Sebastián Lelio’s The Wave (2025, Chile) unfolds as a daring fusion of activism and musical spectacle. At its heart is...

The chronicle of Wrexham AFC under its Hollywood stewardship has already etched itself as a modern sporting fable, a narrative...

In the opening sequence, young Fuki stands before a chalkboard crowded with her own words, recounting her imagined funeral as...

Ari Aster’s Eddington drops us into late May 2020 in a dust-choked New Mexico town where the wildfire panic of...

December 2018 finds Paris roiled by Yellow Vests protesters, their defiance echoing through grand boulevards and narrow alleys. Against that...

The animated anthology Love, Death + Robots has long established itself as a distinctive crucible for short-form storytelling, a space...

From the first frame, She’s the He stakes its claim among modern coming-of-age comedies by pairing riotous energy with an...

Nova São Paulo unfolds like a living organism under the lens of Warden, a Brazilian mockumentary that reframes the superhero...

On the fringes of the Corporation Rim, where profit overrides principle, a ragtag band of eco-scientists known as PreservationAux touches...

Tom Petty: Heartbreakers Beach Party arrives as a freshly unearthed fragment of rock history, shot in 1982–83 by Cameron Crowe...