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Movie and TV News

Jeremy Clarkson’s Prostate Cancer Is in Remission: “I Am Without a Doubt the World’s Luckiest Man”

Yash’s Toxic Locks August 26 Release, Targeting India’s Biggest Multi-Holiday Weekend

Tony Leung on AI and Cinema: “There’s No Soul. I Don’t Think It’s an Art.”

Netflix Wins Sesame Street Movie Rights, Ending a 14-Year Development Saga

Sam Levinson Says Euphoria’s OnlyFans Storyline Was Always Meant as a Critique: “It Hollows Out the Individual”

The Man Who Voices Every Minion Reveals Why He Almost Quit — and What Brought Him Back

‘Friends’ Cast Mourns “Father Figure” James Burrows: “He Spoiled Us Rotten”

James Burrows, the Man Who Directed Over 1,000 Sitcom Episodes, Dies at 85

Amazon Drops Nearly Finished Sam Altman Film Months After Signing $50 Billion OpenAI Deal
Movie and TV Reviews

London’s Last Wilderness Review: Pablo Behrens Turns Neglect Into Sci-Fi

What Comes From Sitting In Silence? Review: Judge Khatoon Holds the Room

Heat Review: The Sun Becomes a System

Stormbound Review: IMAX Thunder, Overlit Metaphor

Stand Up Review: Disability Drama Without the Halo

The Voices of Our Mother Review: Caregiving Becomes the Curse

Blind Love Review: Repression Gets a Patient Close-Up

Husbands in Action Review: Two Dads, One Kidnapping, Pure Panic

Goat Girl Review: Childhood Looks at Death Without a Map
Game Reviews

Super Woden: Rally Edge Review: Arcade Rally With Real Bite

Secret Paws – Cozy Apartments Review: Tiny Cats, Big Perspective Tricks

33 Immortals Review: Big Raid Energy, Small Upgrade Sparks

Dave the Diver: In the Jungle Review: Bancho Takes the Grill Outside

Mousebusters Review: Rodent Scale, Human Sadness

EA Sports UFC 6 Review: The Stand-Up Game Finally Hits Clean

Tour de France 2026 Review: Rain Changes Everything, Little Else Does

Keep The Heroes Out Review: Dungeon Defense With Bite

Moonsigil Atlas Review: The Moon Makes Every Turn Count
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Everytime Review

Everytime Review: Austrian Cinema Delivers a Sovereign Psychological Simulation

by Naser Nahandian

The cinematic language of Austrian director Sandra Wollner moves at the frequency of ontological disturbance, where ...

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