Armand Review: Reinsve’s Masterful Performance anchors Director’s Debut
Halfdan Ullmann Tøndel makes his directorial debut with Armand, a gripping piece of psychological drama filled ...
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Tag: 2024 Cannes Film Festival
Caught by the Tides Review: Jia Zhangke’s Magnum Opus
Jia Zhangke is a renowned chronicler of modern China. Over his acclaimed career, the director has ...
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In Retreat Review: A Reflective Odyssey of Disconnection
Maisam Ali's debut film, In Retreat, follows a lone protagonist as he returns to his homeland ...
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Emilia Perez Review: Audiard’s Bold Vision
Jacques Audiard is known for taking bold creative leaps. The acclaimed French director has traveled across ...
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Queens of Drama Review: A Fervent Exploration of Queer Identity
Born from the creative vision of French filmmaker Alexis Langlois comes Queens of Drama, a neon-drenched ...
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Savanna and the Mountain Review: A Film About Community Resistance
Nestled in Portugal's rugged north is the town of Covas do Barroso, home to just a ...
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Twilight of the Warriors: Walled In Review – A Love Letter to 1980s Hong Kong Gangster Films
Kowloon Walled City has long captured imaginations; this now-demolished urban warren was once one of the ...
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Black Dog Review: Nature and Nurture in Guan Hu’s Directorial Flair
The 2008 Chinese drama Black Dog marked a change of direction for its acclaimed director, Guan ...
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Desert of Namibia Review: When Taboos Are Fearlessly Brought to Screen
Yoko Yamanaka's sophomore film, Desert of Namibia, made its debut at the Directors' Fortnight section of ...
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Three Kilometres to the End of the World Review: Systems of Injustice on Display, but the Human Story Falls Short
Tucked away on the shores of the Danube Delta lives seventeen-year-old Adi. He spends his summers ...
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