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David Fincher Weighs Mindhunter Revival as Film Trilogy

‘Elio’ Lands With a Thud as Pixar Records Its Worst Opening Weekend

Seth Rogen Courts Vin Diesel for ‘The Studio’ Season 2

Jack Betts, Spaghetti-Western Export and Spider-Man Board Chief, Dies at 96

Here We Go Again? Seyfried, Craymer Push Mamma Mia 3 Forward

Lynn Hamilton, Steady Star of ‘Sanford and Son,’ Dies at 95

Owen Wilson Rejoins Stiller and De Niro as ‘Meet the Parents 4’ Sets 2026 Release

After Reboot’s Demise, Pretty Little Liars Cast Plots Big-Screen Return

Bruce Lee Returns—Digitally—as Beijing Launches $14 M Restoration Drive
Movie and TV Reviews

The Waterfront Review: Kevin Williamson’s Return to Murky Family Waters

Olympo Review: Underwater Secrets and Locker-Room Lies

Eye for an Eye Review: Florida Gothic Done Right

Alma and the Wolf Review: Ethan Embry Shines in a Flawed Fever Dream

Hi-Five Review: An Origin Story on Fast-Forward

28 Years Later Review: A Saga Begun, Not Ended

Soul Reaper Review: Indonesian Folk Horror That Haunts Your Dreams

Promised Hearts Review: Melodrama Meets Existential Yearning

Borrowed Time: Lennon’s Last Decade Review – Conversations in the Dakota Shadows
Game Reviews

RAIDOU Remastered: The Mystery of the Soulless Army Review: The Detective Who Couldn’t Investigate

Still Wakes the Deep: Siren’s Rest Review – Revisiting a Sunken Legacy

TRON: Catalyst Review: More Style Than Substance

FBC: Firebreak Review: Corporate Chaos and Cooperative Action

Date Everything! Review: You’ll Never Look at Your Toaster the Same Way

Lost in Random: The Eternal Die Review: All Style, Less Story

Bravely Default: Flying Fairy HD Remaster Review: A Dialogue With Tradition

Yakuza 0 Director’s Cut Review: Neon Lights and Brutal Fights

Trident’s Tale Review: Buried Treasure or Fool’s Gold?
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The Visitor Review

The Visitor Review: Sex and Politics Collide

by Naser Nahandian

When it comes to boundary-pushing cinema, few directors go as far into provocative territory as Bruce ...

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