In the lead up to Zack Snyder’s gory 2006 hit 300, Warner Bros. had one stern condition for Gerard Butler before he could embody the film’s intense Spartan leader King Leonidas – quit smoking. This little-known mandate for the Scottish actor’s career-defining role has resurfaced alongside new reports that Snyder is eying a 300 prequel series for the studio’s television division.
According to former Warner Bros. executive Alan Horn, Butler had to kick his cigarette habit to land the hyper-masculine Leonidas after Snyder personally selected him for the part. As Horn recounted to The Hollywood Reporter in 2011, he wasn’t initially sold on Butler’s casting and only agreed after extracting a promise.
“Butler had done ‘The Phantom of the Opera’ for us. I said, ‘I don’t see him for the role,'” Horn stated. “So he comes to see me, and he’s really physically imposing. I knew from Phantom that he smoked, and I thought I smelled it on him. So I said, ‘Okay, you can have the part on one condition: You have got to stop smoking.'”
Committed to embodying the shredded, warrior-king physique, Butler obliged and kicked the habit prior to his breakout performance amid 300’s stylized take on the ancient Battle of Thermopylae. However, the actor’s struggles with relapsing persisted for years after the film’s success.
Now, over 15 years later, Snyder is reportedly in talks to spearhead a 300 prequel exploring the brutal historical origins of ancient Sparta for Warner Bros. Television. While still in early development according to Variety, the potential series would reunite Snyder with 300 producing partners including wife Deborah Snyder.
Snyder is said to be eying directing, co-writing and executive producing duties on the project, aiming to expand his distinctive vision of Frank Miller’s graphic novel world following 300’s battlefield theatrics and 2014’s thematic sequel 300: Rise of an Empire.
Should the prequel move forward, it would mark another opportunity for Snyder to depict the gritty, hyper-realised dynamism that made 300 a cultural sensation. For Butler, it serves as a reminder of the professional sacrifices he made to personify the very ideal of Spartan discipline and masculinity alongside maintaining his career longevity.
While lighting up on-screen remains unlikely for him, Butler succeeded in transforming his body and persona to an icon of cinematic machismo – under the strict condition he didn’t let smoke get in his eyes along the way.
