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George Lucas Compares Rejecting AI to Rejecting Cars, Sparking Fan Backlash

‘Colin From Accounts’ to End With Season 3

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Nolan Fans Rearrange Their Lives to See ‘The Odyssey’ in 70mm Imax

Paramount Agrees to Merge Antitrust Case With Subscriber Lawsuit

Andy Serkis Returns as Gollum in First ‘Hunt for Gollum’ Set Footage

Scott Bryce, ‘As the World Turns’ Star Who Played Craig Montgomery, Dies at 68

‘Summer House’ Season 11 Cast Confirmed After Batula, Wilson Exits

David Zaslav Sells $59 Million More in Warner Bros. Discovery Stock
Movie and TV Reviews

The F Ward Review: A Last Chance Without Lasting Consequences

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Lover, Not a Fighter Review: Waiting for Adulthood to Load

The Apartment Job Review: Crime Comes to the Residents’ Association

Miguel Ángel Blanco: The 48 Hours That Changed Spain Review: Hope Against the Clock

Mockbuster Review: Six Days to Make a Dinosaur Movie

The Odyssey Review: Christopher Nolan Turns Homecoming Into Judgment

The Isolate Thief Review: Blood Freezes at the Outpost

Shipwrecked: Nightmare at Sea Review: A Cruise Holiday Turns Into a Death Trap
Game Reviews

Backyard Baseball Review: Familiar Faces, Uneven Fundamentals

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Cat Mail Co. Review: Stamping Parcels Loses Its Spark

We Gotta Go Review: Toilet Panic Needs Stronger Systems

Ascend to ZERO Review: Every Second Becomes a Weapon

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Disfluency Review

Disfluency Review: Echoes of Healing in Modern Cinema

by Naser Nahandian

Jane (Libe Barer) walks through the dimly lit halls of Disfluency, a place that feels familiar ...

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