Hope, it turns out, is a combustible material. Season 3 of Squid Game opens not with a bang but with...

The brief, euphoric high of opening a restaurant is immediately punctured by the cold prose of a review. The Chicago...

A man is crying on a hotel floor. This is our introduction to David in Iair Said’s Most People Die...

In the relentless churn of modern pop culture, where fame is both currency and sacrament, a film arrives that posits...

Kevin Williamson's return to television feels less like a homecoming and more like an archaeological dig—one where the creator of...

John Lennon’s post-Beatles odyssey unfolds over 134 minutes under the steady hand of Alan G. Parker (UK cinemas from 2...

Formula One is a paradox of refined brutality. It is the scream of an engine calibrated to a microsecond, the...

Every society has its gladiators, and every so often, one wanders out of the arena and into the streets, unsure...

The Chelsea Detective operates on a principle that feels almost radical in a globalized, placeless culture: a defiant sense of...

After a two-year shore leave, Star Trek: Strange New Worlds returns to the screen, resuming its duties as the flagship...