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Brad Pitt’s F1 Accelerates to £7 M No. 1 Start in UK and Ireland

Cameron Critiques Nolan: ‘Oppenheimer’ Skips Hard Truths

Cain Exit Forces Sunderland’s £450 m Crown Works to Hunt New Backer

First Look at Jimmy McGovern’s Unforgivable Reveals Gritty Liverpool Family Drama

Superman’s Spectacles Get a Sci-Fi Upgrade in James Gunn Film

Tracking Split on ‘Jurassic World Rebirth’ as July 4 Box-Office Race Begins

Turkish Hit ‘Valley of Hearts’ Lands New Global Deals

Cineverse Picks Up Cannes Winner ‘A Useful Ghost’ for U.S. Release

Trailer Drops for Trier’s Cannes Winner ‘Sentimental Value’
Movie and TV Reviews

Kevin Costner’s The West Review: Required Viewing for Americans

Hello Stranger Review: A Prison of Your Own Choosing

The Road to Patagonia Review: Two People, Four Horses, One Continent

The Wonderers Review: A Quiet, Unflinching Family Battle

The Protector Review: Purpose in a Post-Apocalyptic World

The Chambermaid Review: Upstairs, Downstairs, and a World of Secrets

Attack on London: Hunting The 7/7 Bombers Review: The Anatomy of a National Wound

Monsters of California Review: Slacker Comedy Meets Sci-Fi, and Neither Wins

13 Days 13 Nights Review: Diplomacy Under Fire in Kabul
Game Reviews

Rise of Industry 2 Review: Capitalism with Consequences

Survival Kids Review: Fun with Friends, A Chore Alone

Ashwood Valley Review: Pretty Pixels, Poor Play

Cattle Country Review: Forging a Life on the Pixelated Frontier

Nice Day for Fishing Review: Casting a Strategic Spell

Front Mission 3: Remake Review: Come for the Mechs, Not the Makeover

System Shock 2: 25th Anniversary Remaster Review: Still the King of Sci-Fi Horror

SAEKO: Giantess Dating Sim Review: Anxiety in Pixel Form

Islands & Trains Review: A Minimalist Escape
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Monsters of California Review

Monsters of California Review: Slacker Comedy Meets Sci-Fi, and Neither Wins

Tom DeLonge’s directorial debut, Monsters of California, emerges as a distinct cultural artifact, a film imaginable ...

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