgan Elsbeth’s origins introduce intriguing themes, her later episodes feel redundant. We learn little new as the plots rush ahead.
Giving each protagonist their own focused series may remedy this. With full attention to develop one character’s perspective and progression, narratives could hit their stride.
As an anthology, Tales of the Empire raises intriguing notions but struggles tying them together cohesively across its runtime. Future installments might do well picking a single protagonist and peeling back their layers at a leisurely pace.
In the end, these are small critiques of an entertaining addition overall. The joy of exploration shines through, leaving me hopeful refined storytelling may one day do these fringe figures fuller justice. Lucasfilm clearly loves coloring in Star Wars’ nooks and crannies, and I look forward to seeing how future “Tales” further enrich this wonderful universe.
Uneven but Enjoyable Tales
Tales of the Empire tells engaging yet flawed stories within a visually stunning Star Wars animation. While keeping viewers entertained, it struggles at times to flesh out its featured characters.
Morgan Elsbeth’s tale expands little beyond setup for other shows. Her episodes sprint through story beats, prioritizing references over real insights. In contrast, Barriss Offee’s journey grips more thanks to complexity the finale cultivates.
Luminous animation brings each world and battle sequence to thrilling life. The musical score adds emotional nuance throughout. These technical elements immerse viewers perfectly in a Galaxy Far, Far Away.
Going forward, focusing intensively on one protagonist per anthology entry could strengthen narrative cohesion. With full attention on a single character, tales may delve deeper into their psyche.
Despite uneven character arcs, Filoni’s series remains an enjoyable way to experience new Star Wars stories. With refinement, future installments could realize untold potentials within the franchise. For now, Tales of the Empire entertains while hinting at richer storytelling if sharpening focus on fewer featured figures. While not a perfect success, its high points show anthologies rewarding exploration of oft-overlooked characters and histories.
The Review
Star Wars: Tales of the Empire
While Tales of the Empire showcases stunning animation and teases compelling character arcs, its anthology format strains under uneven execution. Spread thin across multiple protagonists, narratives lack coherence and depth and feel rushed at times. The nuanced exploration of Barriss Offee in the latter episodes, however, demonstrates great potential for character-driven storytelling within the universe.
PROS
- Gorgeous animation brings the Star Wars world to life
- Potential for deep character exploration, as seen in Barriss's arc
- Engaging new stories that expand franchise lore
- Strong performances and score enhance emotional story beats
CONS
- Anthology format strains coherent narratives
- Morgan's story feels rushed and adds little new insight
- Pacing issues as stories rush between plot points
- Fails to realize hinted potential for intricate character studies
