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Amazon MGM Sets Fresh Course for James Bond Franchise

Netflix Saddles Up After Exterritorial Success

‘Final Reckoning’ Nears $550 M While Budget Questions Linger

Inside the Vote That Sent Hannah Home—and Why Viewers Aren’t Over It

Chicago P.D. Season 13 Starts Without Newest Detective as NBC Confirms Cast Cut

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Sri Lanka Fires Up Its First MasterChef as ITN Takes Format into 71st Territory
Movie and TV Reviews

I’m Beginning to See the Light Review: A Russian Soul in an American Fable

The Biggest Fan Review: One Great Performance Can’t Save a Hollow Story

Heads of State Review: Elba and Cena Carry the Ticket

Mr. Blake at Your Service! Review: The Anarchist in the Butler’s Pantry

The Sound Review: A Long Way Down

Please Don’t Feed the Children Review: Destry Spielberg’s Ambitious but Flawed Debut

Ice Road: Vengeance Review – Liam Neeson’s Diminishing Returns Continue

Squid Game Season 3 Review: No Happy Endings Here

Jon Watts Explains Pandemic Fatigue Behind Fantastic Four Exit
Game Reviews

Tom Clancy’s The Division 2: Battle for Brooklyn Review: A Nostalgic But Flawed Homecoming

9 Kings Review: Seven Monarchs, Endless Strategic Possibilities

Rematch Review: Sloclap’s Ambitious Football Experiment Falls Short of Goals

Chronicles of the Wolf Review: Forging a Path Through the Past

JDM: Japanese Drift Master Review – When Mechanics Meet Manga

Blood Bar Tycoon Review: A Bloody Good Idea, Poorly Executed

Ghost Frequency Review: All Atmosphere, No Conclusion

Death Stranding 2: On the Beach Review – Kojima’s Outback Odyssey

RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate
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Ravens Review

Ravens Review: The Duality of Creation in Japanese Cinema

by Arash Nahandian

Masahisa Fukase is a photographer whose brilliance is overshadowed by personal demons, and Ravens skillfully weaves ...

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