Werewolves' premise is ambitious and absurd: a supermoon—a celestial phenomenon long idealized in poetry and folklore—causes a global transformation, converting...

It's called a "horror comedy," but "Get Away," Nick Frost's latest movie, is much more than that. Frost is a...

At 91, Costa-Gavras, master of political thrillers like Z (1969) and Missing (1982), switches his vision from geopolitical intrigues to...

The early days of World War II were fraught with ideological fervor and unstable alliances, and Italy saw this as...

Nice Girls, directed by Noémie Saglio, aims to position itself within the gender-swapped buddy-cop genre, a cinematic playground with various...

The Invisible Raptor is a comical tale of scientific arrogance gone awry, centering on the escape of a genetically produced,...

In a physical and figurative sense, vampires just refuse to die. Their fame goes beyond the pages of Bram Stoker's...

In Her Place, director Maite Alberdi conjures a portrait of 1955 Chile that feels once sharply specific and weirdly universal,...

Tobe Hooper's The Texas Chain Saw Massacre (1974) was more than just a horror film; it was a cinematic primal...

In Last Shadow at First Light, we meet Ami, a Singaporean adolescent dealing with the searing vacuum left by her...