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Dakota Johnson to Direct First Feature at Cannes with Autism-Centered Script

Snapple Promotion Delivers First Full Image of MCU’s Galactus

Raindance Unveils Record Lineup for 33rd Edition, Highlighting Global Storytelling

Richard Linklater Premieres Nouvelle Vague at Cannes While Tape Remake Secures Raindance Slot

Coz Greenop Shops The Last Mermaid Rights at Cannes After Vietnam Shoot

Dogma 25 Movement Debuts in Cannes, Championing Handcrafted Filmmaking Over Digital Dependence

Jacob Elordi Scores Primetime Emmy Submission as Cannes Market Heats Up for Outer Dark

Wes Anderson Questions Tariff Proposal, Teases Future Project at Cannes Press Event

Sony Greenlights ‘S.W.A.T. Exiles’ With Shemar Moore Returning as Hondo
Movie and TV Reviews

The Twister: Caught in the Storm Review – Heart and Helix of a Tornado Chase

Once Upon a Time in Gaza Review: Cinema as Lifeline in a Blockaded Land

The Bombing of Pan Am 103 Review: Precision Over Spectacle

Code of Silence Season 1 Review: Breaking Sound Barriers

My Mom Jayne Review: Archival Gold and Raw Emotion

Slauson Rec Review: Raw Footage of Ambition and Strain

A Magnificent Life Review: Remembering a French Cultural Icon

The Secret Agent Review: Carnival, Conspiracy, and a Father’s Flight

Football Parents Season 1 Review: Sideline Satire with Heart
Game Reviews

FREERIDE Review: Pastel Worlds and Emotional Echoes

Among Us 3D Review: First-Person Fun That Falls Short

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Detective Dotson Review: Colourful Cases and Community Whispers

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Capcom Fighting Collection 2 Review: Rediscovering Arcade Classics

Yasha: Legends of the Demon Blade Review – Combat That Shines, Repetition That Wears
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The Secret Agent Review

The Secret Agent Review: Carnival, Conspiracy, and a Father’s Flight

by Shahrbanoo Golmohamadi

1977 Recife unfolds as a living organism: sweat-soaked streets pulse with Carnival drums while the long ...

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