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Jeff Zucker Plays Himself in A24’s “Primetime” — and Loved It

Oasis Documentary Gets 8-Minute Standing Ovation at Venice

Robert Pattinson Is “Extraordinary” as Chris Hansen, Critics Say

Ben McKenzie Says He’d Return for “The O.C.” Revival

Mel Gibson Says “Resurrection” Sequel Will Fill in the Gospels’ Gaps

Julianne Moore’s “The Debut” Becomes the Talk of Telluride
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Queer Edward II Review: Derek Jarman Refuses to Become a Museum Piece

Mr. Nelson, Did You Kill People? Review: War Without the Protective Myth

Furies Review: Lebanon’s Financial Crisis Becomes a Crime Thriller

Jupiter Review: Nuclear Deterrence Becomes a Pressure Chamber

Falling House Review: Locked Doors and a Dying House

The Girl in the River Review: The Case Solves Itself

Earle Meets World Review: TikTok Fame Hits the 40-Minute Wall

Wild Horse Nine Review: John Malkovich Faces the End of the Line

By Any Means Review: Sunlit Noir With Blood on Its Hands
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Aggelos 2 Review: Old-School Adventure Finds a Second Form

Box Knight Review: Corporate Hell Has Excellent Art Direction

NBA 2K27 Review: The NBA Experience Still Travels Well

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Theropods Review: Prehistory Meets Science Fiction One Puzzle at a Time

Grim Trials Review: Death Is Only the Training Phase

The Blood of Dawnwalker Review: Every Hour Has a Price

Onimusha: Way of the Sword Review: Ten Seconds From Perfection
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Mr. Nelson, Did You Kill People? Review

Mr. Nelson, Did You Kill People? Review: War Without the Protective Myth

Shinya Tsukamoto treats the Vietnam War as an American story viewed from outside its national mythology. ...

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