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Lilly Wachowski Steps Back From ‘Matrix’ Franchise: “I’m Kinda Done”

Netflix Bets Big on ‘Ink’ as an Oscar Contender

Sarandon Says She’s Losing Roles Over Palestine Support

Nicolas Cage Says ‘Spider-Noir’ Cancellation Feels ‘Perfect’

Tokyo Film Festival Adds Awards for Women, New Talent Competition

Director Stops Her Own Venice Premiere Over Subtitle Error

Nathan Fielder’s Secret Elizabeth Holmes Doc Revealed at Telluride

Ernest Harden Jr., 73, Wins First Emmy for ‘The Pitt’

‘Spider-Noir’ Wins Five Emmys Days After Cancellation
Movie and TV Reviews

Primetime Review: Chris Hansen Meets the Monster of Celebrity

Diane in the Loop Review: Who Owns Another Generation’s Trauma?

Eklipse Review: AIDS Stigma Seen Through a Child’s Eyes

Our Share of Sand Review: Privilege Has a Price

The Grand Tour Review: The Keys Change Hands

Elsinore Review: Hamlet Becomes a Matter of Life and Death

The Idiot(s) Review: Dostoevsky Loses the Pedestal

Tender Loving Care Review: Kate O’Flynn Shines in Mike Leigh’s Intimate Drama

My Undesirable Friends: Part II – Exile Review: Six Hours Inside Political Displacement
Game Reviews

Crimson Moon Review: Soulslike Combat Finds a Faster Rhythm

Gallipoli Review: Every Bullet Changes the Battlefield

Aggelos 2 Review: Old-School Adventure Finds a Second Form

Box Knight Review: Corporate Hell Has Excellent Art Direction

NBA 2K27 Review: The NBA Experience Still Travels Well

Aliens: Fireteam Elite 2 Review: Four Marines Against an Old Threat

Nioh 3 Hell Rising Review: Building New Paths Through Edo

Theropods Review: Prehistory Meets Science Fiction One Puzzle at a Time

Grim Trials Review: Death Is Only the Training Phase
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Home Tag Ann Sirot and Raphaël Balboni

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Diane in the Loop Review

Diane in the Loop Review: Who Owns Another Generation’s Trauma?

by Shahrbanoo Golmohamadi

Sexual entitlement becomes almost absurdly visible when Diane reaches orgasm, announces that she is done, and ...

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