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Brad Pitt’s F1 Accelerates to £7 M No. 1 Start in UK and Ireland

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First Look at Jimmy McGovern’s Unforgivable Reveals Gritty Liverpool Family Drama

Superman’s Spectacles Get a Sci-Fi Upgrade in James Gunn Film

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Kevin Costner’s The West Review: Required Viewing for Americans

Hello Stranger Review: A Prison of Your Own Choosing

The Road to Patagonia Review: Two People, Four Horses, One Continent

The Wonderers Review: A Quiet, Unflinching Family Battle

The Protector Review: Purpose in a Post-Apocalyptic World

The Chambermaid Review: Upstairs, Downstairs, and a World of Secrets

Attack on London: Hunting The 7/7 Bombers Review: The Anatomy of a National Wound

Monsters of California Review: Slacker Comedy Meets Sci-Fi, and Neither Wins

13 Days 13 Nights Review: Diplomacy Under Fire in Kabul
Game Reviews

Rise of Industry 2 Review: Capitalism with Consequences

Survival Kids Review: Fun with Friends, A Chore Alone

Ashwood Valley Review: Pretty Pixels, Poor Play

Cattle Country Review: Forging a Life on the Pixelated Frontier

Nice Day for Fishing Review: Casting a Strategic Spell

Front Mission 3: Remake Review: Come for the Mechs, Not the Makeover

System Shock 2: 25th Anniversary Remaster Review: Still the King of Sci-Fi Horror

SAEKO: Giantess Dating Sim Review: Anxiety in Pixel Form

Islands & Trains Review: A Minimalist Escape
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Newly Rich, Newly Poor Review

Newly Rich, Newly Poor Review: Charm, Class, and Comedy

by Shahrbanoo Golmohamadi

The switched-at-birth narrative is a durable archetype of social anxiety, a mechanism for exploring the stubborn ...

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