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Movie and TV News

Slow Horses Rides Back on 24 September With Season 5

SXSW Panel Reveals How Minecraft Movie Crafted a $948 M Blockbuster

Netflix Poaches Film4 Chief Ollie Madden to Supercharge U.K. Movie Slate

Hargitay’s ‘My Mom Jayne’ Lifts the Curtain on a Hollywood Tragedy

Fans Push for Big-Screen Run After Netflix Drops Frankenstein Teaser

Judge Faces New Twist as Lively Seeks to Trim Lawsuit Against Baldoni

Elordi’s POW Drama Leads to Frankenstein and Wuthering Heights

Paramount Sets July 2 Shareholder Meeting as Skydance Vote Looms

Psych Alum Maggie Lawson to Lead CBS’s Boston Blue
Movie and TV Reviews

The Correspondent Review: Richard Roxburgh’s Tour de Force

Bogieville Review: Low-Budget Ingenuity and Flawed Execution

Coastal Review: Intimate Performances, Tepid Momentum

The Dark Money Game Review: How Secret Funds Warped Democracy

Call of the Void Review: Atmospheric Chills and Lingering Questions

Dovey’s Promise Review: One Woman’s Stand Against Injustice

The Balcony Movie Review: A Philosophical Perch on Human Transience

What It Feels Like for a Girl Season 1 Review: Before Trans Visibility Had a Name

Bullet Train Explosion Review: Bureaucracy, Bombs, and the Weight of Duty
Game Reviews

Without a Dawn Review: Introspection in a Cabin of Shadows

Aureole – Wings of Hope Review: Precision Platforming with a Divine Twist

Kingdom Come: Deliverance II Brushes with Death Review: A Painter’s Tale in Bohemia

Kulebra and the Souls of Limbo Review: Guiding Spirits with Style and Sincerity

Blacksmith Master Review: The Satisfying Grind of Metal and Management

Labyrinth Of The Demon King Review: Unforgiving, Unforgettable Horror

Cubic Odyssey Review: An Ambitious Architect’s Space Dream

Game of Thrones: Kingsroad Review: A Song of Systems and Sorrows

To a T Review: Finding Perfection in an Imperfect Shape
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Optics Review

Optics Review: Gender Dynamics Through a Comedic Lens

by Ayishah Ayat Toma

"Optics" examines crisis management within the PR firm Fritz & Randell. The story begins with the ...

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