Compassionate leave becomes a fairly theoretical concept once Jim Bergerac spots something nobody else has noticed. Damien Molony’s detective is supposed to be grieving, attending AA meetings and keeping some distance from police work after his wife’s death. Instead, he keeps drifting back toward investigations with the gravitational pull of a man who understands murder scenes better than his own life.
That tension remains the most useful idea in Bergerac Season 2. Jim is excellent at his job and increasingly unreliable everywhere else. His teenage daughter Kim has learned to live around his instability, while his mother-in-law Charlie Hungerford continues trying to prevent him from converting grief into another excuse for self-destruction. The sunny Jersey setting only sharpens the contradiction. St Helier looks built for postcards; Bergerac moves through it like someone carrying permanent bad weather.
The reboot still shares a few recognizable pieces with John Nettles’ incarnation, including the brown leather jacket and handsome 1947 Triumph Roadster. Its temperament is different. Molony plays Jim as a widower whose professional confidence can disappear the instant work stops giving him something to solve.
Bergerac Versus Crozier
The strongest structural decision this season is keeping DI Barney Crozier close enough to Jim to become both colleague and obstacle. Robert Gilbert plays Crozier without turning him into the standard bureaucrat assigned to tell the brilliant detective that his methods are unacceptable. Crozier has evidence.
Jim ignores procedure, disappears after private theories and occasionally leaves other officers cleaning up what follows. Crozier’s irritation grows from watching someone break every professional rule and then, infuriatingly, find the right answer anyway. Their competition gives the investigation a second spine. While Bergerac follows suspects, Crozier is effectively investigating Bergerac.
The scripts get some dry mileage from Jim’s ability to solve smaller problems at embarrassing speed. Someone presents a difficult question, Bergerac notices an image or remembers a conversation, and Crozier finds himself one stage behind again. Used sparingly, this makes Jim seem genuinely gifted. Repeated too often, it starts resembling a detective superpower that activates whenever the episode needs its next clue.
His weaknesses are handled with less convenience. Molony is particularly good during Kim’s going-away party, where Jim’s instability stops being private misery and becomes something other people have to endure. There is no glamorous tortured-detective pose left in the scene. He is embarrassing, wounded and damaging. The frustrating part is how rarely the season pushes him that far.
Six Hours, One Case
Bergerac continues the reboot’s decision to stretch one investigation across six episodes rather than restore the original show’s self-contained mysteries. That format gives suspects room to develop, though it places a heavier burden on the plot. One murder must generate enough secrets, false leads and reversals to sustain roughly six hours of television.
Season 2 manages the assignment efficiently. The case begins in affluent surroundings, expands through a collection of plausible suspects and keeps redirecting attention before any answer becomes too comfortable. Lesley Sharp is especially effective within the season’s troubled family unit, playing a mother whose household includes Turlough Convery’s imposing, childlike chess prodigy and Camilla Beeput’s troubled adopted daughter Nicola.
Sharp knows exactly how much information to withhold in a glance. Convery uses his physical presence cleverly, allowing the character to seem intimidating in one moment and painfully vulnerable in another. Their scenes work because the mystery can shift its suspicions without requiring either performance to advertise guilt.
Elsewhere, a pursuit involving a drugs-squad officer tracking a heroin addict gives the season one of its better pieces of plot engineering. Information changes hands quickly, the target keeps shifting, and the sequence creates suspense through uncertainty rather than simply speeding everything up. The red herrings are traditional, but at least they have jobs.
Comfortable Crime, Carefully Directed
A rotating group of directors maintains a surprisingly coherent visual style. The clearest example arrives in the swimming-pool sequence, where the camera watches events from beneath the water. The placement immediately encourages one interpretation of what is happening, then the scene redirects that expectation. It is a simple piece of visual misdirection and far cleaner than having somebody explain the trick five minutes later.
Jersey is similarly useful. Coastal roads, abrupt bends and stretches of unsettled weather prevent the island from becoming mere holiday scenery. Car sequences take advantage of the geography, while quieter conversations often place characters against open sea or large empty spaces. The location looks beautiful without becoming comforting.
Zoë Wanamaker remains one of the production’s safest weapons as Charlie, delivering irritation with surgical efficiency. Adrian Edmondson gives Nigel an amiable lightness beside her sharper rhythms, while Chloë Sweetlove ensures Kim never feels like a daughter written solely to give the detective something personal to lose.
That lightness defines much of the series. Bergerac Season 2 wants murder, alcoholism, bereavement and family dysfunction without surrendering the reassuring pleasures of polished Sunday-night detective television. It can be funny, tense and occasionally ugly, yet it rarely allows danger to contaminate the show for long.
Even Jim’s Triumph avoids becoming the giant metaphor parked outside the scriptwriters’ room. It appears, looks magnificent and leaves before anyone can explain that the damaged machine represents its damaged owner. A narrow escape.
The modern reboot of the classic detective series premiered in 2023 and is available for streaming on UKTV Play. The show follows Jim Bergerac, a recovering alcoholic and brilliant detective, as he tackles complex investigations while struggling to rebuild his life on the island of Jersey.
Full Credits
Title: Bergerac
Distributor: BBC, UKTV Play
Release date: 2023–present
Rating: TV-14
Running time: 60 minutes
Director: Colm McCarthy
Writers: Toby Whithouse, Brian Fillis, Kitty Percy
Producers and Executive Producers: Gub Neal, Edward King, Harriet Creelman, Nickie Sault
Cast: Damien Molony, Zoë Wanamaker, Philip Glenister, Pippa Haywood, Timothy Renouf, Hassan Nazari-Robati
The Review
Bergerac Season 2
Bergerac Season 2 understands the pleasures of a well-built detective drama, even when its six-hour mystery relies on familiar red herrings and suspicious families. Damien Molony keeps Jim engaging through the sharper material, especially his clash with Crozier and the ugly collapse at Kim’s party. The swimming-pool sequence and drugs-squad pursuit show how effectively the directors can generate unease without breaking the show’s restrained house style. Jim’s miraculous deductions remain too convenient, and the danger rarely bites hard enough, but the machinery runs smoothly.
PROS
- Damien Molony’s layered performance
- Strong Bergerac-Crozier friction
- Well-managed mystery reversals
- Inventive swimming-pool sequence
- Excellent supporting cast
CONS
- Convenient intuitive deductions
- Limited sense of danger
- Familiar mystery construction
- Jim’s psychology needs greater depth
